Production and presence in the countries of Central America in Scopus on the theme of Documentation in Social Communication (1986-2013)

Describes and analyzes the results obtained after analysis of the publications present in Scopus data base and used that tool rankings generated by the research group Scimago on the production of the different countries of Central America on the issue of documentation the means of mass communication. Performed a comparative about different countries in the region and the scientific analyzes. Finally, and given and data analysis, a number of recommendations are made to improve the production and the presence in indexed database.

Aportaci��n cient��fica de los congresos de la AE-IC (2008-2014): rese��a hist��rica y estado actual de la investigaci��n en Comunicaci��n

Esta investigaci��n analiza la producci��n cient��fica presentada en los congresos de la Asociaci��n Espa��ola de Investigaci��n de la Comunicaci��n con el fin de comprender su desarrollo y su estado actual. Para ello, se han analizado 715 comunicaciones con veintid��s variables, entre las que se encuentran: el autor, el g��nero, la vinculaci��n institucional, la nacionalidad, el tipo de comunicaci��n, la metodolog��a empleada, la r��plica de contenidos, la tipolog��a descriptiva y la finalidad de las comunicaciones. Entre otros hallazgos, los resultados muestran una mayor��a femenina en la contribuci��n acad��mica, pero no entre los cargos acad��micos de mayor rango; la preferencia de los objetos de estudio empresariales, pero no profesionales o laborales; una tendencia hacia la mayor participaci��n de doctorandos; y una elevada concentraci��n de la producci��n cient��fica en cuanto a la tem��tica y la distribuci��n territorial.

An��lisis de la producci��n cient��fica de los arquitectos t��cnicos docentes universitarios en Espa��a. 1980-2015. Estudio de revistas indizadas en WOS-SCOPUS-CSIC (ICYT-ISOC)

Se estudia la producci��n cient��fica de los Arquitectos T��cnicos docentes universitarios en Espa��a en los ��ltimos 35 a��os ya que el cambio del t��tulo acad��mico al de Grado, el aumento del n��mero de doctores y el desarrollo de una pol��tica acad��mica que ha convertido en par��metro especial para medir la calidad de la Universidad la cantidad y calidad de los art��culos publicados han propiciado un cambio sustancial en esta ��rea del conocimiento. Se determina la investigaci��n producida a trav��s del an��lisis de las bases de datos WOS-SCOPUS-CSIC(ICYT-ISOC) y las revistas m��s utilizadas por esta disciplina y se analiza el n��mero de publicaciones de este colectivo por Universidades y revistas. El estudio llevado a cabo evidencia un cambio sustancial en la producci��n cient��fica de los arquitectos t��cnicos en Espa��a.

Approaches to documents of the Quebrada de Humahuaca, a path of exploration file of the Prelature of Humahuaca.

The work of cataloging and digitizing the Historical Ar-chive of the Prelature of Humahuaca, presents us with documen-tary mass, almost unused for historical research. Due to organiza-tional reasons, this documentary heritage was limited to consulta-tion of researchers. The development of ���Documenta��� project will allow us to know the contents of that file, get closer to these do-cuments for consultation and scientific production.

Analysis of audiovisual production and music scene in Extremadura through YouTube channels

A study on Extremenian music and audiovisual production has been carried out through YouTube media. The purpose of this study is to analyze all audiovisual products and also assessing what broadcasting processes are conducted by creators to publicize their musical and audiovisual works. A quantitative and qualitative study of audiovisual materials of Extremadura bands was done to find out which processes are most suitable to increase the number of viewers for videos.

Collaborative artistic laboratories. Transfrontier spaces of cultural production

The appearance of the open code paradigm and the demands of social movements have permeated the ways in which today���s cultural institutions are organized. This article analyzes the birth of a new critical and cooperative spatiality and how it is transforming current modes of cultural research and production. It centers on the potential for establishing the new means of cooperation that are being tested in what are defined as collaborative artistic laboratories. These are hybrid spaces of research and creation based on networked and cooperative structures producing a new societal-technical body that forces us to reconsider the traditional organic conditions of the productive scenarios of knowledge and artistic practice.

The technical and artistic branches and ways of organizing production in Argentine soap operas

Production processes and work organization in the cultural industries have been little discussed. For this reason, the study focuses on the production phases and the division of labor in technical and artistic branches in Argentine soap operas. There are six branches: production, direction, photography, art, sound and edition. We explain the branches, the workers involved and their function and activities. This research is based on a communicational perspective, the Political Economy of Communication and recovers contributions of the Sociology of Labour. From this combination, we attempt to provide elements of analysis to understand the functioning and organisation of daily television series. In the same way, we examine the creative work, the types of work redundant or random, the division of labour and the economies of time. The methodological approach is qualitative. In this way, the examination is based on the production of interviews with key actors of the sector and the documentary and bibliographical survey so as to systematize the data for the research.

Measuring the Diversity and the Integration of Film Production in Mercosur: A Social Network Analysis

Based on an original and comprehensive database of all feature fiction films produced in Mercosur between 2004 and 2012, the paper analyses whether the Mercosur film industry has evolved towards an integrated and culturally more diverse market. It provides a summary of policy opportunities in terms of integration and diversity, emphasizing the limiter role played by regional policies. It then shows that although the Mercosur film industry remains rather disintegrated, it tends to become more integrated and culturally more diverse. From a methodological point of view, the combination of Social Network Analysis and the Stirling Model opens up interesting research tracks to analyse creative industries in terms of their market integration and their cultural diversity.