The Worsening of the employment and work conditions and its relationship to the self-perceived health in European working population. Relevance and effects of the latest socioeconomic crisis

The recent crisis of the capitalistic economic system has altered the working conditions and occupations in the European Union. The recession situation has accelerated trends and has brought transformations that have been observed before. Changes have not looked the same way in all the countries of the Union. The social occupation norms, labour relations models and the type of global welfare provision can help underline some of these inequalities. Poor working conditions can expose workers to situations of great risk. This is one of the basic assumptions of the theoretical models and analytical studies of the approach to the psychosocial work environment. Changes in working conditions of the population seems to be important to explain in the worst health states. To observe these features in the current period of economic recession it has made a comparative study of trend through the possibilities of the European Working Conditions Survey in the 2005 and 2010 editions. It has also set different multivariate logistic regression models to explore potential partnerships with the worst conditions of employment and work. It seems that the economic crisis has intensified changes in working conditions and highlighted the effects of those conditions on the poor health of the working population. This conclusion can’t be extended for all EU countries; some differences were observed in terms of global welfare models.

Crisis y creación. Las ambivalentes relaciones germano-españolas en la producción cinematográfica de la primera mitad del siglo veinte

Las épocas de crisis político-social propician en especial medida la creación y el afianzamiento de determinados auto y heteroestereotipos. Esta afirmación resulta concluyente cuando se analiza cómo las distintas fases políticas de España a lo largo de la historia han condicionado de manera definitiva su imagen en el extranjero, en especial en Alemania. Las imágenes y estereotipos románticos creados a partir de la Guerra de la Independencia (1808-1814) sirvieron durante la primera mitad del siglo veinte de instrumento de manipulación propagandística que debía contribuir a ensalzar la ejemplaridad del aliado español. Este artificio político, que buscaba la simpatía ideológica con el sistema de valores nacionalsocialista, se valió de manera particular de las producciones cinematográficas hispano-alemanas para lograr su objetivo.