Circus Workshop in the chid Psychiatry

The following paper is about the possible psychological effects of social circus, and our experiences with teaching circus methods in children psychiatry. In the beginning the paper try to place social circus in a wider theoretical frame, and searches for the place of it among psychological methods and therapies. We look at the wider and the more specific psychological constructs, what can be effected by social circus, especially the factors which are damaged in children with psycological or psychiatrycal problems. We examine the different parts of circus, how they can help in different problems. The further aim is to research the effects of a continuous social circus group, and to find it’s own way among psychotherapies.

Travel, back and forth, to the myth. Cinema´s contribution to the formation of the tourist iconography of Mallorca

Mallorca, the largest of the Balearic Islands, is a well-known summer holidays destination; an ideal place to relax and enjoy the sun and the sea. That tourist gaze reflected on postcards results from advertising campaigns, where cinema played an important role with documentaries and fiction films. The origins of that iconography started in the decades of the 1920’s and 1930’s, reflecting the so-called myth of the “island of calm”. On the other hand, the films of the 1950’s and 1960’s created new stereotypes related to the mass tourism boom. Busy beaches and the white bodies of tourists replaced white sandy beaches, mountains and landscapes shown up in the movies of the early decades of the 20th century. Besides, hotels and nightclubs also replaced monuments, rural landscapes and folk exhibitions. These tourist images mirror the social and spatial transformations of Mallorca, under standardization processes like other seaside mass tourist destinations. The identity was rebuilt on the foundations of "modernity". Although "balearization" has not ceased, nowadays filmmaking about Mallorca is advertising again a stereotype close to that one of the 1920s and 1930s, glorifying the myth of the "island of calm". This singular identity makes the island more profitable for capital that searches socio-spatial differentiation in post-fordist times.

Le statuts y stématique du Genévrier oxycédre Junyperus oxycedrus L. (Cupressacées): une contribution d'ordre biochimique et biométrique

Dimensiosis des galbules et/ou teneur en prodelphinidine des aiguilles permettent trés généralement de déterminer les sous-espéces oxycedrus et macrocarpa, respectivement septentrionale-continentale et méridionale-insulaire, du Genévrier oxyeédre Juniperus oxycedrus L. Parcontre, la sous-espéce nord-africaine rufescens (en montagne) ne parah pas distinguable à ces titres de la sous-espéce type. Mais l’étude biochimique plus approfondie d’une (méta)population languedocienne montre l’existence d’un polymorphisme proanthocyanique indépendant de la taille des galbules. Les deux sous-espéces classiquement reconnues pourraient donc n’étre que les formes extremes, homozygotes pour le caractére chimique considéré, d’un méme génóme spécifique. Si les spécimens littoraux (Corse, Majorque, Maghreb) correspondent bien à la pleine expression (= prodelphinidine forte) de ce polymorphisme, certains échantillons «péri-littoraux» (Baléares et Languedoc) trahissent une introgression (actuelle ou ancienne) ayee appartion d’individus hétérozygotes, aux teneurs intermédiaires: des génes «macrocarpa» sont done bien presents au nord de la Méditerranée, méme si le phénoméne n’est pas morphologiquement décelable, et ne mérite pas d’étre formalisé en termes systématiques.

Place et rôle de Juniperus thurifera dans les structures de vegetation des Alpes du Sud

Les formations a genévrier thurifère des Alpes françcaises du sud, présentent un intérêt biogeographique et historique de première importance. Les auteurs étudient les structures de végétation que le genevrier organise dans les étages supraméditerranéen et montagnards.

Groupements arbustifs el mégaphorbiaies du haut Jura français. Quelques aspects particuliers

Tras las observaciones efectuadas durante la sesión de la Amical Internacional de Fitosociogía en la Jura franco-suiza, los autores exponen alganos datos complementarios sobre las comunidades megafórbicas jurasianas con Cicerbita alpina y Adenostyles alliaria y analizan desde un nuevo punto de vista, la comunidad arbustiva de Jun¡perus nana, Pinus uncinata, Sorbus chamaespilus, Laburnum alpinum.., que existen en los pisos subalpino y montano superior del Jura.

Women artists of the international avant-garde: the case of "Abstraction-Création" (1931-1936)

Women’s contribution to abstract art in the interwar period is a subject that, to date, has received very little attention. In this article we deal with the untold story of the participation of women artists in Abstraction-Création, the foremost international group dedicated to abstract art in the 1930s. Founded in Paris in 1931, the group took on the work of two previous collectives to become a platform for the dissemination and promotion of abstract art and consisted of around a hundred members. Twelve of these were women, whose writings and works were published in the group’s annual magazine, abstraction creátion art non figuratif (1932-1936), and who participated in a number of the group’s exhibitions. Compared to what had occurred in previous groups, the participation of women, although reduced in number, was comparable to that of the male artists and being members of the group had a generally positive impact on the women’s careers. However, all this came at the expense of relinquishing any gender specificity in their work and the public presentation of it, and demonstrates that the normalization of women’s contributions to the avant-garde could only be brought about alongside a questioning of the more dogmatic views of modernity.