5 resultados para Chile. Armada.

em Portal de Revistas Científicas Complutenses - Espanha


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Se estudió la vegetación en un gradiente de inclinación de un complejo de turberas, en la cordillera costera de Valdivia, Chile. Se levantaron 17 censos de vegetación, ubicados equidistantes en un transecto de 50 m. La tabla fitosociológica resultante se analizó con métodos estadísticos multivariables de ordenación y de clasificación. Además, se determinaron algunas características químicas del sustrato. El transecto estudiado corresponde a una coenoclina, cuya parte alta es ocupada por un alerzal (Fitzroyeturn cupressoidis), en la zona intermedia se desarrolla una turbera ombrogénica de Donatia fascicularis (Drosero-Donatieturn fascicularis) y, en la parte inferior, una topogénica de Sphagnum magellanicum (Sphagnetum magellanicii). En las zonas ecotonales entre estas comunidades prosperan pantanos turbosos de Astelia pumila (Astelio-Oreoboletum obtusangulae) y de Marsippospermum philippii (Marsippospormo-Astelietum pumiliae) que muestran escasa diferenciación florística. Se proponen dos alianzas fitosociológicas nuevas Donation fascicularis (turberas de Donatia) y Astelion pumilae (pantanos de Astelia) para la clase Myrteolo-Sphagnetea Oberdorfer 1960. Los contenidos de materia orgánica y de agua del sustrato son los factores determinantes de estos patrones de distribución. Finalmente, se analiza la posición fitogeográfica de las comunidades vegetales determinadas.

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Reality shows are TV programs which represent a format used in television nowadays; however, the observation practices of individual and/or group intimacy dates from thousands years ago. Sometimes this was driven by voyeurism or morbid fascination, some others, by the purpose of guarding, supervising and maintaining status quo. This work offers an alternative answer to the explanation of this type of TV program emergence and relates this appearance to a government procedure bound up with modern State terrorism which began at the end of the eighteenth century and has been recalled by different regimes until present days.

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The aim of this article is to analyze the social policy in Latin America in a context of emerging welfare states. To understand the changes one takes into consideration the theories about institutional reform and the transformations produced in the XX century and the beginning of the XXI to substitute a social security regime mainly based on segmentation of benefi ts and on programs to fi ght poverty by another with an institutional and redistributive nature. The paper pays attention in particular to the path of the most developed welfare states of Latin America: Costa Rica, Chile, Argentina, Brasil y Uruguay.

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This article fi rst summarizes the structural reforms of pensions (total or partial privatization) in Latin America and Central and Eastern Europe, identifying their advantages and disadvantages, and does the same with the international process of re-reforms of pensions with a greater role of the state. Second, chooses Chile as a case study, as a world pioneer in both types of reforms; describes their characteristics and effects on social welfare of the structural reform of 1981 and the re-reform of 2008. Such effects are evaluated based on ten basic principles of social security from the International Labour Offi ce (ILO): 1) social dialogue to approve the reforms, 2) universal coverage of the population, 3) equal treatment of insured persons, 4) social solidarity, 5) gender equity, 6) suffi ciency of benefi ts, 7) effi ciency and reasonable administrative cost, 8) social participation in the management of the system, 9) role of the state and supervision, and 10) fi nancial sustainability. Third, it summarizes the advantages and disadvantages-challenges of the re-reform and informs on the current debate for further reforms.

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Young people are less explored in museum audience research; this is a paradoxical situation when considering its strategic location in the cultural reproduction and if considering the high performing cultural consumption compared with other sectors. The phenomenon of museums consumption by young Chileans who are self recognized as public and non-public museums is explored from a qualitative approach. It was conducted with focus groups in the three largest cities in Chile (Santiago, Valparaíso and Concepción). They identify the museum as a cultural institution in full force. However, in questioning museums activity youth reveal the specificity of their cultural matrix. This is referred to a social temporality based on the fragment, the discourse of familiarity, proximity and instead of breaking and critical. They claim a museum aesthetic / historical experience based on pleasure and enjoyment. An overview is proposed to further clarify the youth cultural consumption to characterize more precisely the place of the museum in the set, to design more effective policies museums.