Form, fi gure, and the experience of time in seven southern composers of the 1950s-60s

After the 1980s it is diffi cult, following stylistic criteria, to draw a map of contemporary academic music. All styles are compossible, and all are practiced. In this context, the geographical entity “South of Italy” does not stand out for a musical identity with special technical-stylistic features. Rather, at a socio-cultural level, the South remains today – in music no less than in all areas where there is a gap between top development and stagnation – a land of emigrants: six out of the seven composers treated (Ivan Fedele, Giuseppe Colardo, Rosario Mirigliano, Giuseppe Soccio, Nicola Cisternino, Biagio Putignano, Paolo Aralla) live in the North of Italy. The positive aspect of this is the affi nity of the South with the transnational and superstructural community of contemporary music, which from European and Western has now become almost global. The composers under consideration belong to the generation of the ‘50s, rooted in the serial and post-serial movements (from which Franco Donatoni, Luciano Berio, Luigi Nono, Salvatore Sciarrino, Giacinto Scelsi, are the principals models, to mention only the Italians), dipped in the general phenomenon of timbrism (particularly spectralism), and acquainted with electronics. They draw from these sources various instruments of compositional technique and aspects of their poetics. In particular these composers, active from the ‘80s, develop new ways of construction of the temporal form of music. They share the goal to establish a new continuity, different from the tonal one but at the same time transcending the serial and post-serial disintegration and fragmentation. The primary means to this end is a new enhancement of the category of fi gure, as a clear and distinct, recognizable aggregate of pitches, intervals, register, durations, timbre, articulation, dynamics, and texture. Each composer elaborates the atonal fi gural material in different ways, emphasizing one aspect or another. For example, Fedele (1953) is a master in the management of form per se, Colardo (1953) in the activation of disturbed harmonic effects, Mirigliano (1950) in the creation of a slight tension from the smallest vibrations of sound, Soccio (1950) in the set up of movement by means of accumulations and discharges of energy, Cisternino (1957) in a Cagean-Scelsian emphasis on sound as such, Putignano (1960) in the suspension of time through the succession and transformation of images, Aralla (1960) in the foundation of form from below, from the concreteness of sound.

Mit Ofelii we francuskojęzycznej literaturze belgijskiej doby symbolizmu.

Wydział Neofilologia: Instytut Filologii Romańskiej

СЛІДИ КОНФЛІКТУ – ПОЛІТИЧНІ В’ЯЗНІ У ПРОЗІ ЗОФІЇ НАЛКОВСЬКОЇ

The main aim of the article is highlighting subplots present in the prose works of Nałkowska which are devoted to Ukrainian and Belarusian political prisoners. The author maintains that the Polish colonizing activity along the so-called ‘Eastern Borderland’ requires a detailed and comprehensive study. The results of this analys is should then be compared against contemporary Ukrainian literature as well as the history of the national liberation and nationalist movements at the beginning of 20th century. The article explores three prose texts by Nałkowska, that is, “Węzły życia” (The Bonds of Life), “Niedobra miłość” (Bad Love) and “Ściany świata” (The Walls of the World). The subplots present in all three works can be analyzed in terms of inevident, yet indelible traces pertaining to ethnic conflicts between Poles, Ukrainians and Belarusians, as well as the Jewish pogroms. The themes that span the above- mentioned text can be outlined as follows: first of all, the radical metamorphosis of political attitudes on the part of the protagonists representing former Legionists; secondly, the heroines’ active work for the benefit of the prisoners, also the political ones. In spite of censorship and visibly more and more extreme politics of the authoritarian state towards ethnic minorities, Nałkowska remained one of the few writers who managed to deliver the arrested history of persecutions. Keywords: politics of colonization, national minority, traces of conflict, political prisoners