Incidental Memory of Younger and Older Adults for Objects Encountered in a Real World Context

Effects of context on the perception of, and incidental memory for, real-world objects have predominantly been investigated in younger individuals, under conditions involving a single static viewpoint. We examined the effects of prior object context and object familiarity on both older and younger adults' incidental memory for real objects encountered while they traversed a conference room. Recognition memory for context-typical and context-atypical objects was compared with a third group of unfamiliar objects that were not readily named and that had no strongly associated context. Both older and younger adults demonstrated a typicality effect, showing significantly lower 2-alternative-forced-choice recognition of context-typical than context-atypical objects; for these objects, the recognition of older adults either significantly exceeded, or numerically surpassed, that of younger adults. Testing-awareness elevated recognition but did not interact with age or with object type. Older adults showed significantly higher recognition for context-atypical objects than for unfamiliar objects that had no prior strongly associated context. The observation of a typicality effect in both age groups is consistent with preserved semantic schemata processing in aging. The incidental recognition advantage of older over younger adults for the context-typical and context-atypical objects may reflect aging-related differences in goal-related processing, with older adults under comparatively more novel circumstances being more likely to direct their attention to the external environment, or age-related differences in top-down effortful distraction regulation, with older individuals' attention more readily captured by salient objects in the environment. Older adults' reduced recognition of unfamiliar objects compared to context-atypical objects may reflect possible age differences in contextually driven expectancy violations. The latter finding underscores the theoretical and methodological value of including a third type of objects-that are comparatively neutral with respect to their contextual associations-to help differentiate between contextual integration effects (for schema-consistent objects) and expectancy violations (for schema-inconsistent objects).

The body social: an enactive approach to the self

This paper takes a new look at an old question: what is the human self? It offers a proposal for theorizing the self from an enactive perspective as an autonomous system that is constituted through interpersonal relations. It addresses a prevalent issue in the philosophy of cognitive science: the body-social problem. Embodied and social approaches to cognitive identity are in mutual tension. On the one hand, embodied cognitive science risks a new form of methodological individualism, implying a dichotomy not between the outside world of objects and the brain-bound individual but rather between body-bound individuals and the outside social world. On the other hand, approaches that emphasize the constitutive relevance of social interaction processes for cognitive identity run the risk of losing the individual in the interaction dynamics and of downplaying the role of embodiment. This paper adopts a middle way and outlines an enactive approach to individuation that is neither individualistic nor disembodied but integrates both approaches. Elaborating on Jonas' notion of needful freedom it outlines an enactive proposal to understanding the self as co-generated in interactions and relations with others. I argue that the human self is a social existence that is organized in terms of a back and forth between social distinction and participation processes. On this view, the body, rather than being identical with the social self, becomes its mediator

Ezagutzaren dinamika Ikas Komunitateetan

[EUS] Laurogeita hamarreko hamarkadan, Eusko Jaurlaritzako Berriztapen Pedagogikoaren Zuzendaritzak eta Bartzelonako Unibertsitateko CREA (Gizarte eta Heziketarako Ikerkuntza Zentroa) ikerkuntza-taldeak Ikas Komunitateen proiektua jarri zuten martxan, elkarlanean, Euskal Autonomia Erkidegoko lau zentrotan. Zentro horiek hezkuntza-proiektu berri bat abiatzeko bidea ematen dute; izan ere, porrot akademiko handia izatearren hautatu dira, ikasle-taldeen aniztasunaren egoerari heltzeko arazo ugari dituztelako edota dauden lekuetan gizarte-bazterkeriarekin loturiko arazo anitz daudelako. Aldi berean, proiektuak eraldaketa proposatzen du, bai eskolarena, baita inguruarena ere, eta, horretarako, eskolako partaide guztiak hartzen ditu kontuan. Emaitza onak ikusi ostean, eta, hezkuntza-berriztapenaren alorrean lehentasuna izanik, ekimena zabaltzen hasi zen hastapeneko zentroez bestelako ezaugarri sozioedukatiboak dituzten eskoletara ere. Esperientzia berritzaile horiek aurrera eramateko gogo handiz agertu ziren, baita ere, «praktika on»en paradigma ez zirenak, eta, emaitzei begiratzen badiegu, dirudienez, etekin onak lortzen ari dira zentroetan. Ikas Komunitateen proiektuak berekin daraman gaitasun eraldatzaileak egokitzeko berezko ahala erakusten du. Egokitzapen horretan, eskolaren —inguruarekin batera— eta proiektuaren arteko sinbiosia lortzen da, hezkuntzako arrakasta- ekintzak sustatuz.

La secuencia del Neolítico en La Rioja Alavesa desde su origen hasta las primeras edades del metal

Homenaje a Ignacio Barandiarán Maestu / coord. por Javier Fernández Eraso, Juan Santos Yanguas

El desafío de exponer: procesos y retos museográficos

Il y a aussi des chapitres en français. There are also chapters in English. Cap. 1. El complicado arte de exponer. Iñaki Arrieta Urtizberea. Cap. 2. “Esta exposición no es para este museo”. Las salas permanentes del Museu Valencià d’Etnologia. Joan Segui. Cap. 3. Debunking, Decentralizing and Dissonance: Cultural Jamming @ Museum of Vancouver. Viviane Gosselin. Cap. 4. L’exposition des objets de cultures autochtones aujourd’hui, gain ou perte de sens? Le cas de l’exposition « C’est notre histoire... » au Musée de la civilisation de Québec. Daniel Arsenault et Nadine Desbiens. Cap. 5. El Born de Barcelona: exposiciones conmemorativas, límites, problemas y desafíos. Francesc Xavier Hernàndez Cardona. Cap. 6. Silencios y omisiones: narrando y exhibiendo la historia nacional. Magdalena Mieri. Cap. 7. Exhibiting the Commons. The Case of Tensta konsthall. Haizea Barcenilla Garcia. Cap. 8. Interactividad y patrimonio. Retos, tendencias y líneas de futuro. Núria Serrat Antolí.

Matematika eta Artea: Cosmología acrobática - Daniel Tamayo

[EUS] Haur Hezkuntzan beharrezkoa da ikasketa prozesuari zentzua ematea, bereziki abstraktuagoak diren edukiei. Historian zehar izan duten loturagatik aproposa gerta daiteke matematika arte munduarekin eta arte munduko hainbat kontzeptuekin lotzea. Lotura honetaz baliatuz, ikasleek, sentimenduak, sormena eta nozio estetikoak landuko dituzte matematikako, bereziki geometriako edukiak barneratzen dituzten bitartean. Azaltzen den proiektua, 5 urteko gelan gauzatu da, hurbiletik-urrunera kontzeptua praktikan jarriz, ohiko objektuetatik hasi eta Tamayoren“Cosmología acrobática” obran bukatuz, 3 dimentsiotik, 2 dimentsiora.

Ume txikien emozioak joko-jolas motorretan

[eus] Lan hau 3 urteko umeen gelan egindako ikerketa bat da, bertan, jolas tradizionalak praktikan jarriko dira eta hauek umeen emozioetan duten eragina aztertuko da. Horretarako ikerketa hau 3 fase desberdinetan planteatu dugu: lehenengo pausua, jolas tradizionalak irudien bidez zer diren azaltzea izan da; ondoren, kontinente desberdinetako jolas tradizional batzuk burutu egin ditugu; eta, jarraian, umeak sentitu dutena marrazki batean adierazi dute. Praktikatutako jardueren barne logika aztertu dugu, espazio, denbora, harremanak eta objektuak eta umeek marraztutako marrazkiekin erlazionatu ditugu.