New Insights from Aperiodic Variability of Young Stars

Nearly all young stars are variable, with the variability traditionally divided into two classes: periodic variables and aperiodic or "irregular" variables. Periodic variables have been studied extensively, typically using periodograms, while aperiodic variables have received much less attention due to a lack of standard statistical tools. However, aperiodic variability can serve as a powerful probe of young star accretion physics and inner circumstellar disk structure. For my dissertation, I analyzed data from a large-scale, long-term survey of the nearby North America Nebula complex, using Palomar Transient Factory photometric time series collected on a nightly or every few night cadence over several years. This survey is the most thorough exploration of variability in a sample of thousands of young stars over time baselines of days to years, revealing a rich array of lightcurve shapes, amplitudes, and timescales.

I have constrained the timescale distribution of all young variables, periodic and aperiodic, on timescales from less than a day to ~100 days. I have shown that the distribution of timescales for aperiodic variables peaks at a few days, with relatively few (~15%) sources dominated by variability on tens of days or longer. My constraints on aperiodic timescale distributions are based on two new tools, magnitude- vs. time-difference (Δm-Δt) plots and peak-finding plots, for describing aperiodic lightcurves; this thesis provides simulations of their performance and presents recommendations on how to apply them to aperiodic signals in other time series data sets. In addition, I have measured the error introduced into colors or SEDs from combining photometry of variable sources taken at different epochs. These are the first quantitative results to be presented on the distributions in amplitude and time scale for young aperiodic variables, particularly those varying on timescales of weeks to months.

The interaction of color and luminance in stereoscopic vision

Experiments are described using the random dot stereo patterns devised by Julesz, but substituting various colors and luminances for the usual black and white random squares. The ability to perceive the patterns in depth depends on a luminance difference between the colors used. If two colors are the same luminance, then depth is not perceived although each of the individual squares which make up the patterns is easily seen due to the color difference. This is true for any combination of different colors. If different colors are used for corresponding random squares between the left and right eye patterns, stereopsis is possible for all combinations of binocular rivalry in color, provided the luminance difference is large enough. Rivalry in luminance always precludes stereopsis, regardless of the colors involved.