The Irregular Ribbed Vault of the Sacristy of the Cathedral of Saint-Jean Baptiste in Perpignan

The vault of the sacristy of the Cathedral of Saint-Jean Baptiste in Perpignan (France), constructed by the Majorcan architect Guillem Sagrera between 1433 and 1447, is an outstanding, yet strikingly unknown, example of rib vaulting. This paper analyzes the overall construction of the form of the vault, characterized by its highly irregular perimeter, with particular attention to an isolated decorated corbel which solves the problem of the wall support of a group of six ribs and is in stark contrast with the rest of the supports, which are completely unadorned. Given the extreme rigour of Sagrera in all his works (and this one in particular), this apparent “capriccio” must be justified not only by decorative or formal requirements, but also by the constructive logic of Gothic vaulting system

The Tomato Processing Industry in Portugal

Portugal is a major producer of tomatoes for processing. Is export industry now ranks 4th worldwide; before the strongly protectionist European Common Market policy initiated in the early 1970s it ranked 3rd. The culture of tomatoes for processing in irrigated areas of Portugal is favored by the dry, warm summer that characterizes Mediterranean climates. In addition the summer in Portugal is not too hot for a good tomato set.

Evaluation of the applicability of FRA for inter-turn fault detection in stator windings

In this paper, the applicability of the FRA technique is discussed as a method for detecting inter-turn faults in stator windings. Firstly, this method is tested in an individual medium-voltage stator coil with satisfactory results. Secondly, the tests are extended to a medium-voltage induction motor stator winding, in which inter-turn faults are performed in every coil end of one phase. Results of the frequency response in case of inter-turn faults are evaluated in both cases for different fault resistance values. The experimental setup is also described for each experiment. The results of the application of this technique to the detection of inter-turn faults justify further research in optimizing this technique for preventive maintenance.

Modelos matemáticos del crecimiento, alimentación y respiración de la trucha arco iris, salmón, tenca, anguila, rodaballo, lenguado, lubina, dorada y seriola. Aplicación al diseño de instalaciones de cultivo

En esta tesis, en su primera parte, se desarrollan modelos matemáticos para tratar de predecir el crecimiento en condiciones normales de cultivo de las siguientes especies: Trucha arco iris (Salmo garidneri), salmón (Salmón salar), tenca (Tinca tinca), anguila (Anguilla anguilla), rodaballo (Scophthalmus maximus), lenguado (Solea solea), lubina (Dicentrarchus labrax), dorada (Sparus aurata) y seriola japonesa (Seriola quinqueradiata). En la segunda parte, en base a postulados fisiológicos, se desarrollan modelos bioenergéticos que tratan de cuantificar la alimentación, crecimiento, respiración, excreción de productos nitrogenados y pérdidas fecales, en función de la tasa de alimentación, para las especies indicadas anteriormente. En la tercera parte se indican posibles utilizaciones de estos modelos para el cálculo del planning de producción, necesidades de agua y necesidades de estanques, para el caso de un cultivo intensivo de estas especies. ABSTRACT In this Doctorate Thesis, the first part is dedicated to the development of mathematical models, in order to estimate the growth, under normal culture conditions, of the following species: Rainbow trout (Salmo gairdneri)/ salmon (Salmo salara, tench (Tinca tinca), eel (Anguilla anguilla), turbot (Scophthalmus maximus), sole (Solea solea), seabass (Dicentrarchus labrax), seabream (Sparus aurata), and yellowtail (Seriola guingueradiata). In the second part, in basis to physiological postulates, bioenergetic models are developed. These models try to quantify the feeding, growth, excretion of nitrogenous and fecal products, according to the feeding rate, for the above mentioned species. In the third part, possible aplications of these models are indicated, including the production planning as well as water pond requirements for an intensive culture of the mentioned species.

Flujo laminar: el cementerio de Igualada y los procesos elásticos en la arquitectura de Enric Miralles y Carme Pinós

La tesis Flujo Laminar, El cementerio de Igualada y los procesos elásticos en la arquitectura de Enric Miralles y Carme Pinós analiza la metodología que utilizan y desarrollan los arquitectos Miralles y Pinós en el proyecto del cementerio de Igualada. Enric Miralles y Carme Pinós comienzan a trabajar juntos en 1983, separándose siete años después. La producción arquitectónica que generan durante este periodo ha sido valorada y considerada por la crítica como una de las de mayor calidad en el último cuarto del siglo XX. Respecto a esta etapa de colaboración existen artículos dispersos que analizan de manera aislada algunos aspectos de sus proyectos. Sin embargo, no se han realizado estudios que analicen su metodología proyectual, sus herramientas, sus estrategias y sus diferentes conexiones y referencias. Tampoco se han analizado hasta el momento, cómo son sus procesos proyectuales, sus tiempos y sus objetivos. En este sentido, el proyecto del cementerio de Igualada será clave en la trayectoria del equipo. El tiempo extenso empleado en el proceso y la singularidad de la obra, además de otros factores del propio imaginario de Miralles y Pinós, marcarán a este proyecto como un punto de inflexión en su trabajo. La investigación plantea, en primer lugar, la descripción del contexto en el cual se comienzan a desarrollar los proyectos iniciales de Miralles y Pinós, además de los antecedentes que generarán la propuesta para el cementerio de Igualada. Seguidamente, se describen y analizan los apoyos y las referencias que los arquitectos utilizan en este proyecto, tanto las vinculadas a la cultura local como las atrapadas desde el imaginario universal. Por otro lado, el bloque central de la investigación aporta doce herramientas que construyen la metodología proyectual de Miralles y Pinós. Esta contribución se ha realizado desde el análisis y el cruce de los documentos originales del proyecto de Igualada y los escritos existentes de los arquitectos. Las herramientas aportadas son: deslizar, desplazar, repetir, enterrar, constreñir, oscilar, estirar, desenredar, desviar, rehacer, hendir y fluir. Todas ellas se describen, analizan e interpretan desde setenta y dos documentos esenciales extraídos del proceso de Igualada. Un último capítulo de conclusiones, define lo que se presenta en la investigación como una metodología propia de Enric Miralles y Carme Pinós, denominada procesos elásticos, en el que se describen sus cualidades y sus tiempos, a la vez que se presenta también una táctica empleada en el proyecto de Igualada denominada flujo laminar. ABSTRACT The thesis Laminar Flow, the Igualada cemetery and the elastic processes in the architecture of Enric Miralles and Carme Pinós analyses the methodology that the architects Miralles and Pinós used in the project for the Igualada cemetery park. Enric Miralles and Carme Pinós began to work together in 1983, and went their different ways seven years later. The architectural production they generated during that period has been valued and considered by critics to be among the greatest quality of production in the final quarter of the twentieth century. There is a scattering of articles about this period which give an independent analysis of some features of their products. However, there are no studies which analyse their project design methodology, their tools, their strategies and their different connections and references. Neither has there been analysis to date of the nature of their project design processes, nor of their times and their aims. Within this context, the Igualada cemetery project was key in the path to be trodden by the team. The great length of time used on the process and the singularity of the work, alongside other factors from Miralles and Pinós's personal imaginarium, were to mark this project as a turning point in their work. This research sets out, first of all, to describe the context in which the early projects by Miralles and Pinós began to be developed, as well as the background to the generation of their proposal for the Igualada cemetery. There follows a description and analysis of the resources and of the references that the architects used in this project, both those linked to local culture and those picked from the universal imaginarium. Furthermore, the central block of the research identifies twelve tools which make up Miralles and Pinós's project design methodology. This contribution has been performed on the basis of analysis and comparison of the original Igualada project documents and of writings extant by the architects. The tools identified are: slide, shift, repeat, bury, constrain, oscillate, stretch, untangle, divert, redo, groove and flow. They are all described, analysed and interpreted on the basis of seventy-two essential documents extracted from the Igualada process. A final chapter of conclusions defines what is presented in the research as a methodology which is specific to Enric Miralles and Carme Pinós, denominated elastic processes, describing their qualities and their times, along with the presentation of a tactic used in the Igualada project which is denominated laminar flow.