14 resultados para mixture of distribution hypothesis

em University of Michigan


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At head of title: U. S. Department of commerce. R. P. Lamont, secretary. Bureau of the census. W. M. Steuart, director.

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Mode of access: Internet.

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At head of title: U.S. Department of commerce. Roy D. Chapin, secretary. Bureau of the census. W. M. Steuart, director.

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"Errata" slip inserted between p. 44 and 45.

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Hudson, C.S., cl. of 1901.

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"Delivered at the tabernacle, on Monday evening, December 18, 1843, by request of the Irish Emigrant Society."

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A reply to Bishop John Hughes' "A lecture on the mixture of civil and ecclesiastical power, in the governments of the Middle Ages."

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Series title also at head of t.-p.

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Do the “democratization” of media and the proliferation of online participatory culture undermine the aesthetic hegemony of professional filmmakers? This article is a case study of both more and less popular animated Lego videos, also called “brickfilms,” that asks how amateur videos adhere to and/or depart from professionalized aesthetic standards. It addresses the definitions of professionalism and amateurism and proposes that the dichotomy between democratization and ongoing elitism is insufficient to describe the complex dialogue between professional film aesthetics and amateur production—a dialogue that is diverse but nonetheless follows certain patterns. These patterns link Lego videos to silent era cinema as well as contemporary professional live-action and stop-motion animation. Furthermore, a mixture of parody, pastiche, and homage suggest that amateur work has a variety of affective relationships to professional work. Ultimately, amateur filmmaking indicates a negotiation of professional standards rather than slavish adherence.