The seven lamps of architecture; also, Lectures on architecture and painting; The study of architecture; Sesame and lilies; Unto this last; The queen of the air; The storm-cloud of the nineteenth century /

Mode of access: Internet.

Dutch painting in the nineteenth century,

Mode of access: Internet.

Hand book of the Pierce art collection of reproduction of the masterpieces of painting, from the thirteenth to the twentieth century, with suggestions for the use and enjoyment of the collection and a brief history of the development of the art of painting.

Mode of access: Internet.

A history of painting in Italy : Umbria, Florence and Siena from the second to the sixteenth century /

"Biographies of the authors": v. 1, p. ix-xviii.

A history of painting in Italy, Umbria, Florence and Siena, from the second to the sixteenth century,

Vol. 3, edited by Langton Douglas; v. 4, by Langton Douglas, assisted by G. de Nicola; v. 5-6, by Tancred Borenius.

French painting in the sixteenth century,

"This book has been translated from Monsieur Dimier's French ms. by Mr. Harold Child."

Dutch painting in the nineteenth century,

Mode of access: Internet.

The history of painting in Italy, from the period of the revival of the fine arts to the end of the eighteenth century;

Vol. 1: 1888; v.2: 1887; v.3: 1854.

Great painters of the XIXth century and their paintings,

Mode of access: Internet.

The story of French painting,

Mode of access: Internet.

Anatomy improv'd and illustrated with regard to the uses thereof in designing : not only laid down from an examen of the bones and muscles of the human body, but also demonstrated and exemplified from the most celebrated antique statues in Rome : exhibited in a great number of copper plates, with all the figures in various views : intended originally for ye use of the Royal French Academy of Painting and Sculpture /

Re-engraved by Michael van der Gucht and others after the original edition published at Rome in 1691.

A treatise on the art of painting, in all its branches; accompanied by seventy engraved plates, and exemplified by remarks on the paintings of the best masters, illustrating the subject by reference to their beauties and imperfections.

Plates by John Carwitham after Lairesse. They are numbered I-LXXI, with II/III and IV/V on single leaves.

Ars pictoria, or, An academy treating of drawing, painting, limning, etching : to which are added XXXI copper plates, expressing the choicest, nearest, and most exact grounds and rules of symmetry /

Errata for Ars pictoria, p. [8] of preliminaries. Errata for Appendix, p. 39.

A practical treatise on painting : in three parts : consisting of hints on composition, chiaroscuro, and colouring : the whole illustrated by examples from the Italian, Venetian, Flemish, and Dutch schools /

Pagination, part 1: 31 pages, 9 leaves of plates; part 2: vi, 45 pages, 8 leaves of plates; part 3: ix, 64 pages, 8 leaves of plates.

Historia del regno di Napoli : divisa in XX. libri ... /

Frontispiece: unsigned engraved portrait of the author; woodcut head- and tail-pieces; decorative initials.