English biography,

Mode of access: Internet.

The art of biography,

"A short list of books": p. 149-155.

Select tales. Being a compilation of singular, interesting, remarkable and authentic narratives, ancient and modern. Selected principally from the most esteemed and popular literary works, European and American, the greater part of which have never before been offered to the public in book form.

14th. A remarkable vision of Charles the eleventh of Sweden.--15th. An awful and authentic narrative of the monster Benito de Soto, the pirate of the Morning Star.--16th. The first and last sacrifice.--17th. The tiger's cave; or, The melancholy and tragical fate of Captains Wharton and Lincoln.--18th. The first and last love.--19th. The Scottish landlady, and her lodgers ... by Mr. Galt.--20th. Traditionary anecdotes of the Countess of Stair.--21st. First and last love.--Agnes Fitzroy.--22nd. The death of Alice Bland ... by the author of the Tales of a pilgrim--23d. Herby and his twelve wives.--24th. The murder hole.--25th. A remarkable trial of murders.

Quatrains collected from the miscellaneous publications and scattered documents of the Sette off odd volumes, together with a fore-word on the quatrain as a form of literary art.

Collected by Silvanus P. Thompson, magnetizer, with forewords by Brother John Todhunter, playwright. cf. colophon.

Literary taste, how to form it, with detailed instructions for collecting a complete library of English literature;

Mode of access: Internet.

Literary Coteries and the Making of Modern Print Culture, 1740-1790 /

Literary Coteries and the Making of Modern Print Culture, 1740-1790 offers the first study of manuscript-producing coteries as an integral element of eighteenth-century Britain’s literary culture. As a corrective to literary histories assuming that the dominance of print meant the demise of a vital scribal culture, the book profiles four interrelated and influential coteries, focusing on each group’s deployment of traditional scribal practices, on key individuals who served as bridges between networks, and on the aesthetic and cultural work performed by the group. Literary Coteries also explores points of intersection between coteries and the print trade, whether in the form of individuals who straddled the two cultures; publishing events in which the two media regimes collaborated or came into conflict; literary conventions adapted from manuscript practice to serve the ends of print; or simply poetry hand-copied from magazines. Together, these instances demonstrate how scribal modes shaped modern literary production.