200 resultados para Papal medals
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Mode of access: Internet.
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[Early Conceptual Sketches of Throne], untitled. Brown ink sketches on tracing paper, 12 x 23 1/2 inches [from photographic copy by Lance Burgharrdt]
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[Early Conceptual Sketches of Throne], untitled. Brown ink sketches on tracing paper, 12 x 18 3/4 inches [from photographic copy by Lance Burgharrdt]
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[Early Conceptual Sketch of Throne], untitled. Brown ink sketch on tracing paper, 12 x 19 1/4 inches [from photographic copy by Lance Burgharrdt]
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[Conceptual Sketch], untitled. Blue ink sketch on tracing paper with yellow marker coloring, 12 x 18 1/2 inches [from photographic copy by Lance Burgharrdt]
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[Conceptual Sketches of Throne], untitled. Black and blue ink sketches on tracing paper with yellow marker coloring, 18 x 29 3/4 inches [from photographic copy by Lance Burgharrdt]
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[Schematic Design Drawing of Throne Elevation and Section], untitled. Pencil and purple pencil drawing on vellum, 21x24 inches [from photographic copy by Lance Burgharrdt]
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[with Olympic medals]
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Mode of access: Internet.
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"Useful works of reference": p. xxvi-xxviii.
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Mode of access: Internet.
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Mode of access: Internet.
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The present 30 volumes seem to have remained with the Dukes of Leuchtenberg, until the ducal library was acquired for sale in 1935 by the dealers Ulrich Hoepli (Milan) and Braus-Riggenbach (Basel). The volumes are not complete, as leaves have been wholly or partly removed throughout; this is particularly evident in preliminary volumes 2 and 10 and volume 75. Prints and the relatively small number of drawings are mostly French, with some German, Dutch and English, and are mostly of the 17th or 18th centuries. They are mounted generally on rectos of leaves, often with hand-written captions. Large prints are occasionally bound in directly; these are often folded. The engraved general title page (bearing the date 1788) appears at the beginning of each volume; below the printed title a hand-written volume number and brief title describing the volume's contents usually appear. In many volumes the title leaf is followed by a hand-written contents leaf listing the section titles, which are also written individually throughout the volume on leaves with etched decorative frames. Sections are numbered continuously throughout the work as a whole. Numbering of the leaves, when present, appears in black ink within each volume at top center recto. Printmakers include B. & J. Audran, Francesco Bartolozzi, Abraham Bosse, Stefano della Bella, Jacques Callot, François Chéreau, Wenceslaus Hollar, Romeyn de Hooghe, Raymond La Fage, Sébastien Le Clerc, Pierre Lepautre, Claude Mellan, Bernard Picart, and Simon Thomassin. There are also early color prints by Gautier-Dagoty and Jean-Baptiste Morret.
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Contains Francesco Albertini's Opusculum de mirabilibus novae et veteris urbis Romae, leaves I-LXXX, which includes a reference to Vespucci, leaf LXXX.
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"Preface and apology" on p. [3] contains information on Mrs. Fisher's life and names of benefactors in San Francisco and Oakland who assisted her in writing the book.