78 resultados para One-author literary journals


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The essays in this book have been selected from Les contemporains. Introd.

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Frontispiece accompanied by protective sheet.

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Published anonymously; here ascribed to Greenfield, assistant professor of rhetoric at Edinburgh, 1784-1801, on authority of Grant, Story of Univ. of Edinb., 1884, v. 2, pt. 359; Scott, Fasti eccl. scot., v.1 (1915) p. 60-61; Notes & queries, 4 ser., v. 8, p. 75. In the Brit. mus. Catalogue, Dict. nat. biog., Green, Bibl. Somerset, and Halkett & Laing, Dict. of anon. and pseud. lit., it is ascribed to Edward Mangin. Cushing (Anonyms, 1889) attributes it to Martin MacDermot.

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How can the modern individual control his or her self-representation when the whole world seems to be watching? This question is a familiar one amid the the twenty-first century's architecture of 24-hour newsrooms, chat rooms and interrogation rooms, but this book traces this question back to the stages, the pages, and the streets of eighteenth-century London--and to the strange and spectacular self-representations performed there by England's first modern celebrities. These self-representations include the enormous wig that the actor, manager, and playwright Colley Cibber donned in his most famous comic role as Lord Foppington--and that later reappeared on the head of Cibber's cross-dressing daughter, Charlotte Charke. They include the black page of 'Tristram Shandy,' a memorial to the parson Yorick (and his author Laurence Sterne), a page so full of ink that it cannot be read. And they include the puffs and prologues that David Garrick used to hiehgten his publicity while protecting his privacy; the epistolary autobiography, modeled on the sentimental novel, of Garrick's protégée George Anne Bellamy; and the elliptical poems and portraits of the poet, actress, and royal courtesan Mary Robinson, known throughout her life as Perdita. Linking all of these representations is a quality that Fawcett terms "over-expression." 'Spectacular Disappearances' theorizes over-expression as the unique quality that allows celebrities to meet their spectators' demands for disclosure without giving themselves away. Like a spotlight so brilliant it is blinding, these exaggerated but illegible self-representations suggest a new way of understanding some of the key aspects of celebrity culture, both in the eighteenth century and today. They also challenge many of the disciplinary divides between theatrical character and novelistic character in eighteenth-century studies, or between performance studies and literary studies today. Drawing on a wide variety of materials and methodologies, 'Spectacular Disappearances' provides an overlooked but indispensable history for scholars and students of celebrity studies, performance studies, and autobiography--as well as to anyone curious about the origins of the eighteenth-century self.

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"Proceedings on the trial of Robert Faulder, bookseller (one of forty against whom actions were brought for selling the Baviad) for publishing a libel on John William, alias Anthony Pasquin, esq.": p.[91]-128.

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"The first publications ... appeared under the name of Thomas Mawe &c which ... is joined by that of the real author ... John Abercrombie."

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Vol. 10, pp. 221-263 contains biographical and literary remarks of Dominik C. Chodzko on Brodzinski.

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14th. A remarkable vision of Charles the eleventh of Sweden.--15th. An awful and authentic narrative of the monster Benito de Soto, the pirate of the Morning Star.--16th. The first and last sacrifice.--17th. The tiger's cave; or, The melancholy and tragical fate of Captains Wharton and Lincoln.--18th. The first and last love.--19th. The Scottish landlady, and her lodgers ... by Mr. Galt.--20th. Traditionary anecdotes of the Countess of Stair.--21st. First and last love.--Agnes Fitzroy.--22nd. The death of Alice Bland ... by the author of the Tales of a pilgrim--23d. Herby and his twelve wives.--24th. The murder hole.--25th. A remarkable trial of murders.

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This edition exists in at least 2 states: in one state, v. 1 has signature letter "b" missing from the bottom of leaf b1 and leaves Q5-Q8 in v. 1 and leaf 2A6 in v. 2 are cancels; in the other state, the signature letter "b" is present and there are no cancels in either volume.

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Poems.

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Books one-two illustrated by Maginel Wright Enright.