Historia dell'origine, fondatione, et progressi del famosissimo tempio di S. Maria delle Gratie, in campagna di Curtatone fuori di Mantoua : con la descrittione del monastero dignissimo, sue giurisdittioni, & altre attinenze della sopradetta Santa Casa /

Errata, p. [192].

Antiqvae vrbis splendor : hoc est præcipva eivsdem templa, amphitheatra, theatra, circi, navmachiæ, arcvs trivmphales, mavsolea aliaqve svmptvosiora ædificia, Pompæ item trivmphalis et colossæarvm imaginvm descriptio /

A fourth part appeared in 1628 with some 40 additional plates.

Les dix livres d'architecture de Vitruve, corrigez et traduits nouvellement en françois, avec des notes & des figures.

234-237 repeated in paging.

Sefer Darkhe noʻam; ṿe-hu ḥibur teshuvot sheʼelot ...

"Ḳunṭres" (41 leaves at end) has special t.p., dated 1698.

Niwtʻer hay melikʻutʻean masin /

"E.L." was Eruand Lalayean, the moving force within Hayotsʻ Azgayin Ěnkerutʻiwn.

Fuldensium antiquitatum libri IIII.

Includes index.

Note, overo, Memorie del mvseo del conte Lodovico Moscardo ...

Ill. in 1st pt. largely engravings, with some woodcuts; in pt. 2, only woodcuts. Engraved frontispiece, 1st p. It is signed: Alberi' Pasi.' F. Veronae.

Regola delli cinque ordini d' architettura /

Engraved throughout. Architectural title leaf includes the arms of Cardinal Alessandro Farnese, to whom the work is dedicated, and the half-length port. of Vignola facing to the viewer's right. Plates are printed on one side of the leaf only, and are arranged in pairs on a verso and the facing recto. The 5 leaves at the end are from the series of 7 "Porte di Michel Angelo." Over 3 of the doorways are inscriptions relating to the Farnese.

Liure d'architecture : contenant plusievrs portiques de differentes inuentions sur les cinq ordres de colomnes /

Portrait plate of Francine by Abraham Bosse; other plates by Tavernier after Francine's designs.

Maniere de bien bastir pour toutes sortes de personnes. Contenant les moyens d'elever des bastimens de toutes grandeurs, d'y faire tous les ornemens, commoditez & détachemens qui s'y peuvent souhaiter. Ensemble des desseins pour bastir regulierement sur toute sorte de place.

Pt. 1 comprises added engraved title leaf, letterpress pages [1]-11, [12] (the last blank), 75 single-page engraved plates. The engraver was probably Melchior Tavernier, printer of the 1st ed.; see Mauban. Pt. 2 comprises etched title leaf, 9 single-page plates (numbered 1-8, 25), 22 double-page plates (numbered 9-24, 26-31). The etched title leaf is signed Le Pautre (i.e. Jean Le Pautre), and the 31 plates are by Jean Marot, whose signature appear on the 25th; see Mauban.

Dios genethlia : Natalitia Iovis, in numismate imp. Antonini Caracallae expressa : epistola Caroli Patini.

Mode of access: Internet.

Color and Shape: A Plea for Equal Treatment

Many philosophers, especially in the wake of the 17th century, have favored an inegalitarian view of shape and color, according to which shape is mind-independent while color is mind-dependent. In this essay, I advance a novel argument against inegalitarianism. The argument begins with an intuition about the modal dependence of color on shape, namely: it is impossible for something to have a color without having a shape (i.e. without having some sort of spatial extension, or at least spatial location). I then argue that, given reasonable assumptions, inegalitarianism contradicts this modal-dependence principle. Given the plausibility of the latter, I conclude that we should reject inegalitarianism in favor of some form of egalitarianism—either a subjective egalitarianism on which both shape and color are mind-dependent or an objective egalitarianism on which both shape and color are mind-independent.

Histoire de Bresse et de Bugey : contenant ce qui s'y est passé de memorable sous les Romains, roys de Bourgongne & d'Arles, empereurs, sires de Baugé, comtes & ducs de Sauoye, & roys tres chrestiens, iusques à l'eschange du marquisat de Saluces : auec les fondations des abbayes, prieurés, chartreuses & eglises collegiales, origines des villes, chasteaux, seigneuries, & principaux fiefs & genealogies de toutes les familles nobles ... /

Includes indexes.

Theatrvm pictorivm : in quo exhibentur ipsius manu delineatæ, eiusque curâ in æs incise picturæ, archetipæ Italicæ, quas ipse ser.mus Archdux in pinacothecam suam Bruxellis collegit /

The engravings of the paintings are from many engravers: I. Troyen, N. v. Hoij, L. Vosterman, P. Lisebetius, L. Popels, etc.

Panel

Grand-Ducal Workshops; 1 ft. 3 23/64 in. x 11 1/32 in.; pietre dure mosaic on white marble ground