Incredibly close encounters : magical realism and the intimate elegies of Jonathan Safran Foer’s everything is illuminated and extremely loud and incredibly close
Contribuinte(s) |
Pont, Antonia West, Patrick Johanson, Katya Atherton, Cassandra Dredge, Rhonda Todd, Ruby |
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Data(s) |
01/01/2013
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Resumo |
<span class="Apple-style-span" style="line-height: 17px; font-family: 'Times New Roman'; font-size: 15px">This paper will investigate the relationship between prose elegy and magical realism in Jonathan Safran Foer’s novels, <i style="mso-bidi-font-style: normal">Everything is Illuminated </i>and <i style="mso-bidi-font-style: normal">Extremely Loud and Incredibly Close</i>. It will propose that absence is generative, and that the state of melancholia—or unsuccessful, unresolved grief—is conducive to creativity.</span><!--StartFragment--><p class="MsoNormal" style="text-justify: inter-ideograph; text-align: justify; line-height: 115%; margin: 0cm 0cm 6pt 36pt"><span style="line-height: 115%; font-family: "Times New Roman"; font-size: 11pt"> <br /><o:p></o:p></span></p><!--EndFragment--> |
Identificador | |
Idioma(s) |
eng |
Publicador |
[The Australasian Association of Writing Programs] |
Palavras-Chave | #Magical realism #prose elegy #Jonathan Safran Foer #melancholia #creativity |
Tipo |
Conference Paper |