The weilburg painting showing the lisbon entry of 1619 in its historical and pictorial context


Autoria(s): Gehlert, Andreas
Data(s)

01/04/2016

01/04/2016

2014

Resumo

This article deals with the splendid panoramic painting depicting the Joyeuse Entrée of King Philipp III (Filipe II de Portugal) in Lisbon in 1619 which the author discovered at Weilburg castle in Germany. The author places the painting in its historical and pictorial context by comparing it to the written reports of the entry and comparable 16th and 17th century views of Lisbon. Apparently, the painting is based on a strictly planned choreography that largely follows the previous entry of Philipp II, and is identical in the painted, engraved and written descriptions of the event published between 1619 and 1622.

Fundação para a Ciência e a Tecnologia (FCT), Fundação Millennium bcp

Identificador

Gehlert, Andreas, "The weilburg painting showing the lisbon entry of 1619 in its historical and pictorial context", in Revista de História da Arte, n.º 11 (2014), pp. 69-85

1646-1762

http://hdl.handle.net/10362/16904

Idioma(s)

eng

Publicador

Instituto de História da Arte - Faculdade de Ciências Sociais e Humanas/UNL

Direitos

openAccess

http://creativecommons.org/licenses/by/4.0/

Palavras-Chave #Philipp III #Lisboa #Lisbon #Royal Entry #Joyeuse Entrée #1619
Tipo

article