Luce Irigaray's Philosophy of Feminine Being : Body, Desire and Wisdom

Luce Irigaray is a Belgian-born philosopher, psychoanalyst and linguist. Irigaray s concept of woman is crucial for understanding her own work but also for examining and developing the theoretical and methodological basis of feminist theory. This thesis argues that, ultimately, Irigaray s exploration of woman s being challenges our traditional notion of philosophy as a neutral discourse and the traditional notion of ourselves as philosophizing persons or human beings. However, despite its crucial role, Irigaray s idea of woman still lacks a comprehensive explication. This is because the discourse of sexual difference is blurred by the ideas of essentialism and biologism. --- Irigaray s concept of woman has been interpreted and criticized from the perspectives of metaphysical essentialism, strategic essentialism, realist essentialism and deconstructionism. This thesis argues that a reinterpretation is necessary to account for Irigaray s claims about the the traditional woman , mimesis, the specificity of the feminine body, feminine expression and sexual difference. Moreover, any reading should account for the differences between women and avoid giving a prescriptive function to the essence of woman. --- My thesis develops a new interpretation of Irigaray s concept of woman on the basis of the phenomenology of the body. It argues that Irigaray s discourse on woman can and must be understood by an idea of existential style. Existential style is embodied, affective and spiritual and it is constituted in relation to oneself, to others and to the world. It is temporal, it evolves and changes but preserves its open unity in its transformations. Stylistic unities, such as femininity or philosophy, are constituted in and by the singulars. -- This study discusses and analyses feminine existential style as a central theme and topic of Irigaray s works and shows how her work operates as a primary and paradigmatic example of the feminine style. These tasks are performed by studying the mimetic positions available for women and by explicating the phenomenological background of Irigaray s conceptions of the philosophical method, and the lived, expressive and affective body. The critical occupation and transformation of these mimetic positions, the inquiry into the first-person pre-discursive experience, and the cultivation of feminine expressivity open up the possibility of becoming a woman writer, a woman lover and a woman philosopher. The appearance of these new feminine figures is a precondition for the realization of sexual difference. So Irigaray opens up the possibility of sexual difference by instituting and constituting a feminine subject of love and wisdom, and by problematizing the idea of a neutral and absolute subject.

Complicated Presence : The Unity of Being in Parmenides and Heidegger

The attempt to refer meaningful reality as a whole to a unifying ultimate principle - the quest for the unity of Being - was one of the basic tendencies of Western philosophy from its beginnings in ancient Greece up to Hegel's absolute idealism. However, the different trends of contemporary philosophy tend to regard such a speculative metaphysical quest for unity as obsolete. This study addresses this contemporary situation on the basis of the work of Martin Heidegger (1889-1976). Its methodological framework is Heidegger's phenomenological and hermeneutical approach to the history of philosophy. It seeks to understand, in terms of the metaphysical quest for unity, Heidegger's contrast between the first (Greek) beginning or "onset" (Anfang) of philosophy and another onset of thinking. This other onset is a possibility inherent in the contemporary situation in which, according to Heidegger, the metaphysical tradition has developed to its utmost limits and thereby come to an end. Part I is a detailed interpretation of the surviving fragments of the Poem of Parmenides of Elea (fl. c. 500 BC), an outstanding representative of the first philosophical beginning in Heidegger's sense. It is argued that the Poem is not a simple denial of apparent plurality and difference ("mortal acceptances," doxai) in favor of an extreme monism. Parmenides' point is rather to show in what sense the different instances of Being can be reduced to an absolute level of truth or evidence (aletheia), which is the unity of Being as such (to eon). What in prephilosophical human experience is accepted as being is referred to the source of its acceptability: intelligibility as such, the simple and undifferentiated presence to thinking that ultimately excludes unpresence and otherness. Part II interprets selected key texts from different stages in Heidegger's thinking in terms of the unity of Being. It argues that one aspect of Heidegger's sustained and gradually deepening philosophical quest was to think the unity of Being as singularity, as the instantaneous, context-specific, and differential unity of a temporally meaningful situation. In Being and Time (1927) Heidegger articulates the temporal situatedness of the human awareness of meaningful presence. His later work moves on to study the situational correlation between presence and the human awareness. Heidegger's "postmetaphysical" articulation seeks to show how presence becomes meaningful precisely as situated, in an event of differentiation from a multidimensional context of unpresence. In resigning itself to this irreducibly complicated and singular character of meaningful presence, philosophy also faces its own historically situated finitude. This resignation is an essential feature of Heidegger's "other onset" of thinking.

E. G. Gulinin ekumeeninen työ ja ajattelu

This study explores ecumenical activity of professor and bishop E. G. Gulin (1893 1975). Gulin was one of the key figures in the Finland s Evangelical Lutheran Church during the twentieth century. He was also one of the leading persons who imported ecumenical influences from abroad. However, unlike other churches, the Church of Finland did not recognise his importance. For example, in the 1950s Gulin was seen by the Anglicans as a future archbishop for the Evangelical Lutheran Church of Finland. Gulin s career as an ecumenist can be divided to three parts. Between 1917 and 1929, Gulin learned ecumenical working methods in Finland s World Student Christian Federation. He had a background in the revivalist movement, and his parents supported him in his studies. The Evangelical Lutheran Church did not originally play a major role for Gulin, although he was a member. Between 1930 and 1944, Gulin had more and more responsibility as a leading ecumenist in Finland. He became a member of Finland s ecumenical board, Yleiskirkollinen toimikunta. During the Second World War Gulin tried to solicit assistance for Finland s war effort at theological conferences, where Finnish theologians often discussed cooperation among Christians. A third period started in 1945, when Gulin became the bishop of Tampere. His new status in the Evangelical Lutheran Church placed him in a challenging position in ecumenical questions. He had responsibility for inter-church aid in Finland. He also participated in the World Council of Churches (WCC) assemblies in Evanston in 1954 and in New Delhi in 1961. Gulin s role was quite insignificant in those meetings. Closely related to Gulin s texts about ecumenism is kokemus, experience. Gulin wrote about his ecumenical experience or ekumeeninen kokemus. He believed that it was vital for the churches to appreciate their own experiences, since experience was the basis for further development. Yet Gulin mentioned very little about Christian dogma. The main reason seems to have been that he did not believe that a union between churches could be built on dogma.

Luonnollisen lain sisältö Herbert Olssonin Luther-tulkinnassa

Tutkielmassa selvitetään Herbert Olssonin käsitystä luonnollisen lain sisällöstä, sen suhteesta rakkauden vaatimukseen ja kultaiseen sääntöön. Lähteinä ovat Olssonin kaikki Lutheria käsittelevät tekstit, keskeisimpinä hänen väitöskirjansa Grundproblemet i Luthers socialetik sekä pääteoksensa Schöpfung, Vernunft und Gesetz in Luthers Theologie . Tutkielma jakaantuu johdannon jälkeen taustalukuun, kolmeen analyysilukuun ja loppukatsaukseen, jossa esitellään tutkimuksen tulokset. Taustaluvussa tehdään katsaus luonnollisen lain tulkintahistoriaan aikaisemmassa Luther-tutkimuksessa. Luvussa tulevat ilmi erot pohjoismaisen ja mannereurooppalaisen Luther-tutkimuksen välillä, edellisen painottaessa vahvasti luonnollista lakia, sen identtisyyttä ilmoitetun lain ja rakkauden lain kanssa sekä sen universaalisuutta kaiken moraalisen toiminnan ohjaajana. Tämän jälkeen, luvussa kolme tutkitaan systemaattisen analyysin avulla Olssonin tulkintaa Lutherin luonnonoikeuskäsityksistä sekä luonnollisen käsitteestä ja luodaan pohjaa seuraaville tutkimusluvuille. Luvuissa neljä ja viisi käsitellään luonnollista lakia sinällään, ensin Olssonin väitöskirjasta ja sen jälkeen hänen myöhemmästä tuotannostaan välittyvän kuvan kautta. Jo alusta asti Olssonin tulkintaa leimaa käsitys siitä, että luonnollinen laki kuuluu kaikille ihmisille, se on sisällöltään identtinen dekalogin ja muun ilmoitetun lain kanssa, ja että sen vaatimus voidaan tiivistää rakkauden vaatimukseksi, ts. kultaiseksi säännöksi. Kultainen sääntö koskee Olssonilla sekä suhdetta lähimmäiseen että Jumalaan, kun sen aiemmin ajateltiin liittyvän vain lähimmäissuhteeseen. Olsson ei kuitenkaan vedä kovin monia johtopäätöksiä siitä, kuinka kultainen sääntö suhteessa Jumalaan pitäisi ymmärtää. Ensisijaisesti luonnollisen lain mukaan eläminen vaikuttaa olevan Olssonin tulkinnassa samaa kuin Jumalan tahdon mukaan eläminen. Tästä seuraa kysymys, millainen on Jumalan tahto ja sitä kautta Jumalan luonto, johon luonnollisen lain oletetaan viittaavan. Tutkimuksessa tullaan siihen tulokseen, että Olsson ei oleta Jumalan luonnon olevan lahjoittava rakkaus. Myöskään luonnollinen laki ei vaadi ihmistä luopumaan hyvän tavoittelusta, vaan se juuri vaatii suuntautumista kohti hyvää. Näin ollen Olssonin tulkinnan taustalla ei ole lahjoittavan rakkauden malli luomakunnan järjestyksenä, vaan Augustinukselta ja skolastikoilta tuttu ordo caritatis -malli. Ihmisessä reaalisesti läsnä oleva, pyyteettömästi palveleva Kristus ei tästä syystä sovi Olssonin tulkintaan lainkaan, ja näin ollen hänen käsityksensä vanhurskaudesta on oltava lähinnä forenssinen, ei efektiivinen. Ylipäätään Jumalan ja ihmisen suhteessa on hänellä kyse tahdon suhteesta, ei ontologisesta Kristuksen ja ihmisen yhdistymisestä. Lahjoittavan rakkauden ja Jumala-suhteen ontologisen ulottuvuuden puuttumisen takia siis Olssonin Luther-kuva muodostuu voluntaristiseksi, Jumalan absoluuttista tahtoa korostavaksi. Toisaalta hänen tulkintansa saa myös skolastisia painotuksia, johtuen juuri hyvään suuntautuvan rakkauden korostamisesta. Kultainen sääntö vaikuttaa olevan enemmän vastavuoroisuuden sääntö kuin pyyteettömän rakkauden sääntö. Summa summarum: mainituista syistä johtuen luonnollisen lain, rakkauden vaatimuksen ja kultaisen säännön sisällöllinen ykseys jää Olssonilla hänen tavoitteistaan huolimatta saavuttamatta.

Poetics of the Nameless Middle : Japan and the West in Philosophy and Music of the Twentieth Century

This study investigates the affinities between philosophy, aesthetics, and music of Japan and the West. The research is based on the structuralist notion (specifically, on that found in the narratology of Algirdas Julius Greimas), that the universal grammar functions as an abstract principle, underlying all kinds of discourse. The study thus aims to demonstrate how this grammar is manifested in philosophical, aesthetic, and musical texts and how the semiotic homogeneity of these texts can be explained on this basis. Totality and belongingness are the key philosophical concepts presented herein. As distinct from logocentrism manifested as substantializations of the world of ideas , god or mind, which was characteristic of previous Western paradigms, totality was defined as the coexistence of opposites. Thus Heidegger, Merleau-Ponty, Dōgen, and Nishida often illustrated it by identifying fundamental polarities, such as being and nothing, seer and seen, truth and illusion, etc. Accordingly, totality was schematically presented as an all-encompassing middle of the semiotic square. Similar values can be found in aesthetics and arts. Instead of dialectic syntagms, differentiated unity is considered as paradigmatic and the study demonstrates how this is manifested in traditional Japanese and Heideggerian aesthetics, as well as in the aspects of music of Claude Debussy and Tōru Takemitsu.