26 resultados para stereoscope
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A superfície interna das bisnagas fabricadas com alumínio não revestido e revestido com resina epóxi, utilizadas para acondicionar cremes, pomadas, géis, etc., foram avaliadas quimicamente e por métodos microbiológicos correlacionados com a aderência de microrganismos. A prova da porosidade e da resistência à remoção da resina foi observada por meio do microscópio eletrônico de varredura (Topcon FM300) e estereoscópio Leica (MZ12) acoplado a Sistema de Digitalização de Imagens. Para avaliar a ação dos microrganismos foram utilizados corpos-de-prova esterilizados (discos de 10mm de diâmetro), imersos em caldo Mueller Hinton (Difco) e colocados em tubos de polipropileno com tampa de rosca (Corning). Foram inoculados tubos com meio de cultura para cada uma das suspensões bacterianas (10(9)UFC/mL) de Streptococcus agalactiae, Staphylococcus aureus, Acinetobacter lwoffii e Candida albicans, incubados a 37°C, sob agitação constante durante 12 dias. O meio de cultura era trocado a cada 3 dias. Após esse período, os corpos-de prova foram removidos, processados e observados em microscópio eletrônico de varredura JEOL-JSM (T330A). A observação por meio do microscopio eletrônico de varredura mostrou a aderência e a formação de biofilme sobre a superfície de alumínio não revestido e revestido com resina epóxi.
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Wheatstone’s stereoscope placed two mirrors on either side that were mounted at a right angle in order to view the two dissimilar drawings presented (Hankins 148). There are two identical monocular tubes that allow each eye to view the images (Hankins 148). Each eye views the image it was intended to see. The two eyes see slightly different images through this binocular vision (Hankins 148). The combination of the two images creates this illusion of depth and solidarity through their superimposition (Hankins 154). In order to view these images, the eyes were covered from all external light (Clay 152). The stereoscope was first seen as a philosophical toy along with other inventions such as the zoetrope, providing entertainment as well as scientific insight (Hankins 148). The stereoscope above is more similar to the “Holmes Stereoscope”, which transformed Wheatstone’s stereoscope into a handheld version that could be put on a stand (Hawkins 155). He replaced the retina of the eye with a sensitive plate; therefore, the lenses acted as the eyes (Silverman 738). In the video, an embellishment adorns the bottom of the stand that holds up the binocular lens and the images. The lenses are in a wooden frame that has an attached stand that holds the slides of images. There also is a knob on the side of the device that can adjust the lens on the two monocular tubes (Bokander 485).
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Volumes 2-3 published by Edward L. Wilson.
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O objetivo desta pesquisa foi avaliar a microinfiltração em restaurações classe II realizadas com diferentes cimentos de ionômero de vidros em molares decíduos. Para tal, foram selecionados quarenta molares decíduos humanos a partir de um Banco de Dentes. Nas faces mesial e distal de cada dente foram preparadas cavidades classe II com dimensões padronizadas. Em seguida, os dentes foram divididos em oito grupos experimentais correspondentes ao material restaurador utilizado: grupo MXR (Maxxion R); grupo VDR (Vidrion R); grupo VTR (Vitremer); grupo VTF (Vitro Fill LC); grupo FUJ (Fuji IX); grupo KTM (Ketac Molar); grupo VMO (Vitro Molar); grupo MGS (Magic Glass ART). Ao término de vinte e quatro horas de imersão em água destilada, os dentes foram mantidos em solução de nitrato de prata a 50% pelo mesmo período e, então, em solução reveladora de radiografias (hidroquinona, Kodak) por quinze minutos. Os dentes foram então seccionados através do centro das restaurações, e observados em lupa estereoscópica sob o aumento de quarenta vezes. A microinfiltração foi graduada co base em escores relacionados à penetração do nitrato de prata na interface adesiva. Os resultados, após submetidos à análise estatística, demonstraram que nenhum dos materiais testados impediu completamente a microinfiltração. No entanto, o Vitremer apresentou os escores mais baixos, seguido do Ketac Molar e do Fuji IX. Os materiais Magic Glass ART, Vitro Molar, Vitro Fill LC e Vidrion R apresentaram comportamento intermediário em relação aos demais, enquanto o Maxxion R apresentou os piores resultados. Com base na metodologia empregada e nos resultados obtidos, pode-se concluir que nenhum dos materiais testados foi capaz de impedir completamente a microinfiltração, apesar de apresentarem graus varáveis de suscetibilidade a esse fenômeno, destacando-se, entre eles o Vitremer, o Ketac Molar e o Fuji IX por apresentarem baixos níveis de microinfiltração, seguidos do Magic Glass ART, Vitro Molar, Vitro Fill LC e Vidrion R. Em contrapartida, o Maxxion R apresentou os piores resultados, fato constatado pelos altos escores de microinfiltração registrados.
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Os objetivos deste estudo foram medir o efeito do reforço estrutural com a adição de fibras de vidro, na resistência ao teste de tração diametral e no selamento marginal de restaurações classe II com cimento de ionômero de vidro em molares decíduos. Fibras de vidro foram incorporadas ao pó do cimento de ionômero de vidro (CIV) na concentração de 40%. As fibras usadas foram do tipo E com comprimentos que variavam de 50m a 210m. A propriedade mecânica foi verificada através do teste de tração diametral, após 15 minutos, 24 horas e 15 dias de estocagem em água. Corpos de prova foram preparados com as dimensões de 4x8 mm para cada intervalo de tempo de acordo com as normas do fabricante e padrões internacionais. Para o teste de microinfiltração foram usados segundos molares decíduos hígidos, onde foram preparadas cavidades classe II padronizadas em dois grupos: a) controle com CIV Ketac Molar Easymix (3M/ESPE); e b) teste Ketac Molar Easymix (3M/ESPE); reforçado com fibras. Estes dentes foram restaurados e deixados em água por 24h e, a seguir, imersos em solução de nitrato de prata a 50% pelo mesmo período. Para que houvesse a precipitação de sais de prata os dentes foram colocados em solução reveladora de radiografias por 15 minutos. Para analisar a microinfiltração os espécimes foram seccionados na direção mesio-distal obtendo duas amostras de observação para cada cavidade restaurada. Os resultados do teste mecânico foram analisados através dos testes de variância ANOVA e de múltiplas variáveis de Tukey. Os resultados da microinfiltração foram analisados através do teste de MANN-WHITNEY. Com a metodologia empregada foi possível concluir que houve aumento dos valores de tração diametral no CIV com a adição de fibras de vidro. Para os intervalos de 24 horas e 15 dias, o CIV reforçado com fibras apresentou valores de tração diametral superiores àqueles do CIV não reforçado, havendo diferença significativa estatística (p<0,05) para os intervalos testados. No teste de microinfiltração os grupos mostraram valores semelhantes de infiltração marginal. A adição das fibras de vidro tipo E aumentou a resistência à tração diametral do CIV testado em relação ao grupo controle e as fibras de vidro não alteraram a adesão do cimento reforçado.
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Of the many ways in which depth can be intimated in drawings, perspective has undoubtedly been one of the most frequently examined. But there is also an equally rich history associated with other forms of pictorial representation. Alternatives to perspective became particularly significant in the early twentieth century as artists and architects, intent on throwing off the conventions of their predecessors, looked to new ways of depicting depth. In architecture, this tendency was exemplified by Modernism’s preference for parallel projection – most notably axonometric and oblique. The use of these techniques gave architects the opportunity to convey a new and uniquely modern form of spatial expression. At once shallow and yet expansive, a key feature of these drawings was their ability to support perceptual ambiguity. This paper will consider the philosophy and science of vision, out of which these preoccupations emerged. In this context, the nineteenth-century discovery of stereopsis and the invention of the stereoscope will be used to illustrate the way in which attempts to test the limits of spatial perception led to an opening up of visual experience; and provided a definition of visual experience that could encompass the representational ambiguities later exploited by the early twentieth-century avant-garde.
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The description of the image is "(6) Majestically Grand - the Falls from the 'Maid of the Mist,' Niagara, U.S.A.". The reverse of the image reads "You are on the deck of the small but sturdy little steamer that runs along near the foot of the falls. At this moment you are pretty nearly mid-stream, looking south. The American shore are up over your left shoulder. That tall, dark cliff at the extreme left of what you see is Goat Island. The people up there outlined against the sky look like dolls and no wonder; they are more than 160 feet above your head. Some of them are looking off over the unspeakable grandeurs of the Horseshoe Fall there at the right; some are without doubt looking down at the very boat and remarking that the passengers look like dolls. It is an awesome experience to go so near that never-ceasing downpour of waters from the sky. The air is full of the roar and iridescent spray, and it seems as if the boat must be drawn in under the overwhelming floods never to rise again. Yet, curiously enough, the river right around the boat is not so madly excited as you might expect. It seems more like some great creature, dazed, bewildered, stunned by some incredible experience and not yet quite aware of what has happened. (When it gets down into the Whirlpool Rapids, two miles below here, it is dramatically alive to its situation!) The gigantic curve of the cliffs, reaching in up-stream straight ahead, makes a contour line of over 3000 feet before it comes up against the Canadian banks on the west (right). Geologists say that the Falls ages ago must have been at least seven miles farther down the river (behind you) and have gradually won their way back. Even now the curve of the Horseshoe is worn away from two to four feet in a year. No wonder; 12, 000, 000 cubic feet of water (about 375, 000 tons) sweep over the rocks in one minute, and the same the next minute and the next and the next. See Niagara through the Stereoscope, with special maps locating all the landmarks about the Falls.
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The description reads "(39) Tireless Niagara - Horseshoe Falls from above - U.S.A.". The reverse states "We are standing on the Canadian side of the river, looking S.E. across the enormous curve of the Horseshoe toward the Dufferin Islands on the Canadian side. 'This is close enough. The time will come undoubtedly when no man can reach this point, when the rocks on which we stand will break and crash into the gulf above which they hang. Table Rock one of the best known points about Niagara in the past, used to extend out over the river from the bank just behind us. It was originally very large but great masses, sometimes a hundred feet in length by fifty in width, have broken off at different periods, the last in 1883, until the whole rock is gone. Off to our left is the centre of the Horseshoe. It is easy to see that in that direction the water is going over in a solid mass, thousands of tons each second, to the river 150 feet below. While the amount of water passing over these rocks varies somewhat according to the height of the river. It has been estimated that the average amount is 12,000,000 cubic feet per minute, that is, about 375,000 tons...Since 1842 the whole contour of these falls has been worn away at the rate of about 2 1/10 ft. per year. In the centre of the Horseshoe where the bulk of the water passes, nearly five feet of rock are worn away each year. The falls have receded 100 feet within the memory of the men now living.' From Niagara Through the Stereoscope, with special 'keyed' maps, published by Underwood & Underwood"
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
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The aim of the present study was to evaluate the effect of disinfection and accelerated ageing on the dimensional stability and detail reproduction of a facial silicone with different types of nanoparticle. A total of 60 specimens were fabricated with Silastic MDX 4-4210 silicone and they were divided into three groups: colourless and pigmented with nanoparticles (make-up powder and ceramic powder). Half of the specimens of each group were disinfected with Efferdent tablets and half with neutral soap for 60 days. Afterwards, all specimens were subjected to accelerated ageing. Both dimensional stability and detail reproduction tests were performed after specimen fabrication (initial period), after chemical disinfection, and after accelerated ageing periods (252, 504 and 1008 hours). The dimensional stability test was conducted using AutoCAD software, while detail reproduction was analysed using a stereoscope magnifying glass. Dimensional stability values were statistically evaluated by analysis of variance (ANOVA) followed by Tukey's test (p < 0.01). Detail reproduction results were compared using a score. Chemical disinfection and also accelerated ageing affected the dimensional stability of the facial silicone with statistically significant results. The silicone's detail reproduction was not affected by these two factors regardless of nanoparticle type, disinfection and accelerated ageing. © 2012 Informa UK, Ltd.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)