The Literary chronicle for the year ... containing a review of all new publications of value and interest; original poetry, essays, and anecdotes ...

Mode of access: Internet.

Original poetry by Victor & Cazire (Percy Bysshe Shelley & Elizabeth Shelley)

With reprint of original t.-p.

The life of Thomas Dermody: interspersed with pieces of original poetry, many exhibiting unexampled prematurity of genuine poetical talent; and containing a series of correspondence with several eminent characters.

Mode of access: Internet.

The Athenaeum : a magazine of literary and miscellaneous information ... containing general correspondence, classical disquisitions, account of rare and curious books, memoirs of distinguished persons, original poetry, literary and miscellaneous information /

Subtitle varies slightly.

Fugitive pieces and reminiscences of Lord Byron : containing an entire new edition of the Hebrew melodies with the addition of several never before published ; the whole illustrated with critical, historical, theatrical, political, and theological remarks, notes, anecdotes, interesting conversations, and observations, made by that illustrious poet ; together with His Lordship's autograph ; also some original poetry, letters and recollections of Lady Caroline Lamb /

Bound in drab paper boards; purple cloth shelfback. Spine lacking.

Original Poetry for Infant and Juvenile Minds.

Mode of access: Internet.

Fear of music : sounded poetry and the poetry soundtrack

This essay proposes the term ‘poetry soundtrack’ for a form of sounded poetry that I have been practising for some years (examples of which can be found in this issue of Axon). The poetry soundtrack is a sonic object made up of original poetry, music, and sound design. Such a form is now being produced—under various names—by numerous poets, thanks to the development of the Digital Audio Workstation (or DAW). In my essay, I argue that the poetry soundtrack has occupied an aesthetic no man’s land between avant-garde ‘sound poetry’ and documentary-style recordings of poetry readings. I propose that a general ‘fear of music’ has led critics to favour such forms, and concomitantly to ignore musico-poetic forms of sounded poetry. In addition, I analyse the ‘digital poetics’ that can be found in producing sounded poetry with a DAW, especially with regard to the ‘vocal staging’ that such technology can produce in the poetry soundtrack.

Harvest-home: consisting of Supplementray gleanings, original dramas and poems, contributions of literary friends, and select re-publications, including Sympathy, a poem, revised, corrected and enlarged. From the eight edition. In three volumes.

v. 1. Supplementary gleanings: Hampshire station. Warwickshire station, including the communications of J. Morfitt, esq. - v. 2. Hail fellow! Well met! in five acts. Love trials; or, The triumph of constancy, a comic opera. Fire and frost; a comic drama, in five acts. - v. 3. Original poetry. Original literary contributions. [Poems by H. J. Pye, and others] Select republications. Sympathy, a poem.

Car

This digital creative output is a 'poetry soundtrack', an audio work comprised of original poetry, music, and sound design.

Another A.M. dream

The digital creative output is a 'poetry soundtrack', an audio work comprised of original poetry, music, and sound design.

A.M.

This digital creative output is a 'poetry soundtrack', an audio form comprised on original poetry, music, and sound design.

Another dream

This digital creative output is a 'poetry soundtrack', an audio form comprised of original poetry, music, and sound design.

Collective hypnosis

This digital creative output is a 'poetry soundtrack', an audio work comprised of original poetry, music, and sound design.

Review short: Cath Keneally's eaten cold

In The Sacred Wood: Essays on Poetry and Criticism, T. S. Eliot famously wrote, ‘Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different.’ Cath Kenneally’s eaten cold offers a chain of indelible response-poems to New Zealand poet Janet Charman’s book, cold snack. In Kenneally’s collection, ‘Meanings perpetually eingeschachtelt into meanings’, creating new and original poetry that riffs off Charman’s book without ‘imitating’ or ‘defacing’ it.