859 resultados para history of French sociology
Resumo:
Bibliographical foot-notes.
Resumo:
Bibliography: p. [881]-937.
Resumo:
Mode of access: Internet.
Resumo:
Mode of access: Internet.
Resumo:
Mode of access: Internet.
Resumo:
Plates partly printed on both sides.
Resumo:
O artigo apresenta um balanço das mais recentes descobertas documentais relativas ao sociólogo francês Émile Durkheim, e reflete sobre seu impacto na reavaliação, seja ela histórica e/ou teórico-metodológica, de seu legado. Almeja-se armar o leitor frente à leitura de sua correspondência com Salomon Reinach, enfatizando particularmente o debate sobre o tema do totemismo, que é um dos eixos centrais de As formas elementares da vida religiosa, obra que neste ano completa seu centenário de publicação, e o envolvimento de Durkheim no Caso Dreyfuss, que representa um dos principais aspectos de seu engajamento político.
Resumo:
A comprehensive introduction to the study of law. It uses historical, sociological, economic and philosophical perspectives to explore the major legal debates in Australia today. The contributors examine: the position of Aborigines in the Australian legal system and the impact of the Mabo case; divisions of power in Australian society and law; the question of objectivity in law; the relationship and social change; judicial decision-making; and other issues.
Resumo:
http://www.archive.org/details/historyofthemiss013362mbp
Resumo:
UANL
Resumo:
Sociologisk Forsknings digitala arkiv
Resumo:
In my thesis, I explore the cultural history of the French Revolution and its relation to the modern era which ensued. Many historians have studied the French Revolution as it relates to culture, the rise of modernity, and fashion. I combine the unique histories of all three of these aspects to reach an understanding of the history of the French Revolution and fashion’s role in bringing about change. In the majority of literature of costume history, discussion of fashion surrounds its reflective properties. Many historians conclude fashion as a reflection of the broader cultural shifts that occurred during the Revolution. I, on the other hand, propose that fashion is an active force in bringing out cultural change during this time. In exploring fashion as a historical motivator, I examine the aesthetic world of fashion from 1740 to 1815, the modern system of cultural dissemination of fashion through particular historical heroes, and the rise of “taste” and its relation to modern identity. Through aesthetics, culture, and identity, I argue that fashion is a decisive force of culture in that it creates a visual world through which ideas form and communicate.