La détermination de la peine dans les cas de filicide

The purpose of our study is to understand the process of sentencing in cases of filicide from an analysis of criminal and legal criteria on which judges base themselves as well as from an analysis of penal functions aimed by the sentences issued for this type of homicide. The sample studied in this paper consists of fourteen sentencing judgments rendered by the judges at the sentencing. These judgments were all issued in Quebec between 1996 and 2008 inclusive. It is clear from our analysis that the guilty plea recorded by the accused, the lawyers' sentence suggestions, the method of filicide, repetition of misconduct or not in the parent, the number of victims, the age of the accused, the presence or absence of criminal history of the accused as well as the professional occupation of the latter may influence judges' decision concerning the sentence. These elements, however, do not necessarily carry the iv same weight in the process of sentencing from one judge to another. Nevertheless, we observe that the discretionary power the judges have does not seem to be used in a biased or inadequate manner. In fact, every sentence is clearly justified according to reasonable arguments and none is far from other sentences that have made jurisprudence.

Family violence happens to everybody: gender, mental health and violence in Australian media representations of filicide 2010–2014

This discussion of three cases of filicide reported and reviewed extensively by the Australian news media between 2010 and 2014 is concerned with the politics of representation and its links to material violence. Moving through the architecture of the coverage rather than focusing on it this article observes popular, if mostly tacit, assumptions about masculinity and femininity in representing ‘family violence’. It locates coverage patterns to illustrate perceptions of violence against women and children and inaccurate stereotyping of such family violence as the extraordinary consequences of mental illness, which are mostly reproduced by the Australian media. It is suggested that such media representations are part of a downplaying of family violence as a public issue of urgency.

Filicide and parental separation and divorce

This paper discusses the findings of a ten-year study of filicide in Victoria, Australia, using the data from selected case files held in the Victorian coroner's office for the period 2000–09. The study sought to examine whether separation is a factor in filicide cases, as well as the role of other factors, such as domestic violence and mental illness. Also, the study sought to identify whether filicide perpetrators had contact with support services, including family and friends, general practitioners, mental health services and child protection services, in order to ascertain how these services might more appropriately identify those families most at risk prior to the filicide. The study found that while separation was a factor identified in a significant number of cases, more cases analysed showed evidence of mental illness, mainly depression. These findings suggest the need for improved strategies in preventing filicide by identifying risk factors and improving service responses for victims prior to these tragic events.

An abominable crime: filicide in the context of parental separation and divorce

The victims of filicide in the context of parental separation and divorce have recently been identified as the largest group among all filicide victims in Australia. Nevertheless, research into this group of victims has been sparse, fragmentary and contradictory, with the consequence that confusion has prevailed. This article critically reflects on the existing research on filicide and argues that it has been insufficiently comprehensive and reliable and, therefore, is not suitable for use as a knowledge base for professional individuals, programmatic and policy interventions, and prevention. The article suggests ways of developing more reliable research for knowledge building and details the data developed so far that underpins their recommendations for a national programme of research.

Eu mesma matei meu filho: do filicídio materno como poética trágica em Eurípides, Goethe e García Lorca

A presente tese investiga as poéticas do trágico nas obras teatrais de Eurípides (Grécia, c. 484 406 a.C.), Johann Wolfgang von Goethe (Alemanha, 1749 1832) e Federico García Lorca (Espanha, 1898 1936) e defende que, nos três autores, as concepções estéticas do trágico se constituem principalmente sobre a representação poética do filicídio materno. A antinomia trágica engendrada, metaforicamente, no assassinato da criança pelas mãos daquela que lhe deu a vida é tema de Medeia (431 a.C.), Tragédia de Margarida (1790) e Yerma (1934), obras fundamentais para compreender a visada trágica dos três poetas aqui, em respectivo, estudados. O conflito com o sagrado e com a razão, ao apontar para a afirmação trágica do corpo e do feminino, frequenta as três obras. O paralelismo entre as dimensões política e estética é, por conseguinte, patente nos três dramas, ao mesmo tempo em que cada um dos autores, com contexto e assinatura próprios, configura uma ideia estética acerca do trágico inteiramente singular. O diálogo entre literatura e filosofia, ou entre intuição e conceito, atravessa, nesta tese, a leitura do trágico na metáfora do filicídio. Sob tal perspectiva, a Medeia de Eurípides impõe-se no centro do debate entre socráticos e sofistas, e aborda temas, como o domínio das paixões sobre a razão, que também aliciaram autores como Platão, Aristóteles e Nietzsche. A Gretchentragödie, de Goethe, apresenta-se, por sua vez, como obra poética aonde convergem as mais calorosas discussões estéticas do moderno pensamento alemão, como as questões do sublime (Kant, Schiller) e da vontade (Schopenhauer). Yerma, de García Lorca, será também uma obra de convergência filosófica, expressando a nueva manera espiritualista que marca a última fase da produção lorquiana: a perspectiva trágica de Nietzsche, na afirmação do corpo como grande razão, assim como o diálogo de Lorca com o pensamento de Miguel de Unamuno sobre El sentimiento trágico de la vida, caracteriza uma espécie de tragédia às avessas, que nega o sagrado e afirma o trágico como síntese libertária do eu, do corpo e do feminino

When fathers murder sons: male melancholy in Dostoyevsky, Mailer and Murakami

 This thesis identifies what is unique about male melancholia as represented in literary texts from the nineteenth century to the present. It argues that male melancholia is written into western civilisation and sustained as a necessity for social order and that it involves male violence towards its male offspring by the father.

La comunidad del filicidio : La vida de Dominguito de Domingo Sarmiento y su transposición fílmica

El artículo propone una lectura comparativa de La vida de Dominguito, de Domingo Sarmiento, y su transposición cinematográfica de 1944, titulada Su mejor alumno y escrita por Homero Manzi y Ulyses Petit de Murat. Para ello, se exploran las continuidades y desplazamientos en las imágenes de Sarmiento y Dominguito que ambas obras postulan. Primero, se aborda la película en tanto escenificación del pasaje de una imagen de Sarmiento que va del proyecto de la educación popular a la cultura pop. Luego, se introduce la idea de que en las dos obras la imagen del hijo funciona como el sustento de una comunidad política basada en el ideal ético de la philia. Sin embargo, el lugar fallado de ese modelo comunitario está determinado por el acto del filicidio, que a través de la metáfora del pueblo-niño que no puede superar su propia infancia, habilita una lectura de la película en relación con el contexto sociohistórico de emergencia de la imagen pop de Sarmiento en el momento de gestación del peronismo.

La comunidad del filicidio : La vida de Dominguito de Domingo Sarmiento y su transposición fílmica

El artículo propone una lectura comparativa de La vida de Dominguito, de Domingo Sarmiento, y su transposición cinematográfica de 1944, titulada Su mejor alumno y escrita por Homero Manzi y Ulyses Petit de Murat. Para ello, se exploran las continuidades y desplazamientos en las imágenes de Sarmiento y Dominguito que ambas obras postulan. Primero, se aborda la película en tanto escenificación del pasaje de una imagen de Sarmiento que va del proyecto de la educación popular a la cultura pop. Luego, se introduce la idea de que en las dos obras la imagen del hijo funciona como el sustento de una comunidad política basada en el ideal ético de la philia. Sin embargo, el lugar fallado de ese modelo comunitario está determinado por el acto del filicidio, que a través de la metáfora del pueblo-niño que no puede superar su propia infancia, habilita una lectura de la película en relación con el contexto sociohistórico de emergencia de la imagen pop de Sarmiento en el momento de gestación del peronismo.

Filicídio

Projeto de Graduação apresentado à Universidade Fernando Pessoa como parte dos requisitos para obtenção do grau de licenciada em Criminologia