A novel bipolar time-spread echo hiding based watermarking method for stereo audio signals

In this paper, a novel bipolar time-spread (TS) echo hiding based watermarking method is proposed for stereo audio signals, to overcome the low robustness problem in the traditional TS echo hiding method. At the embedding, echo signals with opposite polarities are added to both channels of the host audio signal. This improves the imperceptibility of the watermarking scheme, since added watermarks have similar effects in both channels. Then decoding part is developed, in order to improve the robustness of the watermarking scheme against common attacks. Since these novel embedding and decoding methods utilize the advantage of two channels in stereo audio signals, it significantly reduces the interference of host signal at watermark extraction which is the main reason for error detection in the traditional TS echo hiding based watermarking under closed-loop attack. The effectiveness of the proposed watermarking scheme is theoretically analyzed and verified by simulations under common attacks. The proposed echo hiding method outperforms conventional TS echo hiding based watermarking when their perceptual qualities are similar.

Echo hiding based stereo audio watermarking against pitch-scaling attacks

In audio watermarking, the robustness against pitch-scaling attack, is one of the most challenging problems. In this paper, we propose an algorithm, based on traditional time-spread(TS) echo hiding based audio watermarking to solve this problem. In TS echo hiding based watermarking, pitch-scaling attack shifts the location of pseudonoise (PN) sequence which appears in the cepstrum domain. Thus, position of the peak, which occurs after correlating with PN-sequence changes by an un-known amount and that causes the error. In the proposed scheme, we replace PN-sequence with unit-sample sequence and modify the decoding algorithm in such a way it will not depend on a particular point in cepstrum domain for extraction of watermark. Moreover proposed algorithm is applied to stereo audio signals to further improve the robustness. Experimental results illustrate the effectiveness of the proposed algorithm against pitch-scaling attacks compared to existing methods. In addition to that proposed algorithm also gives better robustness against other conventional signal processing attacks.

A novel pseudonoise sequence for time-spread echo based audio watermarking

This paper deals with the problem of digital audio watermarking using echo hiding. Compared to many other methods for audio watermarking, echo hiding techniques exhibit advantages in terms of relatively simple encoding and decoding, and robustness against common attacks. The low security issue existing in most echo hiding techniques is overcome in the timespread echo method by using pseudonoise (PN) sequence as a secret key. In this paper, we propose a novel sequence, in conjunction with a new decoding function, to improve the imperceptibility and the robustness of time-spread echo based audio watermarking. Theoretical analysis and simulation examples illustrate the effectiveness of the proposed sequence and decoding function.

Effective pseudonoise sequence and decoding function for imperceptibility and robustness enhancement in time-spread echo-based audio watermarking

This paper proposes an effective pseudonoise (PN) sequence and the corresponding decoding function for time-spread echo-based audio watermarking. Different from the traditional PN sequence used in time-spread echo hiding, the proposed PN sequence has two features. Firstly, the echo kernel resulting from the new PN sequence has frequency characteristics with smaller magnitudes in perceptually significant region. This leads to higher perceptual quality. Secondly, the correlation function of the new PN sequence has three times more large peaks than that of the existing PN sequence. Based on this feature, we propose a new decoding function to improve the robustness of time-spread echo-based audio watermarking. The effectiveness of the proposed PN sequence and decoding function is illustrated by theoretical analysis, simulation examples, and listening test.

A dual-channel time-spread echo method for audio watermarking

This work proposes a novel dual-channel time-spread echo method for audio watermarking, aiming to improve robustness and perceptual quality. At the embedding stage, the host audio signal is divided into two subsignals, which are considered to be signals obtained from two virtual audio channels. The watermarks are implanted into the two subsignals simultaneously. Then the subsignals embedded with watermarks are combined to form the watermarked signal. At the decoding stage, the watermarked signal is split up into two watermarked subsignals. The similarity of the cepstra corresponding to the watermarked subsignals is exploited to extract the embedded watermarks. Moreover, if a properly designed colored pseudonoise sequence is used, the large peaks of its auto-correlation function can be utilized to further enhance the performance of watermark extraction. Compared with the existing time-spread echo-based schemes, the proposed method is more robust to attacks and has higher imperceptibility. The effectiveness of our method is demonstrated by simulation results.

Robust time-spread echo watermarking using characteristics of host signals

A robust audio watermarking method based on the time-spread (TS) echo hiding scheme is proposed. Compared with existing TS watermarking methods, the approach is more robust as it exploits the characteristics of host signals in the encoding stage. Theoretical analysis and simulation examples demonstrate the effectiveness and advantages of the method.

Robustness and embedding capacity enhancement in time-spread echo-based audio watermarking

In echo-based audio watermarking methods, poor robustness and low embedding capacity are the main problems. In this paper, we propose a novel time-spread echo method for audio watermarking, aiming to improve the robustness and the embedding capacity. To improve the robustness, we design an efficient pseudonoise (PN) sequence and a corresponding decoding function. Compared to the conventional PN sequence used in time-spread echo hiding based method, more large peaks are produced during the autocorrelation of the proposed PN sequence. Our decoding function is designed to utilize these peaks to improve the robustness. To enhance the embedding capacity, multiple watermark bits are embedded into one audio segment. This is achieved by varying the delays of added echo signals. Moreover, the security of the proposed method is further improved by scrambling the watermarks at the embedding stage. Compared with the conventional time-spread echo-based method, the proposed method is more robust to conventional attacks and has higher embedding capacity. The effectiveness of our method is illustrated by simulation results.

Novel watermarking methods for copyright protection of audio signals

This research presented improved watermarking methods for mono and stereo audio signals. To enhance the performance, novel methods are developed using echo hiding techniques and patchwork-based algorithms. The superior performances of the proposed methods are demonstrated by theoretical analysis and simulation examples, in comparison with the existing methods.

Patchwork-based audio watermarking method robust to de-synchronization attacks

This paper presents a patchwork-based audio watermarking method to resist de-synchronization attacks such as pitch-scaling, time-scaling, and jitter attacks. At the embedding stage, the watermarks are embedded into the host audio signal in the discrete cosine transform (DCT) domain. Then, a set of synchronization bits are implanted into the watermarked signal in the logarithmic DCT (LDCT) domain. At the decoding stage, we analyze the received audio signal in the LDCT domain to find the scaling factor imposed by an attack. Then, we modify the received signal to remove the scaling effect, together with the embedded synchronization bits. After that, watermarks are extracted from the modified signal. Simulation results show that at the embedding rate of 10 bps, the proposed method achieves 98.9% detection rate on average under the considered de-synchronization attacks. At the embedding rate of 16 bps, it can still obtain 94.7% detection rate on average. So, the proposed method is much more robust to de-synchronization attacks than other patchwork watermarking methods. Compared with the audio watermarking methods designed for tackling de-synchronization attacks, our method has much higher embedding capacity.

Imaging affect : abstraction and the echo of the unknowable

As an artist my primary interest is in the abstract, that is in images of the imageless. I am curious about the emergence of pictorial significance and content from this unknowable space. To speak of the significance of an imageless image is also to speak of its affect. I aim to explore this both theoretically and practically. Theoretically I will explore affect through the late work of Lyotard and his notion of the affect-phrase. This is an under-examined aspect of Lyotard and demarcates a valuable way to look at the origins, impact and ramifications of affect for art. Practically I will apply these understandings to the development of my own creative work which includes both painting and digital work. My studio practice moves towards exploring the unfamiliar through the powerful and restless silence of affect.In this intense space each work or body of work 'leaks' into the next occasioning a sense of borderlessness, or of uncertainty. This interpenetration and co-mingling of conceptual and material terrains combines to present temporal and spatial slippages evident within the works themselves and their making, but it is also evident in bodies of work across the chronology of their making. Through a mapping of my own painting and digital arts practice and the utilisation of Lyotard’s notion of the affect -phrase I aim to describe the action of this ‘charged emptiness’ on creativity and explore and explain its significance on that we call image and its animation of what we call critical discourse.

No hiding place

As public and private space becomes a focus for development values, contests occur between the unequal parties having a stake in the use of public space, such as central and local government, young people, communities and site developers. It is within the monitoring, recording and control procedures that young people’s use of public space is constructed as a threat to social order in need of surveillance and exclusion. This forms a major and contemporary feature in shaping thinking about urban and rural working class young people in the UK.

Echo theatre : from experience to performance

This research project investigates the characteristics of Echo Theatre, its potential to foster performative and narrative competencies in students, and the role of the teacher in this performative and educational practice. Echo Theatre is a method devised during my storytelling practice and this research confirms that there is no identical research or teaching practice which involves students staging personal narratives in the classroom in this way. The study has been informed by crossdisciplinary theory studies from the fields of phenomenology, cognitive sciences, and theatre practice. To analyse and discuss Echo Theatre's potential contribution to the development of the child I have defined the concept of a performative competence as well as redefined the concept of a narrative competence. The situated, embodied and performative character of human cognition is emphasised as physical actions and thinking in movement is related to both gestural and conceptual understandings. Studies in philosophy and psychology confirm that narrative structure, related to identity construction and meaning-­‐making, can be attained through the performing body. We tell stories to know who we are. Telling stories then in the Echo Theatre model develops multiple competencies related to the performative aspects of theatre practice as well as the narrative aspects of storytelling. The practice-­‐led aspect of this research project includes two fieldwork projects involving a primary school class who created sixteen different Echo Theatre stories. Student participation reveals that Echo Theatre is most constructive when it moves through five phases; recalled experience, narrative, drama, performance, and evaluation. Ongoing reflection is a part of all five phases. The study also confirms that while there is potential for Echo Theatre to support the development of performative and narrative competencies in students, the effectiveness of this directly relates to the teacher's theatre knowledge and skills and his or her didactic attitude towards the students. This study confirms that the potential for learning through the moving and performing body of Echo Theatre is strengthened by working with personal narratives in the classroom and led by teachers displaying heightened skills and knowledge of the aesthetics and dynamics of theatrical form.

Exercise during chemotherapy for ovarian cancer (Echo) : study design features and outcomes of a Cancer Australia and Cancer Council Australia funded randomised, controlled trial

Ovarian cancer is the most common cause of gynaecological cancer death, with an overall 5-year relative survival of 43%. Impaired physical wellbeing and overall quality of life (QoL) represent major concerns for women during and following ovarian cancer treatment, predict survival and are amenable to change through interventions. Exercise, now considered an important part of overall management of a number of cancers, improves short-term outcomes (e.g., function, fatigue, QoL) during chemotherapy...

Pulse-echo ultrasound transit time spectroscopy: A comparison of experimental measurements and simulation prediction

Considering ultrasound propagation through complex composite media as an array of parallel sonic rays, a comparison of computer simulated prediction with experimental data has previously been reported for transmission mode (where one transducer serves as transmitter, the other as receiver) in a series of ten acrylic step-wedge samples, immersed in water, exhibiting varying degrees of transit time inhomogeneity. In this study, the same samples were used but in pulse-echo mode, where the same ultrasound transducer served as both transmitter and receiver, detecting both ‘primary’ (internal sample interface) and ‘secondary’ (external sample interface) echoes. A transit time spectrum (TTS) was derived, describing the proportion of sonic rays with a particular transit time. A computer simulation was performed to predict the transit time and amplitude of various echoes created, and compared with experimental data. Applying an amplitude-tolerance analysis, 91.7±3.7% of the simulated data was within ±1 standard deviation (STD) of the experimentally measured amplitude-time data. Correlation of predicted and experimental transit time spectra provided coefficients of determination (R2) ranging from 100.0% to 96.8% for the various samples tested. The results acquired from this study provide good evidence for the concept of parallel sonic rays. Further, deconvolution of experimental input and output signals has been shown to provide an effective method to identify echoes otherwise lost due to phase cancellation. Potential applications of pulse-echo ultrasound transit time spectroscopy (PE-UTTS) include improvement of ultrasound image fidelity by improving spatial resolution and reducing phase interference artefacts.