The teachings of Zoroaster and the philosophy of the Parsi religion /

Mode of access: Internet.

Zoroaster, and Marzio's crucifix /

"Heretofore published separately."--verso t.p.

The hymns of Zoroaster, usually called the Gathas,

Mode of access: Internet.

Zoroaster, the prophet of ancient Iran,

Bibliography: p. xi-xv.

Zoroaster, and Marzio's crucifix,

Mode of access: Internet.

Marzio's crucifix. Zoroaster.

The Novels of F. Marion Crawford.

As origens históricas do Zaratustra nietzcheano: o espelho de Zaratustra, a correção do mais fatal dos erros e a superação da morte de Deus

Through a careful examination of the relationship between Zoroastrianism and the Western tradition, and a detailed and critical reading of the writings of Nietzsche, this work aims at showing to what extent the character Zarathustra , his discourses and poetical-philosophical thoughts, and related passages from many distinct Nietzschean works, directly or undirectly reflect a philosophy that harvests contributions from the Zoroastrian tradition or its headways (in the Judeo-Greco-Christian tradition, and furthermore in the whole Western philosophical tradition). Supplied with this provisions, and with the interpretation cast upon them, Nietzschean philosophy questions the entire Western tradition of thought, and proposes its replacement by a new attitude towards life. This work also intends to show the way the Nietzschean Zarathustra was built up, in the writings of the German philosopher, together with the idea of making, out of the namesake character of the ancient Iranian prophet (Zarathushtra or Zoroaster, the founder of Zoroastrianism), the herald of that important text that intended to bring the German language to its highest perfection , clumping together, and leading to a prophetic-poetic climax consonant with the meaning of the Earth , Nietzsche s key ideas about the rectification of the most fatal of errors and about the death of God . An elaborate investigation has been pursued after the reasons and manners of the building up of Nietzsche s Zarathustra mirroring its Iranian namesake (sections 1.1 to 1.6), and a survey of the works of Nietzsche has suggested unquestionable relations with the Zoroastrian tradition, mostly through the Jewish, Greek or Christian repercussions of this tradition. These relations have been put in context, in many framings (sections 2.1 to 2.3.2), in the ambit of the most fatal of errors - the - creation of morals in the very occasion of its transposition to metaphysics (Ecce Homo, Why I am a destiny , 3). Through an evaluation of the possible circumstances and repercussions of the death of God , the relations between Nietzsche s writings and Zoroastrian tradition have been investigated (sections 3.1 to 3.7), allowing the understanding of this event as an essential component, and tragic outcome, of the rectification of the most fatal of errors

The complete works of F. Marion Crawford.

v. 1. Mr. Isacs -- v. 2. Doctor Claudius -- v. 3. To leeward -- v. 4. A roman singer -- v. 5. An American politician -- v. 6. Marzio's crucifix. Zoroaster -- v. 7. A tale of a lonely parish -- v. 8. Paul Patoff -- v. 9. Love in idleness. Marion Darche -- v. 10. Saracinesca -- v. 11. Sant' Ilario -- v. 12. Don Orsino -- v. 13. Corleone -- v. 14. With the immortals -- v. 15. Greifenstein -- v. 16. A cigarett-maker's romance. Khaled -- v. 17. The witch of Prague -- v. 18. The three fates -- v. 19. Taquisara -- v. 20. The children of the king -- v. 21. Pietro Ghisleri -- v. 22. Katherine Lauderdale -- v. 23. The Ralstons -- v. 24-25. Casa Braccio -- v. 26. Adam Johnstone's son. A rose of yesterday -- v. 27. Via crucis -- v. 28. In the palace of the king -- v. 29. Marietta -- v. 31. The heart of Rome -- v. 32. Whosoever shall offens.

Anhang zum Zend-Avesta ... /

A sequel to the author's translation of Anquetil Duperron's version of the Zend-Avesta.

Religious pamphlets

A collection of miscellaneous pamphlets on religion.

Zoroastrianism, Cosmology, and Chaos: A Detailed Analysis of the Musical Composition, Druj Aeterni

Druj Aeterni is a large chamber ensemble piece for flute, clarinet, French horn, two trumpets, piano, two percussionists, string quintet, and electric bass. My composition integrates three intellectual pursuits and interests, ancient mythology, cosmology, and mathematics. The title of the piece uses Latin and the language of the Avesta, the holy book of Zoroastrianism, and comments upon a philosophical perspective based in string theory. I abstract the cosmological implications of string theory, apply them to the terminology and theology of Zoroastrianism, and then structure the composition in consideration of a possible reconciliation. The analysis that follows incorporates analytical techniques similar to David Cope’s style of Vectoral Analysis.