In Jo. Baptistam Zenum S.R.E. cardinalem anniversaria funebris laudatio habita in aede basilica S. Marci /

University of Illinois bookplate: "From the library of Conte Antonio Cavagna Sangiuliani di Gualdana Lazelada di Bereguardo, purchased 1921".

Laudatio in anniversario funere Jo. Baptistae Zeni : S.R.E. cardinalis habita in aede S. Marci coram serenissmo principe /

Bound with: Ferro, Giovanni Battista, 18th cent. In Jo. Baptistam Zenum S.R.E. cardinalem anniversaria funebris .... Venetiis : [s.n, 1778?].

Giovanni Battista Montano as Architectural Draughtsman: Recording the Past and Designing the Future

Giovanni Battista Montano (1534-1621), who was born in Milan and trained as a woodcarver, relocated permanently to Rome in the early 1570s where his interest in sculpting was replaced by intense study of the city’s antique monuments and ruins. Although Montano carried out several sculptural and architectural projects during his time in Rome, it is his surviving corpus of drawings that testifies to his passion of exploring ancient architecture through the medium of drawing. While Montano was not famous during his lifetime, a large body of his intriguing designs became celebrated and widely circulated after his death thanks to the 1624 publication of Montano’s designs by his loyal pupil, Giovanni Battista Soria. Montano’s lifelong work differs from virtually all of his predecessors and contemporaries in its “fantastical” and ornamental nature. This thesis explores Montano’s artistic training as it relates to his later interest in imaginatively reconstructing antique buildings, along with his disregard for archaeological or historical accuracy. The subject matter upon which Montano focused is discussed, along with his objective in creating a large corpus of half-historical, half-invented drawings. His drawing techniques are explored with specific reference to the largest group of extant Montano drawings, today housed in Sir John Soane’s Museum, London, England, and also in reference to three original Montano drawings in the Centre Canadien d’Architecture/Canadian Centre for Architecture, Montréal. Also explored is the legacy and impact of Montano’s drawings and the later publications of his designs on the works of Roman Baroque architects, specifically Borromini and Bernini. This thesis ultimately attempts to understand the impact of the intellectual and artistic environment surrounding Montano in late sixteenth and early seventeenth century Rome, his drawing techniques, his choice of subject matter, and the reception that his unique works received from contemporary artists and intellectuals, along with those of the following generation.

Giovanni Battista de Rossi, fondatore della scienza di archeologia sacra: cenni biografici

UANL

Lo spazio del chiostro, progetto di restauro del chiostro di San Giovanni Battista a Faenza

Tesi in Restauro Architettonico del chiostro di San Giovanni Battista a Faenza. L'edificio è situato in Vicolo San Giovanni Battista nel centro storico di Faenza. L'intervento prevede un restauro scientifico delle murature esistenti, e la progettazione di un nuovo volume in aggiunta per risolvere i problemi di accessibilità. La fase progettuale si sviluppa su tre campi: il volume in aggiunta in cui collocare elementi di collegamento, la rampa interna al chiostro per superare le differenze di quota e l’intervento al piano superiore in cui sviluppare uno spazio funzionale ad un attività.

Giovanni Battista Rubini, Hüftbild

Signatur des Originals: S 36/F01689

Giovanni Battista Lamperti, Brustbild

Signatur des Originals: S 36/F09035

Giovanni Battista Pergolesi, Brustbild, Profil

Signatur des Originals: S 36/G01876

Giovanni Battista Pergolesi, Brustbild, Profil

Signatur des Originals: S 36/G01877

Giovanni Battista Rubini, Brustbild

Signatur des Originals: S 36/G02093

Giovanni Battista Rubini, Brustbild

Signatur des Originals: S 36/G02094

Giovanni Battista Rubini, Brustbild

Signatur des Originals: S 36/G02095