Like a volcano waiting to erupt : The Australian Yiddish writer Pinchas Goldhar (1901-1947)

 Biographical essay outlining the tragic career of the Australian Yiddish writer Pinchas Goldhar.

Yiddish folksongs with their original airs

coll. from oral tradition by J. L. Cahan

Songs heard in Palestine : (hebrew and yiddish) ; with explanatory notes and suggestions for interpretation

as coll. and sung by Anna Shomer Rothenberg. Piano arr. by ...

All Alone, Without Money, No Language--Just Yiddish": An Immigrant's Letters from Missouri to Galicia

In June 1891, Shimshon Gerye, a Jewish immigrant from Galicia (a region that now falls across the border of Ukraine and Poland) living in Sedalia, Missouri, received a letter from a cousin back home. The content of the letter was probably rather mundane (a request to send money, inquiries about health), but its timing was somewhat unusual: in the thirty-five years that Shimshon had been living in America, this was apparently the first he had heard from his family in Europe. What survives of the ensuing correspondence, written in Yiddish and spanning a one-year period, provides an interesting view of the situation of the immigrant and the pressures of assimilation, as well as the Yiddish language in America at the end of the nineteenth century.

The history of Yiddish literature in the nineteenth century

[Leo Wiener]

Bei Mir Bistu Shain. Yiddish Version of the Song that`s Sweeping The Country!

Jacobs, Jacob

Six plays of the Yiddish theatre,

D. Pinski: Abigall, Forgotten souls.--S.J. Rabinowitsch: She must marry a doctor.--S. Ash: Winter, The sinner.--P. Hirachbein: In the dark.

Uncle Moses; a novel; authorized translation from the Yiddish

Mode of access: Internet.

Speaking in Tongues: Translating Yiddish in the 20th Century, pt. 3

Writing in Tongues examines the complexities of translating Yiddish literature at a time when the Yiddish language is in decline. After the Holocaust, Soviet repression, and American assimilation, the survival of traditional Yiddish literature depends on translation, yet a few Yiddish classics have been translated repeatedly while many others have been ignored. Anita Norich traces historical and aesthetic shifts through versions of these canonical texts, and she argues that these works and their translations form an enlightening conversation about Jewish history and identity.

Word order in Yiddish narrative discourse

Based on data from spoken narrative discourse in Yiddish, this paper analyses two structures common in Yiddish narrations: The placement of the finite verb in the first position of a declarative sentence, and topicalization.Like German, Yiddish word order is generally centered around a verb-second rule. However, both Yiddish and spoken German show configurations of word order that go against the rule, where the finite verb occupies the first position of the utterance. From a functional-pragmatic point of view, these structures can be said to serve special purposes in the interaction between speaker and listener, sometimes in particular discourse types.Differences and similarities in word order between Yiddish and German enable us to comment on the relationship between these two closely related languages.

Ernest W. Michel Papers, 1698, 1938-1996 (bulk 1946-1987)

This collection contains the papers of Ernest W. Michel, Holocaust Survivor Journalist and public speaker,including clippings of newspaper articles written by and about Michel, correspondence between Michel and many important Jewish and political figures and autograph files, which Michel collected. Many of these files concern Michel’s Holocaust experiences, speaking engagements, the World Gathering of Jewish Holocaust Survivors, and Michel’s work with the United Jewish Appeal.