Trio pour hautbois, clarinette et basson.

Cover title.

Quintet for wind instruments : (flute, oboe, clarinet, horn, bassoon) op. 24, no. 2 /

"Sole American issue of the original Schott edition."

Nonet, F major, for violin, viola, violoncello, double-bass, flute, oboe, clarinet, horn and bassoon, op. 31. [music] /

"Edition Eulenburg no. 97".

Kleine Kammermusik für fünf Bläser (Flöte, Oboe, Klarinette, Horn, Fagott) Op.24, Nr.2.

Mode of access: Internet.

Sextett, B dur. Op. 6. [Für] Pianoforte, Flöte, Oboe, Klarinette, Horn, Fagott

Mode of access: Internet.

Kleine Kammermusik, für fünf Bläser (Flöte, Oboe, Klarinette, Horn, Fagott) Op. 24, Nr. 2.

For flute, oboe, clarinet, horn and bassoon, piccolo replacing flute in the 2d movement.

SOLO AND CHAMBER CLARINET WORKS BY AMERICAN- BORN WOMEN COMPOSERS: 1990-2005

During the period of 1990-2005, American-born women composers have contributed significantly to the standard clarinet repertoire. Pioneering composers such as Joan Tower, Margaret Brouwer, and Libby Larsen have created staples for clarinet literature. Yet, there is very little scholarly research on women composers of clarinet music, most being concentrated on Joan Tower. Through my research, I have discovered over seventy-five works by more than fifty composers in the following genres: solo clarinet; clarinet and piano; clarinet and voice, with or without piano; and small chamber pieces for up to five players. This performance dissertation project consists of three recitals featuring solo and chamber works by nine living women composers, and program notes containing pertinent biographical and compositional information. My intent is to increase recognition women composers, both prominent and lesser known, who are writing high-quality, accessible clarinet literature. Each woman selected is making a full or partial living from the sales of her compositions, has received recognition through awards, commissions, grants, and frequent performances, and has composed works that are both performer and audience accessible. Recital 1: Trios for Clarinet, Violin, and Piano Commissioned by the Verdehr Trio and Composed by American-Born Women Composers. Composers: Jennifer Higdon, Joan Tower, Margaret Brouwer, and Libby Larsen. Recital II: Programmatic Clarinet Works by American-Born Women Composers. Composers: Andrea Clearfield, Stella Sung, and Karen Amrhein. Recital III: Works for Solo Clarinet, Clarinet and Piano, and Clarinet Concerto Genres by American-Born Women Composers. Composers: Persis Parshall Vehar, Jenni Brandon, Margaret Brouwer, and Libby Larsen.

Acht Stücke für Klarinette, Bratsche und Klavier, oder Violine, Violoncello und Klavier. Eight pieces for clarinet, viola and piano, or violin, cello and piano. Op. 83.

Includes alternative parts for violin and violoncello.

Trio in E-flat major (K.498) for piano, violin (or clarinet) and viola.

Mode of access: Internet.

Quintette, pour flûte, hautbois, clarinette, basson et piano.

Mode of access: Internet.

Fantasiestücke für Clarinett oder Violine, Viola oder Violoncell und Piano, Op. 12.

Includes alternative parts for violin and violoncello.

Grand septuor, oeuvre 20 /

Mode of access: Internet.

Oktett, für Streichquintett, Klarinette, Horn und Fagott,

Publisher's no.: Edition Peters Nr. 1849.

Sonate, flute, hautbois et piano (en ré mineur) /

Mode of access: Internet.

Dialogue for bass clarinet and bassoon

This work specifically focuses on the lower register of both instruments, an area I've been led to explore as a result of my profound high frequency hearing loss. It was selected for performance following an international competitive call for scores and premiered at the 16th London New Wind Festival, 22nd November 2013. It was performed by Phil Edwards (bass clarinet) and Glyn Williams (bassoon).