Isocratis Orationes omnes : quae quidem ad nostram aetatem peruenerunt vna et viginti numero, vna cum nouem eiusdem Epistolis è graeco in latinum conuersae /

CCBE s. XVI,

Epicteti Stoici Philosophi Encheiridion. Item Cebetis Thebani tabula de vita humana prudenter instituenda. Accessere Simplicij in eundem Epicteti libellum doctissima scholia. Arriani commentariorum de Epicteti disputationibus libri quatuor /

Descripción basada en CCPB.

Aeschinis oratoris opera. Ad optimorum librorum fidem accurata edita.

Mode of access: Internet.

Isokratoys logoi kai epistolai. Isocratis orationes et epistolae.

Greek and Latin in parallel columns.

Hieronymi Wolfii memoriae pars Ia. [Progr.]

Mode of access: Internet.

Quae supersunt, e bonis libris a se emendata, materia critica, commentariis integris aliorum et suis, indicibus denique instructa

[A] t. 1-2. Textus Graecus, cum scholiis. 1822. t. 3. Demosthenis quae supersunt opera Latine vertit Hieronymus Wolfius. Editio correctior curante G. H. Schaefero. 1826. [B] Indices operum Demosthenis confecit I. I. Reiske. Editio correctior, curante G. H. Schaefero. 1823. [C] t. 1-5. Apparatus criticus et exegeticus ad Demosthenem Vinc. Obsopoei, Hier. Wolfii, Io. Taylori et Io. Iac. Reiskii annotationes tenens. Commodum in ordinem digestum aliorumque et suis annotationibus auctum edidit G. H. Schaefer. 1824-1827.

Demosthenis quae supersunt e bonis libris a se emendata

Vol. [9] has title: Indices operum Demosthenis.

Niketou Akominatou Choniatou Historia = Nicetae Acominati Choniatae, magni logothetae secretorum, inspectoris et judicis veli, praefecti sacri cubiculi, Historia /

Incluye: Chronologia Nicetae, quae annorum ab eo descriptorum, & rerum sub imperatoribus gestarum seriem paucis indicat ; Glossarium, in quo vocabula graecobarbara explicantur ; Variae lectiones et annotationes in Nicetae Choniatae historiam / per Hieronymum Wolfium ; Gnomologia, id est, index sententiarum, quae ex Nicetae Choniatae historia collectae, & ordine alphabeti digestae sunt ; Axiomatum, et insignium quarundam sententiarum, quae in notis ad Nicetae historiam occurrunt, index.

I?annou tou asketou tou Z?nara gegonotos tou megalou droungariou t?s biglas, kai pr?toas?kr?tis chronikon = Joannis Zonarae Monachi magni antea vigilum praefecti, et primi a secretis annales /

Incluye en el vol. 2º: Chronologia ; In Ioannis Zonarae Annales notae historicae.

Suidae Historica : caeteráque omnia que ulla ex parte ad cognitionem rerum spectant ... /

Adams,

A Casa de Atouguia, os Últimos Avis e o Império. Dinâmicas entrecruzadas na carreira de D. Luís de Ataíde (1516-1581)

Tese apresentada para cumprimento dos requisitos necessários à obtenção do grau de Doutor em História

Wolf Creek by Sonya Hartnett

Australian screen classics are seminal for a range of reasons: whether it is a particular title’s popularity and impact upon popular culture, its cultural and textual meaning, or what the film tells us about the social, political and cultural climate from which it emerged. Wolf Creek (Greg McLean, 2005) is undoubtedly an Australian screen classic. The film was an impressive low-budget breakout success, which played a big part in the renaissance of contemporary Australian genre cinema by opening doors for genre filmmakers targeting international markets in ways that haven’t been seen in Australia since the 1980s. Wolf Creek has become the quintessential Australian horror movie. It has captured collective national fears and anxieties about the Australian outback – the isolation, the repressive desolation, the idea that the landscape itself is your enemy. It challenges traditional representations of Australian masculinity and the “ocker larrikin” to show a negative image of the rural ocker which dominated Australian screen in the 1970s and, to lesser extent, the 1980s.

Wolf Creek, rurality and the Australian gothic

As with Crocodile Dundee before it, the recent Australian film Wolf Creek promotes a specific and arguably urban-centric understanding of rural Australia. However, whilst the former film is couched in mythologized notions of the rural idyll, Wolf Creek is based firmly around the concept of rural horror. Wolf Creek is both a horror movie and a road movie, one which relies heavily upon landscape in order to tell its story. Here we argue that the film continues a tradition in the New Australian Cinema of depicting the outback and its inhabitants as something the country's mostly coastal population do not understand. Wolf Creek skilfully plays on popular conceptions of inland Australia as empty and harsh. But more than this, the film brings to the fore tensions in the rural idyll associated with the ownership and use of rural space. As an object of urban consumption, rural space may appear passive and familiar, but in the context of rural horror iconic aspects of the Australian landscape become a source of fear – a space of abjection.

Outdoor group portrait of Marga Abel, Franzche Wolf, Miss Mahler, Margot Frank and Else Hirschfeld; Bad Kissingen Portraits Groups Women

Handwritten caption: Wir tragen nur Bemberg-Seidenstruempfe! (We wear only Bemberg silk stockings!)