The printer & the pardoner : an unrecorded indulgence printed by William Caxton for the Hospital of St. Mary Rounceval, Charing Cross /

Includes index.

Life of William Caxton.

Caption title: Life of William Caxton, with an account of the invention of printing, and of the modes and materials used for transmitting knowledge before that took place.

William Caxton, the first English printer: a biography.

"Postscript. Progress of the press in England": p. 209-240.

The biography and typography of William Caxton, England's first printer.

London edition published same year.

The lyf of the noble and Crysten prynce, Charles the Grete, translated from the French by William Caxton and printed by him 1485.

"A translation of the French prose romance of Fierabras."--p. v.

Ars moriendi : that is to saye the craft for to deye for the helthe of mannes sowle /

[Bodleian facsimile reprints. 1] cf. Mansell.

Prefaces and prologues to famous books : with introductions and notes.

(Contents, cont.) Preface of Fables, ancient and modern / by J. Dryden -- Preface to Joseph Andrews, by H. Fielding -- Preface to the English dictionary; Preface to Shakespeare / by S. Johnson -- Introduction to the Propylaen / by J.W. von Goethe-- Prefaces to various volumes of poems; Appendix to Lyrical ballads; Essays supplementary to preface / by William Wordsworth -- Preface to Cromwell / by Victor Hugo -- Preface to Leaves of grass / by Walt Whitman -- Introduction to the History of English literature / by H.A. Taine.

The Caxton edition of the complete works of William Shakespeare /

Imprint dates from: BLC, v. 299.

Caxton's Tully Of old age and Friendship, 1481, now for the first time collated,

Printed at the Chiswick press.

Main entry, William St, Neville Bonner Building, Brisbane

William St building-Riverside Expressway building junction.

(FAB12_1_002) 'Would you know the new, you must search the old': William Lethaby's 'Architecture, Mysticism and Myth' (1891) and the 'Hypnerotomachia Poliphili' (1499)

Published in the final months of 1891, Architecture, Mysticism and Myth was the first architectural treatise written by the late nineteenth-century English architect and theorist William Richard Lethaby (1857-1931).' Documenting the characteristic attributes of the architectural myth of the "temple idea", and its presence amongst architectures of multiple ancient cultures, the text was endowed with a distinctly historical tone. In examining the motives behind myth, which Lethaby defined as the interaction and reaction between the natural universe and the built environment, Lethaby also injected a series of theoretical considerations into the text. It is clear that Lethaby's interest in the temple idea was not limited to its curious, prolific presence in past architectures, hut also embraced a consideration of what lessons the temple idea may contribute to the struggle of the late nineteenth-century English architect to define an "art of the future".