De bloyende konsten, of Lauwerkrans van Apelles.

Mode of access: Internet.

Catalogue de la bibliothèque et du cabinet de médailles, antiques et modernes, ainsi que de quelques pierres gravées, antiquités &c. délaissés

Compiled by W.H.J. van Westreenen.

L'Art d'améliorer et perfectionner les hommes, au moral comme au physique /

Mode of access: Internet.

Politische Correspondenz Karl Friedrichs von Baden, 1783-1806 /

Vols. 1-2 edited by B. Erdmannsdörffer; v. 3-5 by K. Obser.

L'Art d'améliorer et perfectionner les générations humaines : [au moral comme au physique] /

Antep.

Sacra natalitia saecularia Caroli Friderici beatissimae memoriae magni ducis Badarum.

Mode of access: Internet.

Vie de Messire Antoine Éléonore Léon Leclerc de Juigné, archevêque de Paris, duc et pair de France, et ancien évêque de Chalons-sur-Marne.

Mode of access: Internet.

Carl Friedrichs von Baden brieflicher verkehr mit Mirabeau und Du Pont.

Letters written in French.

Geschichte der Regierung und Bildung von Baden unter Carl Friedrich.

Mode of access: Internet.

Abraham Ettlinger, Portrait. ( 1726-1811 )

This portrait is chronologically first in a series of members of the Ettlinger-Bielefeld family, Acc. 78.50 and 78.53

My [Schoemann] family history 1811-1984

A 21 page typescript accompanied by copies of vital records and a family tree.

Presbítero Manuel Maximiliano Alberti (1763-1811) : párroco de San Nicolás de Bari y vocal de la Primera Junta. En el bicentenario de su muerte

Resumen: El artículo presenta las sucesivas etapas que configuraron el derrotero del sacerdote patriota en las primeras horas del movimiento independentista. Se destacan tanto los valores de su desempeño ministerial como su ascendencia social y política en el ambiente porteño, con la perspectiva propia de los ideales ilustrados de su tiempo y en particular durante el curato en San Nicolás de Bari, la segunda parroquia más importante de la ciudad. Con información bien documentada da cuenta de su nacimiento y de su formación desde sus estudios humanísticos, se reconstruyen los años siguientes dedicados al oficio pastoral de regreso en Buenos Aires y en Maldonado (Uruguay) en tiempos de las invasiones inglesas, su ministerio en San Nicolás de Bari cuando acontece la Revolución de Mayo y su tarea a favor de la causa patriótica desde su participación en el Cabildo Abierto del 22 y su incorporación como vocal de la Primera Junta. Se despliegan los aspectos sobresalientes de esta última misión y los aspectos que se destacan en este recorrido por la vida y la obra de este cura patriota son: compromiso honesto, integridad y actitud de servicio sin reservas desde la función pública.

Collecção das Leis do Brazil de 1811

Parte 1 - Cartas de Lei, Alvarás, Decretos e Cartas Régias.

Memória sobre a qualidade, e sobre o emprego dos adubos, ou estrumes

Traduzida de Ordem Superior.

SELECTED CHARACTER PIECES OF FRÉDÉRIC CHOPIN (1810-1849), FRANZ LISZT (1811-1886) AND JOHANNES BRAHMS (1833-1897)

During the 19th century, Frédéric Chopin (1810-1849), Franz Liszt (1811- 1886), and Johannes Brahms (1833-1897) were among the most recognized composers of character pieces. Their compositions have been considered a significant milestone in piano literature. Frédéric Chopin (1810-1849) did not give descriptive titles to his character pieces. He grouped them into several genres such as Mazurkas, Polonaises. His Mazurkas and Polonaises are influenced by Polish dance music and inspired by the polish national idiom. Franz Liszt (1811-1886) was influenced in many ways by Chopin, and adopted Chopin’s lyricism, melodic style, and tempo rubato. However, Liszt frequently drew on non-musical subjects (e.g., art, literature) for inspiration. “Harmonies poétiques et religieuses” and “Années de pèlerinage” are especially representative of character pieces in which poetic and pictorial imagination are reflected. Johannes Brahms (1833-1897) was a conservative traditionalist, synthesizing Romantic expression and Classical tradition remarkably well. Like Chopin, Brahms avoided using programmatic titles for his works. The titles of Brahms’ short character pieces are often taken from traditional lyrical or dramatic genres such as ballade, rhapsody and scherzo. Because of his conservatism, Brahms was considered the main rival of Liszt in the Romantic Period. Brahms character pieces in his third period (e.g., Scherzo Op.4, Ballades of Op.10, and Rhapsodies of Op.79) are concise and focused. The form of Brahms’ character pieces is mostly simple ternary (ABA), and his style is introspective and lyrical. Through this recording project, I was able to get a better understanding of the styles of Chopin, Brahms and Liszt through their character pieces. This recording dissertation consists of two CDs recorded in the Dekelboum Concert Hall at the University of Maryland, College Park. These recordings are documented on compact disc recordings that are housed within the University of Maryland Library System.