944 resultados para Verdun, Battle of, Verdun, France, 1916.
Resumo:
Mode of access: Internet.
Resumo:
One of the enduring illusions about Northern Ireland is that its society can be conceptualized through a binary distinction between protestant and catholic. unionist and nationalist. It is increasingly apparent that these broad domains are themselves fractured and diverse and that otherness is often conceived from within rather than without. Northern Ireland can also be viewed as a laboratory for identity formation as unionists and loyalists strive to reconcile themselves with the fundamental political changes that have followed in the wake of the Peace Process. This paper considers one aspect of the contestation of belonging that increasingly characterizes unionism. It examines the competition for the ownership of the mythology of the Battle of the Somme ( 1916), long a key event in the unionist narrative. In particular, the paper addresses the ways in which paramilitary organizations are using the Somme to legitimate their own activities but also to distance the loyalist working classes from the former hegemonic Britishness of official unionism and the sectarianism of the Orange Order. The analysis concludes that loyalist identity is being conceptualized thorough a narrative of betrayal from within and at an intensely localized scale.
Resumo:
"Notes and references": p. 237-269.
Resumo:
Mode of access: Internet.
Studio portrait of Leopold Landsberger in military uniform, before the Verdun battle of World War I.
Resumo:
Digital Image
Resumo:
Author's name at head of title.
Resumo:
At head of title: J. F. Bouchor ... Capitaine Delvert.
Resumo:
Mode of access: Internet.
Resumo:
Digital Image
Resumo:
Includes index.
Resumo:
Published previously, Boston, 1816, by Barber Badger, under title: The naval temple.
Resumo:
Published previously, Boston, 1816, by Barber Badger, under title: The naval temple.
Resumo:
This article underscores the complex relationship between national concerns and dramatic criticism by interrogating the role of theatre in the creation of a 'national culture' during the last few decades of the Ancien regime. The author focuses more specifically on the forms of patriotism proposed by Pierre-Laurent De Belloy, author of Le Siege de Calais, France's "first tragedy in which the nation is given the pleasure to take an interest in itself," as well as by his adversaries and his allies. The version of patriotism proffered by De Belloy - a 'fatherland' that he defines as both bourgeois and monarchical - renders problematic several aesthetic and political norms in place in 1765. The author thus responds modestly to one of the most essential questions posed by research on eighteenth-century political and cultural history: how did patriotism operate before the French Revolution?
Resumo:
Mode of access: Internet.
Resumo:
Mode of access: Internet.