Elegiac variations. [music] : op. 25, for violoncello and piano.

Cover title.

Willeke's violoncello collection: thirty solo pieces for violoncello with piano accompaniment

Mode of access: Internet.

Twelve National Airs with Variations for the Piano Forte and an Accompaniment for the Flute composed by Beethoven

Signatur des Originals: S 36/G00383

A favorite Irish air : with variations for the piano /

Mode of access: Internet.

The Artistic cellist; a collection of standard cello solos with piano accompaniment.

Mode of access: Internet.

Schottische Bilder, Op. 112 : componirt für Clarinette und Pianoforte oder Violoncello und Piano ... /

Photocopy with label on title page: availables from J. Boonin, Inc., Music Publications, Hachensack, N.J.

SELECTED ICONIC CHAMBER MUSIC WORKS WITH PIANO FROM THE NINETEENTH AND TWENTIETH CENTURIES

Chamber music repertoire featuring the piano blossomed from the mid-nineteenth through the early twentieth century. The quantity of works increased greatly during this time and the quality of these works reached the highest level. Among the many symbolic works that were composed were sonatas for a single string instrument with piano, piano trios, quartets: and quintets as well as two-piano works and four-hand duets. Being able to study and perform many of these iconic works before I graduated was one of the major goals I set for myself as a collaborative pianist. The abundance of repertoire has made it easy to choose works considered "iconic" for my dissertation's three recitals. Iconic is defined as "very famous or popular, especially being considered to represent particular opinions or a particular time" in the online Cambridge Advanced Leamer's Dictionary & Thesaurus © Cambridge University. The compositions featured in the recitals were composed from 1842 through 1941, including works by Schumann, Brahms, Faure, Rachmaninoff, Ravel, and Lutoslawski. Choosing the repertoire with my fellow performers in mind was an important part of this dissertation. In addition to trying to make balanced programs which include variety, working with different instruments and performers is one of the most fulfilling parts of the musical experience for me as a collaborative pianist. Joining me for the concerts were members of the Aeolus String Quartet (violinist Nicholas Tavani, violinist Rachel Shapiro, violist Greg Luce, and cellist Alan Richardson), pianist Hsiao-Ying Lin (a doctoral student from the Peabody Conservatory), and my colleagues from the Peabody Institute Preparatory Division (faculty violinist Dr. Christian Tremblay and cellist Alicia Ward), and Derek Smith, Associate Principal violist of the Annapolis Symphony Orchestras). The three recitals were performed in the Gildenhom and Ulrich Recital Halls at the University of Maryland, College Park, Maryland. They are recorded on CD and available on compact discs, which can be found in the Digital Repository at the University of Maryland (DRUM).

Arion : a collection of four-part songs for male voices, in separate vocal parts with piano score, mainly to be sung without accompaniment /

Mode of access: Internet.

Sonata for violoncello and piano /

Mode of access: Internet.

Arion; a collection of four-part songs for male voices, in separate vocal parts with piano score, mainly to be sung without accompaniment.

Mode of access: Internet.

Two sonatas for violoncello and piano, op. 45 and 58. [music] /

Mode of access: Internet.

Allegro de concert, for violin with piano accompaniment, op. 15 /

Originally for violin and orchestra; acc. arr. for piano.

From the canebrake : for fiddle with piano : op. 5, no. 1 /

Violin part printed on p. [3] of cover.

A pagan poem : (after Virgil) composed for orchestra with piano, English horn and three trumpets obligato /

Mode of access: Internet.

Fantasia appassionata : for the violin with piano accompaniment, op. 35 /

Acc. originally for orchestra.