56 resultados para Troilus


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Mode of access: Internet.

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Illustrated end-papers.

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Includes index.

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Cover title.

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The purpose of this thesis is to provide research, supporting paperwork, production photographs, and other materials that document the scenic design process for the production of William Shakespeare’s Troilus & Cressida by the University of Maryland – College Park, School of Theater, Dance, and Performance Studies. This thesis contains the following: scenic research images collected to express period, location, and emotional/intellectual landscapes to the production team; preliminary sketches; photographs of the ¼” scale model; a full set of drafting plates and paint elevations used to communicate the design to the technical director and paint charge; a unit list naming each scenic element; a props list and research book to detail each hand prop, furniture piece and consumable to the prop master; and, lastly, archival production photographs to document the completed design.

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The paper deals with the reception of Aristotle’s definition of rhetoric (Rhet. I 1355b26–27) in several Byzantine commentators of Hermogenes’ and Aphthonius’ treatises. A justification of critical interpretation of this definition is to be found in the commentaries of Troilus and Athanasius (4th/5th century) as well as Sopatros (6th century) and Doxapatres (11th century), Maximus Planudes (13th/14th century) and several anonymous commentators. The Byzantine tradition has found Aristotle’s definition of rhetoric to be all too theoretical and insufficiently connected to practical activity, which Byzantium identified with political life.

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Another ed. issued simultaneously, with flexible cloth binding (12mo), in series: English classics.

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--v. 25 Romeo and Juliet; the 1st quarto, 1597.--v. 26 Romeo and Juliet; the 2nd quarto, 1599.--v. 27 King Henry V; the 1st quarto, 1600.--v. 28 King Henry V; the 3rd quarto, 1608.--v. 29 Titus Andronicus; the 1st quarto, 1600.--v. 30 Sonnets; the 1st quarto, 1609.--v. 31 Othello; the 1st quarto, 1622.--v. 32 Othello, the 2nd quarto, 1630.--v. 33 King Lear; the 1st quarto, 1608.--v. 34 King Lear; the 2nd quarto, 1608.--v. 35 Lucrece; the 1st quarto, 1594.--v. 36 Romeo and Juliet; the undated quarto.--v. 37 First part of the Contention; the 1st quarto, 1594.--v. 38 True tragedy; the 1st quarto, 1595.--v. 39 Famous victories of Henry the fifth; the earliest known quarto, 1598.--v. 40-41 The troublesome raigne of John, king of England; the 1st quarto, 1591.--v. 42 Richard the third; the 3rd quarto 1602.--v. 43 Richard the third; the 6th quarto, 1622.

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T.p. in green and black; illustrated lining papers.