Art, adolescence and Social Work: Anja, the invisible manager

This article has been written with the intention of being able to analyse the contributions of art —theatre, in this case— to the practice of social work. For this purpose, we have chosen to read the social reality in which we intervene through the lens of social constructionism. This helps us to rescue the social and subjective side of art, and, moreover, to recover the depathologization of the subject in professional intervention. Thus, using a practical case taken from work with adolescents in the German FSJ programme, hand-in-hand with a young girl called Anja we trace the developmental and sociological aspects of adolescence in order to later address certain common points of art and psychosocial work. Art will hence be redefined as a transitional object allowing questions to be addressed relating to (self-) perception, attachment, communication and changes in conduct as the ultimate goal of professional action. Lastly, we note the limitations and risks of art-based intervention, in order to conclude with a final synopsis.

A importância do objeto transicional no desenvolvimento psíquico sadio

O objeto transicional é um mediador entre mãe e filho, eu e não-eu, mundo interno e mundo externo. A mãe suficientemente boa permitirá esse objeto e através dele a criança passará de um estado de ilusão para um estado de desilusão, do relacionar-se com o objeto para o uso do objeto. A passagem do princípio do prazer para o princípio da realidade permitida pela mãe boa, através de uma adaptação ativa com a criança facilitará uma capacidade do brincar criativo num espaço potencial. O jogo com as pessoas onde haverá amigos e inimigos somente se realizará através desse brincar criativo. Para que exista um desenvolvimento do processo de separação- individualização é necessário a existência de um objeto transicional em sua forma saudável como um acalmador da ansiedade. Daí a importância da disponibilidade da mãe e do objeto transicional para que todo o desenvolvimento psíquico saudável se realize; a importância de uma continuidade no cuidado e uma consequente confiança na mãe para que possa ser bem suportada a sua ausência; e para que no processo de dependência para o rumo à independência a criança possa seguir segura e feliz por essa separação ou independência da mãe e filho ao mesmo tempo. Caso isto não ocorra de uma forma saudável, isto e, se a mãe ou o ambiente não for suficientemente bom, pode haver o desenvolvimento, na criança e posteriormente no adulto, de um objeto transicional sendo o próprio corpo e mais tarde uma idéia fixa. O que é mais importante nisso tudo é que o objeto transicional exista e seja permitido em toda a sua plenitude sem interrupções. O processo deve realizar-se até o final, isto é, até que o objeto perca simplesmente o seu significado e não esquecido ou reprimido. Que fique reduzido somente ao nível de significante. O tempo que ele durará vai variar de criança para criança, de mãe para mãe, de meio para meio. E isto não terá muita importância. O que terá importância será somente que a ele seja permitido existir e se o processo for concluído a criança terá um desenvolvimento psíquico saudável e poderá, pela vida afora,confiar em si mesma e nas pessoas que a rodeiam. Poderá ser um "ser total" pronto para encarar e enfrentar o mundo externo.

Animais de estimação e objetos transicionais: uma aproximação psicanalítica sobre a interação criança-animal

Pós-graduação em Psicologia - FCLAS

Nas trincheiras de combate, o abatimento: adicção e AIDS

Após três décadas do surgimento da aids no mundo, ainda nos encontramos emudecidos diante de uma doença temida em ser pronunciada pelo peso da morte que seu nome traz. A doença, que surgiu como uma maldição a minorias sexuais, profissionais do sexo e usuários de drogas, imprimiu em seus corpos e em suas almas o símbolo da morte imediata, vergonhosa e dolorida. Em todo esse percurso, teve seu corpo viral “radiografado” pela ciência médica, sem que pudesse ser retirada da matematização de que aids e igual à morte, o que a reduziria à condição de “uma doença”. Esta dissertação propõe-se a apresentar um panorama da aids, apontando seu surgimento, a identificação do vírus e as metáforas utilizadas para o posicionamento da enfermidade no locus biológico e moral do mundo moderno. Utilizaram-se metáforas de doenças estigmatizantes, que recaem sobre lugares de cuidados de saúde, para apresentar o Hospital Universitário João de Barros Barreto como um espaço marcado pelo estigma da tuberculose e da aids, o que lhe confere a imagem de horror perante a população paraense. Neste espaço, foram atendidas pessoas cujas relações de desamparo e dependência a um objeto/ato externo ao ego pode tê-las levados à exposição ao vírus HIV. Destes, foi destacado um caso clínico para estudo deste fenômeno. Como tentativa de entendimento da relação com o objeto de dependência, foram buscados, principalmente, os conceitos winnicottianos de “ambiente maternante suficientemente bom”, “objeto transicional”; além de “adicção”, trabalhado por Joyce McDougall. Com o trabalho realizado, pôde-se observar que o vazio relatado em psicoterapia, muito presentes nos pacientes, é circunscrito por relações adictivas, como um modo de defesa que permite tomar o objeto como substituto materno externo vital. Para a escuta destas dependências, foi utilizada a perspectiva da clínica winnicottiana, com a possibilidade de reposicionar o paciente, para modificar sua realidade interna e externa a partir de um agir criativo.

O objeto transicional pode ser uma pessoa? teoria e clínica

The objective of this work is to answer the question posed in the title, based on the texts of D. W. Winnicott. To this effect we addressed the origins of the concept of transitional object in the author’s work, the chronology of its first appearances, direct references to the topic and a discussion of a clinical case. Winnicott rarely referred to a person as being another person’s transitional object, and when he did so, he situated this experience in the field of pathology, and when referring to it, used such terms as “comforter object”, “fetish object” and “regressive object”. In contrast, the concept of transitional object is linked to an experience indicative of mental health, of transition between fusion and mother-baby separation, and of the personal and symbolic use of objects of the sensory field. Maintaining this conceptual specificity enables us to discriminate nuances in the evolution of the use of material objects by the child, and helps to guide anamnesis, diagnosis and the therapeutic process.

Looking for Determinants of Ontological Security in the Spain of the Crisis

The concept of ontological security has a remarkable echo in the current sociology to describe emotional status of men of late modernity. However, the concept created by Giddens in the eighties has been little used in empirical research covering various sources of risk or uncertainty. In this paper, a scale for ontological security is proposed. To do this, we start from the results of a research focused on the relationship between risk, uncertainty and vulnerability in the context of the economic crisis in Spain. These results were produced through nine focus groups and a telephone survey with standardized questionnaire applied to a national sample of 2,408 individuals over 18 years. This work is divided into three main sections. In the fi rst, a scale has been built from the results of the application of different items present in the questionnaire used. The second part explores the relationships of the scale obtained with the variables further approximate the emotional dimensions of individuals. The third part observes the variables that contribute to changes in the scale: These variables show the structural feature of the ontological security.

The puppet as a tool for working in Art Therapy

This article aims to investigate the possibilities of building puppets in art therapy workshop, for this it realizes a tour of the primitive use of the puppet as a magical twin and potential towards the study of authors who have used the puppets as a therapeutic tool from the first half of the twentieth century. It’s raised an own theoretical organization, which includes the consideration of the significance of the body in the construction and management of the puppet and the puppet transitional perspective, halfway of external reality and psychic reality as an object that makes fantasy and reality arises built.

Massive stars exploding in a He-rich circumstellar medium - II. The transitional case of SN 2005la

We present photometric and spectroscopic data of the peculiar SN 2005la, an object which shows an optical light curve with some luminosity fluctuations and spectra with comparably strong narrow hydrogen and helium lines, probably of circumstellar nature. The increasing full width at half-maximum velocity of these lines is indicative of an acceleration of the circumstellar material. SN 2005la exhibits hybrid properties, sharing some similarities with both Type IIn supernovae and 2006jc-like (Type Ibn) events. We propose that the progenitor of SN 2005la was a very young Wolf-Rayet (WN-type) star which experienced mass ejection episodes shortly before core collapse.

Experiences with an Object-Oriented, Multi-Stage Language

Metaphor is a multi-stage programming language extension to an imperative, object-oriented language in the style of C# or Java. This paper discusses some issues we faced when applying multi-stage language design concepts to an imperative base language and run-time environment. The issues range from dealing with pervasive references and open code to garbage collection and implementing cross-stage persistence.

Some Remarks on the Approximation of Transitional Density in Stochastic Differential Equations

Aijt-Sahalia (2002) introduced a method to estimate transitional probability densities of di®usion processes by means of Hermite expansions with coe±cients determined by means of Taylor series. This note describes a numerical procedure to ¯nd these coe±cients based on the calculation of moments. One advantage of this procedure is that it can be used e®ectively when the mathematical operations required to ¯nd closed-form expressions for these coe±cients are otherwise infeasible.

Tensions, transisitions and triumphs : examining the transitional experience of fashion students between school and university

Joining any new community involves transition and adaptation. Just as we learn to adapt to different cultures when we choose to live abroad, so students learn the language and culture of an academic community in order to succeed within that environment. At the same time however, students bring with them individual learning styles and expectations, influenced by their prior experiences of learning and of life more generally. Some have excelled at school; others have come to fashion seeking something in which to excel for the first time. Commencing a degree in fashion design brings students into contact with peers and lecturers who share their passion, providing them with a community of practice which can be both supportive and at the same time intimidating.----- In Queensland where university level study in fashion is such a new phenomenon, few applicants have any depth of training in design when they apply to study fashion. Unlike disciplines such as Dance or Visual Art, where lecturers can expect a good level of skill upon entry to a degree program, we have to look for the potential evidenced in an applicant’s portfolio, much of which is untutored work that they have generated themselves in preparation for application. This means that many first year fashion students at QUT whilst very passionate about the idea of fashion design are often very naïve about the practice of fashion design, with limited knowledge of the history or cultural context of fashion and few of the technical skills needed to translate their ideas into three dimensional products.----- For teachers engaging with first year students in the design studios, it is critical to be cognizant of this mix of different experiences, expectations and emotions in order to design curricula and assessment that stretch and engage students without unduly increasing their sense of frustration and anxiety. This paper examines a first year project designed to provide an introduction to design process and to learning within a creative discipline. The lessons learnt provide a valuable and transferable resource for lecturers in a variety of art and design disciplines.