Tom Peterson, Dom Tomasi, UM football vs Navy, 1948

[Tom Peterson, #33; Dom Tomasi, #65; Leo Koceski, #18; Ralph Kohl, #76]

Dom Tomasi, UM football vs Navy, 1948

[Dom Tomasi, #65; Ralph Kohl, #76]

FLUTE MUSIC FROM THE MID-TWENTIETH CENTURY BY THREE FRENCH COMPOSERS: JEAN-MICHEL DAMASE, ANDRE JOLIVET, AND HENRI TOMASI

Jean-Michel Damase (b.1928), Andre Jolivet (1905-1974), and Henri Tomasi (1901-1971) are three prominent French composers ofthe twentieth century. Tomasi won the Prix de Rome in 1927, and Damase won the Prix de Rome in 1947. All three composers were educated and lived in Paris around the same period; however, their musical styles are quite distinct. Most of Jolivet's compositions for flute are well known and are often selected as international competition repertoire. The compositions for flute by Damase and Tomasi are not as recognized as those of Jolivet, and most of their works for flute still have not been commercially recorded. The purpose of this dissertation is to provide a more comprehensive guide to the compositions for flute by Damase, Jolivet and Tomasi, and, in addition, to make the works ofDamase and Tomasi familiar to flutists. This dissertation will focus on the compositions ofDamase, Jolivet, and Tomasi for flute alone and those for flute and piano, written between 1928 and 1971 (1928 is the year Damase was born, and 1971 is the year that Tomasi died). Damase continues French romanticism, and his music is always playful, elegant, and accessible with rhythmic and harmonic surprises, but with an underlying complexity. His compositions for flute include three concertos, two double concertos, one flute solo work, and nine works for flute and piano. Jolivet's compositions make use of ancient rituals, incantations, and spirituality, as well as repeated phrases and single notes, irregular rhythmic patterns, dissonant effects, and rhythmic drive. He composed one flute concerto, three works for flute solo, and four works for flute and piano. Tomasi's compositions also continue French romanticism and contain melodies which often seem to tell a story, and which are not only full of flourishes and vitality, but are also delicate, colorful, and romantic. Virtuosic technical demand is another characteristic of his style. Tomasi composed three flute concertos, three works for solo flute, and one work for flute and piano. Appendix I is a list of the compositions for flute by Damase, Jolivet, and Tomasi, and Appendix II is a discography of their works.

Diagnostic value of the Dominic Interactive Assessment with children exposed to intimate partner violence

Resumen tomado de la publicaci??n

O discurso literário e cinematográfico: simetrias e assimetrias em O Leopardo, Guisseppe Tomasi di Lampedusa X Luchino Visconti

Este trabalho trata de duas artes, Literatura e Cinema. Embora autônomas e específicas, traduzem-se em textos distintos, relações de identificação e ao mesmo tempo afastamento de uma obra em relação à outra. Nossa abordagem tem, como ponto de partida, o texto literário "O Leopardo", do escritor italiano Giuseppe Tomasi di Lampedusa e, como ponto de chegada, a obra cinematográfica homônima do cineasta, também italiano, Luchino Visconti. Lampedusa produziu uma obra que só ganharia reconhecimento postumamente. Nela, criou um discurso narrativo através do qual põe em destaque a História e a representação da sociedade. Apesar de ter nos legado uma obra pequena, caracteriza-se por apresentar um estilo próprio, marcado por requintes de liberdade e recriação da palavra. Luchino Visconti, o mais requintado criador da sétima arte de seu tempo, transpôs, com rigor, para a tela, importantes obras de renomados escritores. Seus filmes traduzem uma precisa visão histórica e aristocrática. A narrativa cinematográfica mescla ousadia e criatividade, desafiando a escritura ao arquitetá-la em magníficas imagens, cumprindo com o (quase) intuito da fidelidade a abstração da imagem literária.

Prudentii poetae Opera virtutum cum vitiis pugna heroice carmine, hymni diurnarum rerum ab Gallic?tum ad Maturin?..., liber de divinitate in quo sunt hymnus de trinitate..., liber de origine peccatoru[rum]..., tragoediae de passione romani martyris versu Iambico... [et al.]. [Prosperi Aquitanici Epigrammata super divi Au. Augustini sententias]. Haec graece Cantica Ioannis Damasceni in thegoniam, epiphaniam p?tecosten in diem dominic? pascae in ascensionem in transfigurationem, in annuntationem. Cosmae Hierosolymitani Cantica tredecim. Cantica Mareii episcopi idrontis in magnum sabbatum. Canticum Theopharis in ann?tionem: quae o?a hab?t e regione latinam interpretationem.

ICCU,

Commentarij in septem Psalmos poenit?tiales ... / per fratr? Dominic? de Celaya ... Ordinis Praedicatorum

CCBE, S.XVI,

Five Italian shrines; an account of the monumental tombs of S. Augustine at Pavia, S. Dominic at Bologna, S. Peter Martyr at Milan, S. Donato at Arezzo, and of Orcagna's tabernacolo at Florence, with a prefatory essay on Tuscan sculpture

Mode of access: Internet.