The art of painting on china : with a chapter on terra cotta painting in oil and water colour /

Publisher's catalog (64 pages) at end.

Recueil de fragmens de sculpture antique en terre cuite.

Text by L.G. Seroux D'Agincourt.

Catalogue des vases antiques de terre cuite,

Mode of access: Internet.

Robbia heraldry,

Bibliography: p. [305]-307.

Catalogue of the Acropolis museum ...

Mode of access: Internet.

Sobre las esculturas de barro cocido, griegas, etruscas y romanas, del Museo arqueoloǵico nacional,

Bibliographical foot-notes.

Fireproof construction, for houses and other buildings of moderate cost.

Mode of access: Internet.

Songs of the sun-lands.

BAL

Terra Preta : bioenergy, soil restoration, urban agriculture, art algorithm

The 2010 LAGI competition was held on three underutilized sites in the United Arab Emirates. By choosing Staten Island, New York in 2012 the competition organises have again brought into question new roles for public open space in the contemporary city. In the case of the UEA sites, the competition produced many entries which aimed to create a sculpture and by doing so, they attracted people to the selected empty spaces in an arid climate. In a way these proposals were the incubators and the new characters of these empty spaces. The competition was thus successful at advancing understandings of the expanded role of public open spaces in EAU and elsewhere. LAGI 2012 differs significantly to the UAE program because Fresh Kills Park has already been planned as a public open space for New Yorkers - with or without these clean energy sculptures. Furthermore, Fresh Kills Park is already an (gas) energy generating site in its own right. We believe Fresh Kills Park, as a site, presents a problem which somewhat transcends the aims of the competition brief. Advancing a sustainable urban design proposition for the site therefore requires a fundamental reconsideration of the established paradigms public open space. Hence our strategy is to not only create an energy generating, site specific art work, but to create synergy between the public and the site engagement while at the same time complement the idiosyncrasies of the pre-existing engineered landscape. Current PhD research about energy generation in public open spaces informs this work.