Sacharissa; some account of Dorothy Sidney, countess of Sunderland, her family and friends, 1617-1684,

Portions of the work appeared originally in Macmillan's magazine as "Sunderland and Sacharissa," "Sacharissa's letters," and "The Savile papers."

The Countess of Pembroke's Arcadia.

Mode of access: Internet.

Room for Experiment: The Countess of Arundel’s "Site of Medication"

The so-called Dutch Pranketing Room of Alethea Talbot, Countess of Arundel, at Tart Hall was a site of domestic experiments, courtly splendour and global ambition. Lady Arundel, the probable author of a famous recipe book, would have used Tart Hall for cooking and experiments as well as for impressive dinner parties, and she would have used large amounts of sugar to create intricate imitations of meat and vegetables to astonish, entertain and delight her guests. Linking household practice with global trade as well as artistic creation, Lady Arundel’s banquets are situated not only between a national tradition of cooking, as it appears in Markham’s manuals, and the new possibilities the arising global trade provided, but also played with a mismatch between taste and sight. This mediating role could be compared to that played by the artists the Countess employed. Within this context it is worth noting that a series of paintings displayed in the building’s gallery showed still lifes, markets, and a cook. The inventory of Tart Hall gives an insight into the world of the widely travelled collector and patron of Van Dyck and Rubens, but raises also a number of questions. In my talk I would like to explore the Countess’ Pranketing Room as a site of mediation between alimentary and painterly experiments, considering the use of recipes, experience, invention and transformation

Maria Gunning, Countess of Coventry [Material gráfico] : From the original picture in the possession of the publisher

Resumen: Descripción: retrato de tres cuartos de figura ligeramente hacia la derecha, mirando de frente

Emily, Countess of Bellamont. [Material gráfico] : from the original picture in the possession of the Countess of Chesterfield.

Resumen: Descripción: retrato de la Condesa de cuerpo entero de frente, de pie y mirando ligeramente hacia la derech., elegantemente vestida

The coronet & the cross : or, Memorials of the Right Hon. Selina, Countess of Huntingdon /

Mode of access: Internet.

The literary life and correspondence of the Countess of Blessington.

Mode of access: Internet.

The literary life and correspondence of the Countess of Blessington.

Mode of access: Internet.

The life and times of Selina, countess of Huntingdon.

Introductions signed: J.K. Foster.

The last Stuart queen Louise, countess of Albany: her life & letters /

"Appendix: ... seven letters from the Countess of Albany to Signora Teresa Mocenni and the Arch-priest Luti ... ": p. 342-350.

The earliest English translation of the first three books of the De imitatione Christi, now first printed from a ms. in the library of Trinity college, Dublin, with various readings from a ms. in the University library, Cambridge. Also the earliest printed translation of the whole work from a copy in the British museum (Books I-III by William Atkynson, D. D., book IV by the Lady Margaret, mother of K. Henry VII, and countess of Richmond and Derby).

Mode of access: Internet.

The aristocrats : being the impressions of the Lady Helen Pole during her sojourn in the Great North Woods as spontaneously recorded in her letters to her friend in North Britain, the Countess of Edge and Ross.

Mode of access: Internet.

Hardwick Hall, Co. of Derby : erected by Elizabeth Hardwick, Countess of Shrewsbury, 1590-1597, now one of the residences of her descendant His Grace the Duke of Devonshire, K.G.

Contains a catalogue of the portraits in Hardwick hall.

Matilda, countess of Tuscany /

Mode of access: Internet.

Two epistles. The first, to a young nobleman from his preceptor. Written in the year 1735-6. The second, to the Right Honourable the Countess of Hartford, at Percy-Lodge: in the year 1744.

In verse.