Dancelines series

Dancelines was a body of work commissioned by Bangarra Dance Company and The Arts Centre, Melbourne. The artist was invited to produce a body of work that responded to the dance company's production of 'Boomerang'. The result was a body of photographs that applied the artist's interest in layering as a photographic technique and her interest in indigenous subjectivity and sprituality. The works drew correspondences between Rheannan Port, the subject's, own biography and character and the artist's voluminous archive of iamges of the natural world. The result complemented and formalised the collaborative processes that the artist had previously only explored in the video medium. The work was shown at the George Adams Gallery of the Arts Centre as part of Melbourne 2006 Commonwealth Games Arts Festival. 'Rheannan Port, #1' was selected for the 2006 Archibald Photographic Portrait Prize, at the Art Gallery of New South Wales. The work was reviewed in The Age newspaper.

El tesoro escondido de Aparecida : la espiritualidad popular

Aparecida representa el punto más alto en la consideración del magisterio sobre la piedad popular latinoamericana. El artículo comienza con un somero recorrido histórico desde Medellín, donde se considera la religiosidad popular como algo positivo, hasta Aparecida, donde se enseña que esta forma de vivir la fe de grandes mayorías de pobres latinoamericanos es una verdadera espiritualidad cristiana. Luego se detiene a presentar las novedades del documento de la V Conferencia del Episcopado latinoamericano (Aparecida) y termina explicitando algunas cuestiones abiertas.

Arthur Miller: Spirituality Explored

Following the overview of his life, I will discuss in depth various theme that Miller presents in his writing by closely analyzing four of Miller's plays. I will give you a brief setting into which Miller wrote the various plots.