Phil. Jacob Spener, der kirchen-Vater des evangelischen Deutschlands im 17ten und 18ten Jahrhundert /

Mode of access: Internet.

D. Philippi Jacobi Speneri Operis heraldici, pars generalis & specialis.

Each volume has also an added t.p., engraved, dated 1690 and 1680, respectively.

Historia insignium illustrium; sev, Operis heraldici pars specialis [et generalis] ...

Vol. 2 has title: Insignium theoria; sev, Operis heraldici, pars generalis ...

Das geistliche Priesterthum : aus göttlichem Wort kürzlich beschrieben und mit einstimmenden Zeugnissen gottseeliger Lehrer bekräftiget /

Includes bibliographical references.

Pia Desideria : oder herzliches Verlangen nach gottgefälliger Besserung der wahren evangelischen Kirche, nebst einigen dahin abzweckenden christlichen Vorschlägen. Vollständig mit den ursprünglichen Beilagen, und mit Anmerkungen vermehrt, auf's neue herausgegeben /

Mode of access: Internet.

Predigten auf alle Sonn- und Festtage im Jahr : zur Beförderung eines christlichen Sinnes und gottseligen Wandels /

1. T. Von Advent bis Ostern -- 2. T. Von Ostern bis Advent -- 3. T. Ueber die sonstigen Fest- und Heiligen-Tage.

Die evangelischen kirchen rettung von falscher Beschuldigung der trennund und gemeinschafft mit altern ketzereyen : ausz gnädigstem befehl des durchläuchtigsten ... in das Churfürstlichens Sämländische Consistorium eingegebenen dubiis /

Mode of access: Internet.

Historia insignium illustrium seu Operis heraldici : pars specialis : continens delineationem insignium plerorumque regum, ducum, principum, comitum & baronum in cultiori Europa, cum explicatione singularum tesserarum, & multis ad familiarium decora, titulos atque jura spectantibus, nec non tabulis aeneis, ... /

Mode of access: Internet.

Pietismin kuva - ikkuna yksityiseen hengellisyyteen : Johann Arndtin opetukset pietistisen embleemin perustana

The image of Pietism a window to personal spirituality. The teachings of Johann Arndt as the basis of Pietist emblems The Pietist effect on spiritual images has to be scrutinised as a continuum initiating from the teachings of Johann Arndt who created a protestant iconography that defended the status of pictures and images as the foundation of divine revelation. Pietist artworks reveal Arndtian part of secret, eternal world, and God. Even though modern scholars do not regarded him as a founding father of Pietism anymore, his works have been essential for the development of iconography, and the themes of the Pietist images are linked with his works. For Arndt, the starting point is in the affecting love for Christ who suffered for the humankind. The reading experience is personal and the words point directly at the reader and thus appear as evidence of the guilt of the reader as well as of the love of God. Arndt uses bounteous and descriptive language which has partially affected promoting and picturing of many themes. Like Arndt, Philipp Jakob Spener also emphasised the heart that believes. The Pietist movement was born to oppose detached faith and the lack of the Holy Ghost. Christians touched by the teachings of Arndt and Spener began to create images out of metaphors presented by Arndt. As those people were part of the intelligentsia, it was natural that the fashionable emblematics of the 17th century was moulded for the personal needs. For Arndt, the human heart is manifested as a symbol of soul, personal faith or unbelief as well as an allegory of the burning love for Jesus. Due to this fact, heart emblems were gradually widely used and linked with the love of Christ. In the Nordic countries, the introduction of emblems emanated from the gentry s connections to the Central Europe where emblems were exploited in order to decorate books, artefacts, interiors, and buildings as well as visual/literal trademarks of the intelligentsia. Emblematic paintings in the churches of the castles of Venngarn (1665) and Läckö (1668), owned by Magnus Gabriel De la Gardie, are one of the most central interior paintings preserved in the Nordic countries, and they emphasise personal righteous life. Nonetheless, it was the books by Arndt and the Poet s Society in Nurnberg that bound the Swedish gentry and the scholars of the Pietist movement together. The Finnish gentry had no castles or castle churches so they supported county churches, both in building and in maintenance. As the churches were not private, their iconography could not be private either. Instead, people used Pietist symbols such as Agnus Dei, Cor ardens, an open book, beams, king David, frankincense, wood themes and Virtues. In the Pietist images made for public spaces, the attention is focused on pedagogical, metaphorical, and meaningful presentation as well as concealed statements.

A história da origem da curva normal

Pós-graduação em Educação Matemática - IGCE

Ms. lat. oct. 172 - Loci communes philosophico-critici

Vorbesitzer: Philipp Jakob Waldschmidt

Ms. lat. oct. 171 - Mathematisch-naturkundliche Studienhandschrift

Vorbesitzer: Philipp Jakob Waldschmidt; auf der Spiegelmakulatur wird ein Fridericus Waltschmidt erwähnt.

Ms. lat. oct. 178 - Logica. Physica. Historia universalis

Vorbesitzer: Philipp Jakob Waldschmidt;