999 resultados para Sonic Line


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The controlled equations defined in a physical plane are changed into those in a computational plane with coordinate transformations suitable for different Mach number M(infinity). The computational area is limited in the body surface and in the vicinities of detached shock wave and sonic line. Thus the area can be greatly cut down when the shock wave moves away from the body surface as M(infinity) --> 1. Highly accurate, total variation diminishing (TVD) finite-difference schemes are used to calculate the low supersonic flowfield around a sphere. The stand-off distance, location of sonic line, etc. are well comparable with experimental data. The long pending problem concerning a flow passing a sphere at 1.3 greater-than-or-equal-to M(infinity) > 1 has been settled, and some new results on M(infinity) = 1.05 have been presented.

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This investigation demonstrates an application of a flexible wall nozzle for testing in a supersonic wind tunnel. It is conservative to say that the versatility of this nozzle is such that it warrants the expenditure of time to carefully engineer a nozzle and incorporate it in the wind tunnel as a permanent part of the system. The gradients in the test section were kept within one percent of the calibrated Mach number, however, the gradients occurring over the bodies tested were only ± 0.2 percent in Mach number.

The conditions existing on a finite cone with a vertex angle of 75° were investigated by considering the pressure distribution on the cone and the shape of the shock wave. The pressure distribution on the surface of the 75° cone when based on upstream conditions does not show any discontinuities at the theoretical attachment Mach number.

Both the angle of the shock wave and the pressure distribution of the 75° cone are in very close agreement with the theoretical values given in the Kopal report, (Ref. 3).

The location of the intersection of the sonic line with the surface of the cone and with the shock wave are given for the cone. The blocking characteristics of the GALCIT supersonic wind tunnel were investigated with a series of 60° cones.

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This paper shows how computational techniques have been used to develop axi-symmetric, straight, sonic-line, minimum length micro nozzles that are suitable for laser micro-machining applications. Gas jets are used during laser micro-machining processing applications to shield the interaction zone between laser and workpiece material, and they determine the machining efficiency of such applications. The paper discusses the nature of laser-material interactions and the importance of using computational fluid dynamics to model pressure distributions in short nozzles that are used to deliver gas to the laser-material interaction zone. Experimental results are presented that highlight unique problems associated with laser micro machining using gas jets.

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The Trembling Line is a film and multi-channel sound installation exploring the visual and acoustic echoes between decipherable musical gestures and abstract patterning, orchestral swells and extreme high-speed slow-motion close-ups of strings and percussion. It features a score by Leo Grant and a newly devised multichannel audio system by the Institute of Sound and Vibration Research, University of Southampton. The multi-channel speaker array is devised as an intimate sound spatialisation system in which each element of sound can be pried apart and reconfigured, to create a dynamically disorienting sonic experience. It becomes the inside of a musical instrument, an acoustic envelope or cage of sorts, through which viewers are invited to experience the film and generate cross-sensory connections and counterpoints between the sound and the visuals. Funded by a Leverhulme Artist-in-Residence Award and John Hansard Gallery, with support from ISVR and the Music Department, University of Southampton. The project provided a rare opportunity to work creatively with new cutting edge developments in sound distribution devised by ISVR, devising a new speaker array, a multi- channel surround listening sphere which spatialises the auditory experience. The sphere is currently used by ISVR for outreach and teaching purposes, and has enables future collaborations between music staff and students at Southampton University and staff and ISVR. Exhibitions: Solo exhibition at John Hansard Gallery, Southampton (Dec 2015-Jan 2016), across 5 rooms, including a retrospective of five previous film-works and a new series of photographic stills. Public lectures: two within the gallery. Reviews and interviews: Art Monthly, Studio International, The Quietus, The Wire Magazine.

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The application of a recently developed model of sonic anemometers measuring process has revealed that these sensors cannot be considered as absolute ones when measuring spectral characteristics of turbulent wind speed since it is demonstrated that the ratios of measured to real spectral density functions depend on the composition and temperature of the considered planetary atmosphere. The new model of the measuring process of sonic anemometers is applied to describe the measuring characteristics of these sensors as fluid/flow dependent (against the traditional hypothesis of fluid/flow independence) and hence dependent on the considered planetary atmosphere. The influence of fluid and flow characteristics (quantified via the Mach number of the flow) and the influence of the design parameters of sonic anemometers (mainly represented by time delay between pulses shots and geometry) on turbulence measurement are quantified for the atmospheres of Mars, Jupiter, and Earth. Important differences between the behavior of these sensors for the same averaged wind speed in the three considered atmospheres are detected in terms of characteristics of turbulence measurement as well as in terms of optimum values of anemometer design parameters for application on the different considered planetary atmospheres. These differences cannot be detected by traditional models of sonic anemometer measuring process based on line averaging along the sonic acoustic paths.

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In this paper, a model of the measuring process of sonic anemometers with more than one measuring path is presented. The main hypothesis of the work is that the time variation of the turbulent speed field during the sequence of pulses that produces a measure of the wind speed vector affects the measurement. Therefore, the previously considered frozen flow, or instantaneous averaging, condition is relaxed. This time variation, quantified by the mean Mach number of the flow and the time delay between consecutive pulses firings, in combination with both the full geometry of sensors (acoustic path location and orientation) and the incidence angles of the mean with speed vector, give rise to significant errors in the measurement of turbulence which are not considered by models based on the hypothesis of instantaneous line averaging. The additional corrections (relative to the ones proposed by instantaneous line-averaging models) are strongly dependent on the wave number component parallel to the mean wind speed, the time delay between consecutive pulses, the Mach number of the flow, the geometry of the sensor and the incidence angles of mean wind speed vector. Kaimal´s limit k W1=1/l (where k W1 is the wave number component parallel to mean wind speed and l is the path length) for the maximum wave numbers from which the sonic process affects the measurement of turbulence is here generalized as k W1=C l /l, where C l is usually lesser than unity and depends on all the new parameters taken into account by the present model.

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In this paper a model for the measuring process of sonic anemometers (ultrasound pulse based) is presented. The differential equations that describe the travel of ultrasound pulses are solved in the general case of non-steady, non-uniform atmospheric flow field. The concepts of instantaneous line-average and travelling pulse-referenced average are established and employed to explain and calculate the differences between the measured turbulent speed (travelling pulse-referenced average) and the line-averaged one. The limit k1l=1 established by Kaimal in 1968, as the maximum value which permits the neglect of the influence of the sonic measuring process on the measurement of turbulent components is reviewed here. Three particular measurement cases are analysed: A non-steady, uniform flow speed field, a steady, non-uniform flow speed field and finally an atmospheric flow speed field. In the first case, for a harmonic time-dependent flow field, Mach number, M (flow speed to sound speed ratio) and time delay between pulses have revealed themselves to be important parameters in the behaviour of sonic anemometers, within the range of operation. The second case demonstrates how the spatial non-uniformity of the flow speed field leads to an influence of the finite transit time of the pulses (M≠0) even in the absence of non-steady behaviour of the wind speed. In the last case, a model of the influence of the sonic anemometer processes on the measurement of wind speed spectral characteristics is presented. The new solution is compared to the line-averaging models existing in the literature. Mach number and time delay significantly distort the measurement in the normal operational range. Classical line averaging solutions are recovered when Mach number and time delay between pulses go to zero in the new proposed model. The results obtained from the mathematical model have been applied to the calculation of errors in different configurations of practical interest, such as an anemometer located on a meteorological mast and the transfer function of a sensor in an atmospheric wind. The expressions obtained can be also applied to determine the quality requirements of the flow in a wind tunnel used for ultrasonic anemometer calibrations.