A PALAVRA DE JAVÉ EM JEREMIAS 7,1 8,3: UMA ANÁLISE DA PROFECIA COMO PORTADORA DE UM CONFLITO SOCIAL ORIUNDO DA COBRANÇA EXCESSIVA DE TRIBUTO

Esta pesquisa privilegia o enfoque histórico ao analisar o texto bíblico, como produto histórico-social, a partir do método sociológico. O material disposto ao longo desta investigação pretende ser uma ajuda para a compreensão de alguns textos do profeta Jeremias. Partindo do princípio de que o texto possui um vínculo com a sociedade na qual foi criado e fazendo uso da metodologia exegética, realiza-se uma análise histórico-sociológica da palavra de Javé em Jeremias 7,1 8,3 como portadora de um conflito social oriundo da cobrança excessiva de tributo em uma sociedade judaíta marcadamente tributária. Busca-se, por esse meio, o sentido do texto dentro do provável cenário histórico-social que permeia o escrito. Para isso, faz-se necessária a investigação dos aspectos preliminares que envolvem tanto o livro de Jeremias, sobretudo, os polêmicos caps. 7,1 8,3, como também a questão do estudo da pesquisa moderna acerca dessa magnífica obra. Vale a pena também salientar o conceito semiótico da poética sociológica que procura estudar a interação causal entre literatura e seu meio social. Além disso, avalia-se o âmbito histórico social da unidade literária alvo de nossa pesquisa, situando-a em seu provável contexto histórico social e determinando a datação, o cenário político e o modo de produção vigente nesse período. Não olvidando, contudo, do fator desencadeador do conflito social e o papel da religião nesse cenário. Além do mais, examina-se o sentido dos textos específicos ou unidades literárias concluídas (perícopes) presentes nos caps. 7,1 8,3, tendo como pressuposto o modelo teórico do modo de produção tributário e os passos da exegese histórico-social. O mecanismo socioanalítico do modo de produção tributário servirá como instrumento de análise da condição socioeconômica, centrando-se nos componentes externos incorporados na coletânea, não em sua história redacional, mas sim em sua formação social.

The Last Missionary to Leave the Temple Should Turn Off the Light Sociological Remarks on the Decline of Japanese ""Immigrant"" Buddhism in Brazil

Empirical data indicate that the so-called ""Buddhism of yellow color"" that is predominantly associated with Japanese ""immigrant"" Buddhism, is constantly in decline in terms of ""explicit"" adherents. After some methodological observations, this article gives an overview of the relevant statistical data. The last part discusses possible reasons for these negative dynamics, referring to causes within Buddhist institutions, the ethnic community, and at the level of the individual.

Sociological and philosophical aspects of human interaction with technology: advancing concepts

It is not possible to imagine our lives today without technology. From the moment we get up in the morning until the time that we go to bed at night, technology is present in almost every moment, even if we are not aware of it. Some of the most basic activities we need to perform regularly could not be carried out without technology. Sociological and Philosophical Aspects of Human Interaction with Technology: Advancing Concepts presents a careful blend of conceptual, theoretical and applied research in regards to the relationship between technology and humans. This book explores the importance of these interactions, aspects related with trust, communication, data protection, usability concerning organizational change, and e-learning. The advancement of these theories and practices will benefit from this publication as it provides a voice for the users.

Diane Arbus: the wonderful wizard of odds or the poetics of the i (eye)

Diane Arbus‘ photographs are mainly about difference. Most of the time she is trying ‗[…] to suppress, or at least reduce, moral and sensory queasiness‘ (Sontag 1977: 40) in order to represent a world where the subject of the photograph is not merely the ‗other‘ but also the I. Her technique does not coax her subjects into natural poses. Instead she encourages them to be strange and awkward. By posing for her, the revelation of the self is identified with what is odd. This paper aims at understanding the geography of difference that, at the same time, is also of resistance, since Diane Arbus reveals what was forcefully hidden by bringing it into light in such a way that it is impossible to ignore. Her photographs display a poetic beauty that is not only of the ‗I‘ but also of the ‗eye‘. The world that is depicted is one in which we are all the same. She ―atomizes‖ reality by separating each element and ‗Instead of showing identity between things which are different […] everybody is shown to look the same.‘ (Sontag 1977: 47). Furthermore, this paper analyses some of Arbus‘ photographs so as to explain this point of view, by trying to argue that between rejecting and reacting against what is standardized she does not forget the geography of the body which is also a geography of the self. While creating a new imagetic topos, where what is trivial becomes divine, she also presents the frailty of others as our own.

The sociological perspective on the knowledge-based society: assumptions, facts and visions

The paper will present the central discourse of the knowledge-based society. Already in the 1960s the debate of the industrial society already raised the question whether there can be considered a paradigm shift towards a knowledge-based society. Some prominent authors already foreseen ‘knowledge’ as the main indicator in order to displace ‘labour’ and ‘capital’ as the main driving forces of the capitalistic development. Today on the political level and also in many scientific disciplines the assumption that we are already living in a knowledge-based society seems obvious. Although we still do not have a theory of the knowledge-based society and there still exist a methodological gap about the empirical indicators, the vision of a knowledge-based society determines at least the perception of the Western societies. In a first step the author will pinpoint the assumptions about the knowledge-based society on three levels: on the societal, on the organisational and on the individual level. These assumptions are relied on the following topics: a) The role of the information and communication technologies; b) The dynamic development of globalisation as an ‘evolutionary’ process; c) The increasing importance of knowledge management within organisations; d) The changing role of the state within the economic processes. Not only the differentiation between the levels but also the revision of the assumptions of a knowledge-based society will show that the ‘topics raised in the debates’ cannot be considered as the results of a profound societal paradigm shift. However what seems very impressive is the normative and virtual shift towards a concept of modernity, which strongly focuses on the role of technology as a driving force as well as on the global economic markets, which has to be accepted. Therefore – according to the official debate - the successful adaptation of these processes seems the only way to meet the knowledge-based society. Analysing the societal changes on the three levels, the label ‘knowledge-based society’ can be seen critically. Therefore the main question of Theodor W. Adorno during the 16th Congress of Sociology in 1968 did not loose its actuality. Facing the societal changes he asked whether we are still living in the industrial society or already in a post-industrial state. Thinking about the knowledge-based society according to these two options, this exercise would enrich the whole debate in terms of social inequality, political, economic exclusion processes and at least the power relationship between social groups.

The 1st ISA forum of sociology on the “Sociological Research and Public Debate”

1st ISA Forum report

Poéticas y políticas de los cuerpos juveniles. Tres estudios en caso en Córdoba. The poetics and politics of youths' bodies.Three cases studies.

¿Qué formas adquieren los cuerpos de los jóvenes bajo las actuales condiciones de producción? ¿Cuáles son sus poéticas? ¿Qué relaciones de fuerza se realizan en estas formas? ¿Cómo se inscriben en los cuerpos las relaciones de dominación, el "ethos" y la cosmovisión de un grupo social? Estas son algunas de las cuestiones que orientan el presente proyecto, interesado en explorar y describir sistemáticamente los procesos sociales del devenir "joven" en Córdoba. La investigación aborda algunas de las problemáticas propias de los jóvenes en tanto grupo social heterogéneo y diferenciado a partir del análisis de las prácticas de producción, consumo, interpretación y circulación de bienes culturales asociados con la diversión y el tiempo libre. Los tres objetos empíricos, localizados en la ciudad de Córdoba, son:o las salidas nocturnas de jóvenes estudiantes universitarios o la formación y el entrenamiento de los bailarines clásicos en el Teatro del Libertador Gral. San Martín. o las prácticas de entretenimiento y socialización lúdica entre los jóvenes de la comunidad de sordos de Córdoba.La hipótesis central de la investigación sostiene que la música y el baile tienen la capacidad de producir las identidades que nombran. Esta producción de cuerpos y subjetividades se realizaría en las performances sociales ("las salidas nocturnas" y "fiestas de la comunidad sorda") y las performances artísticas (clases, ensayos y funciones de ballet) donde se da la interacción entre las identidades actuadas por los sujetos y las ofrecidas por las diferentes músicas, bailes y movimientos corporales. En este sentido, proponemos que las performances articulan una particular identidad cuando quienes la protagonizan experimentan que la música y el baile se "ajusta" a la trama argumental que organiza sus narrativas identitarias.ObjetivosGENERAL:o Describir, de modo denso, las prácticas y representaciones implicadas en el proceso de materialización de los cuerpos y relacionarlas con los procesos de subjetivación y formación de identidades juveniles. ESPECÍFICOS.o Explorar la relación entre las diversas formas de consumo cultural en la formación de un estilo de vida y en la formación de identidades colectivas. o Describir los procesos de entrenamiento de los bailarines de música clásica.o Analizar los procesos de comunicación no verbal entre jóvenes de la comunidad sorda.Materiales y métodos.Para realizar esta investigación se construirá por medio de técnicas cuali y cuantitativas un corpus heterogéneo de materiales textuales, gráficos y audiovisuales, así como de entrevistas en profundidad, de experiencias etnográficas de observación participante y de investigación cuantitativa. Dicho corpus recibirá un tratamiento diferencial según el soporte y género, pero en todos los casos trabajando desde una matriz de análisis que considere los procesos de construcción de sentido y las relaciones entre cuerpo, subjetividad e identidad. En el análisis de los datos se pondrán en juego herramientas conceptuales tomadas de la Antropología Simbólica, la Antropología de la Danza, el Análisis del Discurso, la Sociología del Arte y los Estudios de la Performance. Resultados esperados.Se espera elaborar indicadores para medir la producción, circulación y consumo de bienes simbólicos. El desenvolvimiento del proyecto permitirá también la formación de recursos humanos en investigación y se contempla presentaciones a reuniones científicas, publicación en revistas nacionales e internacionales y la elaboración de dos libros. Por último se implementarán actividades de capacitación y asesoramiento para instituciones relacionados con los jóvenes. Importancia del ProyectoLos resultados de la investigación permitirán una interpretación más comprehensiva de los sentidos que poseen para jóvenes cordobeses problemáticas sociales como las adicciones, el alcoholismo, la salud sexual y reproductiva, las prácticas discriminatorias o los usos de las nuevas tecnologías.

The Irish pub as a third place : a sociological exploration of people, place and identity

There is considerable interest in alcohol in Irish society, yet minimal sociologcial understanding of its consumption, particularly of the sites where most drinking occurs: the country's 8750 pubs. Despite widespread public discussions on the role of the pub, there is scant social science evidence to better inform debate. Pubs are central to Irish community and are key sites of social interaction. American sociologist Ray Oldenburg has argued that "third places" (neither workplace nor home) are crucial to the maintenance of the community and the enhancement of social capital. According to Oldenburg, the role of the third place in the community is to provide continuity, regularity, a sense of place - all of which conceptually contribute to the construction of the self, the projection of the self within the public sphere, the distribution of social capital and the generation of a collective identity. The pub is the archetypal third place, but Oldenburg is concerned that modern pubs are less able to provide this vital function. Social scientists have suggested that community is in a state of fragmentation and decline due to changes in modes of social interaction and a decrease in shared spaces, resulting in a weakened connection to place. Community without propinquity has been characterised by social alienation, fragmentation and what Oldenburg refers to as the "problem of place" (13). Third places, and thus the Irish pub, have been particularly affected. In order to increase the sociological knowledge of the pub in Ireland, this project critically engages with the pub to assess the importance that public drinking houses have in the everyday. Moreover, this research sets out to investigate the people/place relationship using the pub as an investigative lens and examine the ways in which people shape place, place shapes people and how that relationship is implicated in the construction of irish identities. Furthermore, this is also an articulation of a cultural shift within Ireland and Irish places whose effects are deep and multi-layered. This project aims to explore the development of the contemporary geography of identity as the irish pub as a third place is transformed or disappears from the social landscape.