A atuação de Joel Silveira na imprensa carioca (1937-1944)

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

A atuação de Joel Silveira na imprensa carioca (1937-1944)

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

A construção do projeto político-pedagógico na Escola Municipal de Educação Infantil (EMEI) Florípes Silveira de Souza

Pós-graduação em Educação - FFC

Systematics of the North American menhadens: molecular evolutionary reconstructions in the genus Brevoortia (Clupeiformes: Clupeidae)

Evolutionary associations among the four North American species of menhadens (Brevoortia spp.) have not been thoroughly investigated. In the present study, classifications separating the four species into small-scaled and large-scaled groups were evaluated by using DNA data, and genetic associations within these groups were explored. Specifically, data from the nuclear genome (microsatellites) and the mitochondrial genome (mtDNA sequences) were used to elicit patterns of recent and historical evolutionary associations. Nuclear DNA data indicated limited contemporary gene flow among the species, and also indicated higher relatedness within the small-scaled and large-scaled menhadens than between these groups. Mitochondrial DNA sequences of the large-scaled menhadens indicated the presence of two ancestral lineages, one of which contained members of both species. This result may indicate genetic diver-gence (reproductive isolation) followed by secondary contact (hybridization) between these species. In contrast, a single ancestral lineage indicated incomplete genetic divergence between the small-scaled menhaden. These results are discussed in the context of the biology and demographics of each species.

Diagnósticos da tormenta individual nas obras de Antonioni e Bergman: teorias, trilogias e travessias

Este trabalho pretende examinar a relação entre a Trilogia da Incomunicabilidade, de Michelangelo Antonioni, a Trilogia do Silêncio, de Ingmar Bergman e a teoria social. Parto da hipótese de que essa relação se dá através de canais de interlocução entre as narrativas ficcionais e a sociologia. O foco será dado nas teorias sobre a condição do indivíduo moderno, especificamente, as obras de Georg Simmel e Norbert Elias. Temas como a indiferença, a solidão e o esvaziamento de sentido serão observados nas trilogias tendo em vista uma tendência à fragilização dos laços individuais com o outro. Algumas cenas serão tomadas como modalidades específicas de um problema sociológico, de maneira a atestar, junto às teorias, a coexistência de versões poéticas do drama individual nas sociedades modernas.

The life story of a leper : autobiography of John E. Davis, Canadian Baptist missionary among the Telugus.

http://www.archive.org/details/lifestoryleper00daviuoft

For the faith, life of Just de Brenteniáeres, martyred in Korea, March 8, 1866; adapted from the French of C. Appert, by Florence Gilmore.

http://www.archive.org/details/forthefaithlifeo00appeuoft

Diary of David Zeisberger a Moravian missionary among the Indians of Ohio

http://www.archive.org/details/diaryofdavid01zeisrich http://www.archive.org/details/diaryofdavid02zeisrich

The pastor's missionary manual.

Boston University Theology Library

Mexico coming into light

Boston University Theology Library

Samson Occom and the Christian Indians of New England [electronic resource] / by W. DeLoss Love.

http://www.archive.org/details/samsonoccom00loverich/

Sermons and lectures on the missions , a collection of sermons, lectures, and sketches on the Catholic missions, ed. by Anton Huonder ... adapted from the German by Cornelius Pekari ...

http://www.archive.org/details/lecturesmissions00unknuoft

The Missionary pioneer, or, A brief memoir of the life, labours, and death of John Stewart, (man of colour) founder, under God of the mission among the Wyandotts at Upper Sandusky, Ohio / Published by Joseph Mitchell.

http://www.archive.org/details/missionarypionee00stewrich

De la ontología de la imagen-cine a la ética del primer plano

Este texto propone un análisis ontológico y ético de la imagen-cine como simulacro. Se consideran tres posturas diferentes: la platónica, la bergsoniana y la deleuziana. El cine de Ingmar Bergman utiliza los elementos de la nueva imagen-cine y resalta el primer plano por expresar el devenir subjetivo y las relaciones interpersonales.