Experiências de inverno no seridó potiguar

The knowledge known as "winter experiences" has been developed for centuries among country people in the Brazilian Northeast hinterlands. It consists in the systematic observation of the nature to forecast and protect people against the effects of droughts. This knowledge is transmitted orally through generations. These experiences are guided by the observation of the behavior of fauna, flora, stars, the weather in the holy days and other very specific aspects of the lives of country people. Almost all country people living in the rural area know at least one experience, but the Prophets of Rain are known as the communicators of winter prophecies formulated from the observation of the experiences. The country person is identified as a Prophet of Rain because of his close relationship with nature and his ability to forecast. No matter if the prophecies are always right, he possesses a vital social role, as his practices contribute to prevent, ease and encourage other people. The main aim of this work is to analyze the role of the winter experiences for the country people in the Seridó Potiguar. In this sense, we sought to understand to what extent this knowledge still orients the productive practices of farmers living in this region and identify which factors instigate the observation of winter experiences nowadays. 241 questionnaires were applied to farmers in the rural cities of Acari, Caicó, Parelhas and Lagoa Nova and interviews were conducted with 15 Prophets in the Seridó. The methodological framework of this work is the analysis of content proposed by Bardin (2010). In this study area, the experiences exert influence and relevance to the country people in the Seridó, because they consider them as a way to ease their anguishes face the possible drought in the region. The major role of the Prophet is to feed the hope of country people for better days, rather than contribute for the organization of the productive activities. Among the interviewed people, the forecast from the observation of winter experiences have greater credibility than the meteorological and disseminated by media. The Prophets of Rain base their prophecies on the set of natural elements present in the environment. Many factors stimulate the winter experiences by the Prophets nowadays, as cultural transmission, age, relationship with nature, level of education, faith, among others, but specially the productive activities (agriculture and cattle raising) and the droughts. The winter means abundance and happiness in this region and the experience is one of the ways that people find to minimize the anxiety and, according to their possibilities, to prepare for a year of droughts or for winter

Silva Porto na África Central – VIYE / ANGOLA: história social e transcultural de um sertanejo (1839-1890)

O tema de análise neste trabalho é o fenómeno da transculturação em Angola no século XIX. É uma pesquisa centrada na história de vida do sertanejo António Francisco Ferreira da Silva Porto, entre 1839 e 1890, no meio sócio-cultural umbundu. Transculturação é um termo polissémico que integra aspectos da aculturação sendo aqui utilizado no âmbito da História de vida de Silva Porto. Descodifica-se a narrativa no Diário de viagem que Silva Porto redigiu acerca da sua percepção sobre África e do seu percurso de convivência no processo da sua integração em África Central. A transculturação está nessa narrativa e reflecte múltiplas vivências, sobretudo, a visão social do “Outro” em relação à sua própria identidade de origem. Silva Porto é encarado neste trabalho como sujeito, autor, actor principal e protagonista do fenómeno da transculturação, na região do Viye em Angola. Identificaram-se cinco variáveis do fenómeno transcultural, presentes na trajectória de Silva Porto: o casamento, a língua, as viagens, a alimentação e a religião, com particular destaque para o casamento enquanto variável determinante na integração de Silva Porto na sociedade umbundu. Estas variáveis são apresentadas num iceberg de transculturação de Silva Porto que, por sua vez, permitem avaliar as diferenças culturais e o cruzamento entre as culturas sob um processo de alteridade, em confluência com um olhar distanciado. É um estudo onde perpassa o crivo das construções e representações de Silva Porto tendo em conta o seu contexto cultural de origem, predominantemente português, a sua adaptação e inserção nas culturas africanas, particularmente nas práticas sócio-culturais umbundu. A questão de partida deste estudo foi: Quem é Silva Porto depois de 50 anos de vivências em Angola?

Potencial genético da cultivar de milho BR 5011-Sertanejo nos tabuleiros costeiros do nordeste brasileiro

Cinco ciclos de seleção entre e dentro de progênies de meios-irmãos foram realizados na cultivar de milho BR 5011-Sertanejo, nos municípios de Neópolis (1991 e 1992), Neópolis e Umbaúba (1993), Lagarto (1994) e Neópolis, Lagarto e Cruz das Almas (1995), localizados nos tabuleiros costeiros do Nordeste brasileiro, visando à obtenção de uma cultivar mais produtiva e mais bem adaptada às condições edafoclimáticas da região. As progênies foram avaliadas em látice 14x14, com duas repetições. As recombinações foram realizadas dentro do mesmo ano agrícola do teste, de modo a se obter um ciclo por ano. A variabilidade genética da cultivar BR 5011-Sertanejo permaneceu praticamente a mesma nos ciclos VI, VII e IX, quando a seleção foi efetuada em um só local. Nos ciclos VIII e X, realizados em mais de um local, detectou-se redução dessa variabilidade pelo fato de as estimativas obtidas estarem menos influenciadas pela interação progênies x locais, o que evidencia a importância de se realizar a seleção em mais de um local, para melhorar a eficiência do processo seletivo e obter estimativas mais consistentes dos componentes da variância genotípica. O ganho médio estimado por ciclo de seleção foi de 12,68%. A possibilidade de ganho com a seleção, a alta variabilidade genética apresentada pela cultivar e as elevadas médias de produtividade das progênies indicam o grande potencial dessa população na continuidade do programa de melhoramento.

Ciclos de seleção de progênies de meios-irmãos do milho BR 5011 Sertanejo

O objetivo deste trabalho foi obter estimativas de parâmetros genéticos da variedade BR 5011 Sertanejo, a fim de se avaliar o comportamento da variabilidade genética, no decorrer de sucessivos ciclos de seleção. Dezessete ciclos de seleção, entre e dentro de progênies de meios-irmãos, e três ciclos de seleção massal estratificada foram praticados nessa variedade de milho, no período de 1985 a 2005. Nos três primeiros ciclos de seleção, entre e dentro de progênies de meios-irmãos, as progênies foram avaliadas em látice 10x10, e entre os ciclos 4 e 17, as avaliações foram realizadas em látice 14x14. Os ensaios foram realizados nos municípios de Gararu, Propriá, Poço Verde, Neópolis, Lagarto e Nossa Senhora das Dores, no Estado de Sergipe, e em Cruz das Almas na Bahia. As parcelas constaram de fileiras de 5 m, espaçadas de 0,8 m, com 0,4 m entre covas dentro das fileiras. As recombinações das progênies superiores foram realizadas dentro do mesmo ano agrícola, de modo a se obter um ciclo por ano. A variedade BR 5011 Sertanejo apresentou alto potencial produtivo, associado a uma ampla base genética. A magnitude da interação progênies x locais evidenciou a importância de se avaliar a produtividade em mais de um local para melhorar a eficiência do processo seletivo e para se obterem estimativas mais consistentes dos componentes da variância.

O SABOR DO SANGUE: uma análise sociocultural do chouriço sertanejo

Cette étude propose de réaliser une lecture du chouriço, une confiture faite avec du sang, fabriquée et consommée dans tout le Seridó potiguar. Grace à l observation ethnographique réalisée entre 2003 et 2007, nous découvrons une économie domestique, une organisation sociale, des formes de sociabilité et de solidarité contruites autour de l élevage des porcs et des pratiques culinaires. Cette observation a aussi révélé un style alimentaire, des discours, des perceptions, des goûts et des comportements relatifs à la consommation de la confiture qui résultent, em grande partie, de la relation dynamique entre une norme idéalisée et des pratiques observées qui ont montré des tensions et des contradictions entre ce qui est dit et ce qui est fait. Avec l étude du chouriço, nous reálisons une lecture de la culture alimentaire; notre intention a été de problématiser l applicabilité des normes sociales et leur inscription dans la réalité. Ainsi, em faisant une analyse simbolique du chouriço, nous considérons ensemble les aspects sociaux et symboliques et nous décrivons comment les habitants du Seridó pensent leur alimentation en corrélation avec les pratiques alimentaires et les formes de sociabilité. L étude a révélé que les príncipes de confiance et d interconnaissance, fondés sur les liens sociaux, structurent les relations constituées autour de l élevage des porcs et de la production, de la distribution et de la consommation du chouriço. D un point de vue symbolique, le sang est central dans le style alimentaire: il apparaît comme une anti-nourriture et révèle des prohibitions et des transgressions. La contrastivité entre les pratiques et les discours est en relation directe avec la nature du chouriço, fait avec le sang du porc et considéré comme un dessert

O sertanejo e o sevilhano nos poemas de João Cabral de Melo Neto: o lusco-fusco barroco

The aim of this research is, starting from a Baroque reading, unfold the understanding of the poems by João Cabral de Melo Neto in the axis Pernambuco-Spain. From this perspective, the reading of poet s Obra Completa allows the appearance of two persons, one from Seville and other from the Brazilian countryside, whom curiously pulsate and reveal themselves from their homelands, Brazilian northeastern dry lands and Seville, to a labyrinthy meeting establishing a close and exciting relationship of cities apart but which mark a contiguous dialogue between both cultures. The theorical effort of this investigation permeates, approaches and contrasts the directions of, among others, Severo Sarduy (1999), Gilles Deleuze (2012) and Eugenio D Ors (unknown). Not traveling an anthropological bias, this study observes the Spanish space and the Brazilian northeastern dry lands space, joining the regional to the universal and analyzes the baroque game in the (re) construction of the both men s cultures. These elements fuse, approach and move away, causing a game of allusions to Pernambuco and Spain that show itself through a similar cultural bias and different at the same time. From this apprehension it is possible to understand the synthesis of the Brazilian arid northeast-Seville men as a update of seventeenth century Baroque coming from indexes that are shown over the particular written by João Cabral de Melo Neto, in the Iberian Baroque scenario and in the American one s

Jardim do Seridó: A construção dos espaços públicos na Veneza Seridoense nas primeiras décadas do século XX

As the space and the city are objects of desires, interests, seduction, sedition, appropriations, battles, victories, defeats, require to be analyzed historically. This research investigates and discusses the construction of public spaces in Jardim do Seridó City, backwoods of Rio Rio Grande do Norte, in the first decades of twentieth century, when the municipality was chaired by Heráclio Pires Fernandes, who ruled from 1917 to 1930 and was graduated from the University of Pharmacy of Recife, where he contacted the architectural, political and artistic influences circulating in the capital of Pernambuco. In the first decades of the twentieth century, the space of Jardim earns statements and practices, against the discourse of modernity, which sought to justify the title of Veneza Seridoense . At the time, the city had undergone several transformations in its public spaces through the construction of the Butchery, the Market, the Public Roads connecting the city to other urban centers, the building of the Bridge of the Pedra Lavrada Farm, the Elementary School Antônio de Azevedo , the creation of the Music Band Euterpe Jardinense , the Literary and Recreative Guild, the pavilion, the paving, tree planting, lighting, streets naming and listing of the annual painting of households, the arrival of automobiles, mail and telegraph. The construction of these new sceneries and the arrival of equipments generated impacts in the daily life of the population and were received differentiated ways by individuals involved in the process, which shows the tension between old and new, the relationship between history and space

O sensemaking e o Comitê Regional das Associações e Cooperativas do Artesanato Seridoense :buscando compreender um complexo de relações

The generation of direction, sensemaking, is the process where the actors start to perceive the events around them establishing and creating meanings in their actions that they play daily. At the moment where they happen the interactions in a net business-oriented between the actors are that sensemaking is generated. A business-oriented example of a relationship net is the work developed for the Committee of Associations and Regional Cooperatives of Handcraft of Seridó - CRACAS. This organization, with headquarters in the city of Caicó - Rio Grande of North exists with the objective to manage the net of craftsmen of the region of the norteriograndense Seridó. The present inquiry had as objective generality to understand the generation of sensible of the activities carried through for the organizational, inserted actors in the CRACAS in Caicó/RN, directed toward the use of the resources in its daily business-oriented. The specific objectives had been) To identify the resources used for the organizational actors of the CRACAS; b) To apprehend the way for which the craftsmen play activities directed toward the control and use of the available resources in its environment business-oriented; c) To identify the role played for the organizational actors (craftsmen) in its business-oriented daily activities; d) To understand as the organizational actors of the CRACAS they generate sensible of its business-oriented activities and finally e) To verify the principles that guide the interactions of the craftsmen. Of this process of empirical inquiry, the methodology used in the inquiry consisted of a Study of Case in the CRACAS and the seven Associations of the Embroidering it. It was concluded that sensemaking happens during the accomplishment of the activity as during the confection of the products. In accordance with craftsman the financial resources do not come from the CRACAS. One evidenced that the seven cities of the business-oriented embroidering interact as a net of the handcraft and that it exists a lack of resources and infrastructure in the associations

O imaginário sertanejo no Romance d‘A Pedra do Reino e o príncipe do sangue do vai-e-volta: memória e invenção em uma imagística quadernesca

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Agora eu fiquei doce: o discurso da autoestima no sertanejo universitário

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Agora eu fiquei doce: o discurso da autoestima no sertanejo universitário

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

O sertanejo : romance brasileiro /

Mode of access: Internet.

Análise textual-interativa das Cartas dos Sertões do Seridó: em busca de efeitos estético-estilísticos

This work takes as its object of study a specific set of texts, designated letters about Sertões do Seridó (interstate region in the Brazilian northeastern), written by Paulo Bezerra, whose main approach is the backcountry universe. For its unique character, mainly because of a strong poetic appeal, we infer that these letters can also contain natural phenomena related to discourse-compositional structure, which may be responsible for creating specific effects, particularly aesthetical. In order to discuss and develop the issue, we set the theoretical assumptions of Textual-Interactive Perspective whose base is the concept of language as interaction, such as verbal activity impregnated with the space-time social and historical context in which the interlocutors are related, we chose the analytical category discursive topic and analyse introduction, sequencing and change of topic mechanisms. The goal is to determine the functionality of these mechanisms, noting how correlate the structural and interactional aspects are, and how this movement can be used to explain some of the aesthetic and stylistic effects of these letters. The result shows that it is used different topic organizational patterns according to the nature of the central topic. These different mechanisms express an aesthetic intention and feature a style. This result gives rise to more general conclusions about the texts: their discursive-compositional structure is related to the creation of aesthetics and stylistics effects.