970 resultados para Semiótica e artes
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Resumen basado en el de la publicación.
O design gráfico publicitário e as artes visuais: fronteiras e apropriações da arte pela publicidade
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Dissertação apresentada ao Programa de Mestrado em Comunicação da Universidade Municipal de São Caetano do Sul - USCS
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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This work has as objective understand the role of chief public relations professional in the design of strategies for an organization considering the theories of semiotics, particularly the concepts of Firstness, secondness and Thirdness defended and presented by Charles Sanders Peirce, and business administration. We will give attention to the process that the public relations of an organization sets the detection of a problem / opportunity until the moment that takes science for all individuals and is resolved / utilized in an organization. Then to better illustrate the concepts presented, it has been a case study of the performance of a public relations professional in an organization, and its importance in her career
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The organizations now have felt some needs in regards to changes in attitudes in what refers to the relationship with their interest publics. In this way, this work has as objective approach different themes, like concepts of organizational culture and the interrelations with the profession of Public Relations, besides the contact with notions in the area of People Management and human capital. As all organizations are constituted by interest publics, it will also demonstrate theories that refer to the different kinds of publics which the organization maintains relationship with, although, giving special attention to the internal public, considered one of the main types of public. For better comprehension of the performance of the internal public it was used the greimassian narrative semiotics that allow an exploration and analysis os diverse procedures made by such public. Therefore, it was possible to observe a great contribution from the theory in what refers to the assertion of the importance in maintaining good relationships with the employees of an organization, specially to affirm the identity of the employee making use of factors such as culture, values, principals, norms etc. Thus, it is believed that the strategic communication must be used with the intention of proportioning personal and professional well being to the employees, in a way that they may feel more and more integrated and committed with the organization, granting, like so, the organizational development and recognition
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This research aims to analyze, based on the theories of French semiotics (or greimasian), the development of the critical text by Barbara Heliodora and drama criticism, a very popular genre in journalism and therefore of great relevance for scholars in the area. The corpus of this research will analyze nine texts by the author, giving priority to her early career (texts from 1957, 1958 and 1962) and her most recent texts (two from 2007 and one from 2010). The choice for greimasian Semiotics is justified because it is a methodology that provides all the necessary elements for interpretation of textual content and its relationship both in the business of the theater and journalism
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The English writer Neil Gaiman has a varied background in various genres of literature and comics. His novel Coraline (2002) was considered a bestseller and received numerous adaptations, including versions for the comics (U.S., 2008, illustrated by P. Craig Russelle) and for a musical off Broadway (USA, 2009). The object of analysis chosen for this research was the adaptation of Coraline for film, Coraline (U.S., 2009), stop motion animation directed by Henry Selick. In the eyes of the general public the film stands out for being an engaging animation. Under a closer look, Coraline becomes a valuable object of study that incorporated the technique of stop motion at the same time that modernized the fantastic genre, usually directed to children and youth, but in that case, reaches many audiences. The objective of this research is to analyze the animation based on theory of origin greimasian, focusing on the narrative that constitutes the fantastic genre in order to infer the regularities of genrer and the specificities of audiovisual product
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The developed research aims to analyze clippings of Petrobras' commemorative 60th anniversary campaign, entitled Gente, é o que inspira a gente., launched in 2013, using concepts of institutional advertising from the perspective of semiotics. The company was chose due to its traditionalism and strength within and outside the country, being one of the 20 largest in the world. During the study, it will be covered topics such as organizational communication and institutional advertising. From analyzing three parts of the Campaign, which aims to influence public opinion about the organization, associating her concepts or images that benefit the way Petrobras is seen. To analyze the effectiveness and efficiency of the campaign, it was chosen as methodological method, the semiotic studies of Charles Peirce, with his concepts of firstness, secondness and thirdness. This approaching intention of its audience is clear in this campaign not only with the participation of employees and signs that compose it, but also with the dissemination of information about the company, such as history, data, policies, methods and services provided, transmitting effectively its essence as a company, through its mission, vision and explicit and implicit values in messages
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El trabajo recorre críticamente cuatro textos del musicólogo finés Eero Tarasti. Los mismos apuntan a la refundación de una nueva semiótica, la semiótica existencial que, si bien se basa en los postulados tradicionales de esa disciplina, provee una mirada más fenomenológica y antropomorfa. Se sintetizan también los aportes fundamentales de Tarasti, especialmente en relación a su aplicación en la investigación musical. Estos aportes son ejes tácitos que recorren solapadamente su obra, pero que apuntan en todos los casos a la superación de la semiótica “esclerotizada".
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El trabajo aborda a la vez la historia de una institución local en particular y su devenir en relación con el campo artístico de Mendoza y la genealogía europeizante del museo de arte impuesto como paradigma desde la formación de los estados nacionales europeos. El Museo de Bellas Artes como entidad reproductora del gusto de la burguesía y como factor de distinción social verifica en esta región americana el cumplimiento de un ciclo reforzado por la copia del modelo civilizatorio que asume como propio en la Mendoza de los siglos XIX y XX. Tras la institución del primer Museo Provincial de Bellas Artes y su posterior refundación como Museo Fader; sorprende hallar un programa museológico de cuño modernizador; atento a la realidad latinoamericana sin perder de vista la historia del sector.
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Resumen: En este artículo el autor considera desde el punto de vista temporal, tres dimensiones diferentes: el tiempo físico o cronométrico, el tiempo vivencial o psicológico y el tiempo virtual, dimensión esta última en la cual se inscriben las artes temporales.
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[ES] El presente trabajo de investigación trata de arrojar luz sobre las relaciones entre las variables Satisfacción, Compromiso, Confianza y Futuras Intenciones de compra. Con este fin, se propone un Modelo de Gestión de las Relaciones con Clientes de Servicios en el que se observa que la variable más importante en la consecución de resultados positivos en lo que respecta a intenciones de asistencia futura de los consumidores es el Compromiso.
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Ponencia leída en el Foro de Comunicaciones IkasArt III (BEC Barakaldo, 2011.11.11)
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8 p.