999 resultados para Sculpture, Medieval.
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Higher Education Authority (PRTLI as part of National Development Plan)
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Mode of access: Internet.
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Mode of access: Internet.
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Mode of access: Internet.
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"This paper will explore an unstudied fifteenth-century English alabaster altarpiece referred to as the Martyrdom Altarpiece. Based on dated and current scholarship, this analysis postulates two scenarios of the object's history. The first scenario postulates the Martyrdom Altarpiece as being commissioned by the Carthusian order. This position is based on stylistic and iconographic readings of the object that correlate with Carthusian analogs. These interpretations are strengthened by documentation sold with the Martyrdom Altarpiece during its 1978 auction sale. Scenario two argues that the Martyrdom Altarpiece's origins are not Carthusian, furthermore suggesting that the object is a composite or truncated piece"
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Includes index.
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The first part and half of the second printed in 1901 as the author's "habilitationsschrift," Technische hochschule, München.
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Mode of access: Internet.
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Anhang I. Beschreibung der einzelnen initialen.--Anhang II. Verzeichniss der ganzseitigen bilder der handschrift.--Anhang III. Verzeichniss der monatsbilder und verse im kalender.
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Mode of access: Internet.
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"The Barta Press, Boston, U.S.A."--T.p. verso.
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Letter accepting dedication dated 1854, preface, 1851.
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The understudied capital sculpture of Wells Cathedral in Somerset, England (c. 1184-1210) provides ample opportunity of expanding the current scholarship and understanding of interior ecclesiastical sculpture in a West Country cathedral. While the Gothic style of architecture is typically understood as, according to Paul Binski (2014), rational in execution and reception, the capital sculpture at Wells Cathedral has been considered illogical in terms of both its iconography and location within the nave, transepts, and north porch. Utilizing Michael Camille’s post/anti-iconographical approach, this project examines the Wells figural capitals in five case studies: labour, Old and New Testament Scenes, animals and beast fables, busts, and monsters and hybrids. Each group of capitals will be approached with an understanding that this type of art was viewed by people of different classes and professions, with each viewer bringing their own personal experiences and abilities into how they could have read and understood these types of images. Therefore, the capitals at Wells must be read through layers of meaning and interpretation while also considering their locations within the cathedral and how they react and respond to surrounding figural capitals.
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The work of Italian-based photo-artist Patrick Nicholas is analysed to show how his re-workings of classic ‘old-master’ paintings can be seen as the art of ‘redaction,’ shedding new light on the relationship between originality and copying. I argue that redactional creativity is both highly productive of new meanings and a reinvention of the role of the medieval Golden Legend. (Lives of the Saints).