Handheld laser profilometry of certain medieval inscribed stones

Higher Education Authority (PRTLI as part of National Development Plan)

The Bamberg rider; studies of mediaeval German sculpture.

Mode of access: Internet.

Italian sculpture of the middle ages and period of the revival of art. A descriptive catalogue of the works forming the above section of the museum, with additional illustrative notices.

Mode of access: Internet.

Mélanges. Épigraphie gallo-romaine. Sculpture et architecture médiévales. Campanographie ancienne et moderne.

Mode of access: Internet.

A Study of the Martyrdom Altarpiece

"This paper will explore an unstudied fifteenth-century English alabaster altarpiece referred to as the Martyrdom Altarpiece. Based on dated and current scholarship, this analysis postulates two scenarios of the object's history. The first scenario postulates the Martyrdom Altarpiece as being commissioned by the Carthusian order. This position is based on stylistic and iconographic readings of the object that correlate with Carthusian analogs. These interpretations are strengthened by documentation sold with the Martyrdom Altarpiece during its 1978 auction sale. Scenario two argues that the Martyrdom Altarpiece's origins are not Carthusian, furthermore suggesting that the object is a composite or truncated piece"

S. Martin von Lucca und die Anfänge der toskarischen Skulptur im Mittelalter /

Includes index.

Die Nürnberger bildnerkunst um die wende des 14. und 15. jahrhunderts,

The first part and half of the second printed in 1901 as the author's "habilitationsschrift," Technische hochschule, München.

Mittelalterliche Plastik in Venedig,

Mode of access: Internet.

Der Albanipsalter in Hildesheim und seine beziehung zur symbolischen kirchensculptur des XII. jahrhunderts.

Anhang I. Beschreibung der einzelnen initialen.--Anhang II. Verzeichniss der ganzseitigen bilder der handschrift.--Anhang III. Verzeichniss der monatsbilder und verse im kalender.

Catalogue of plaster reproductions from antique, medieval and modern sculpture : Subjects for art schools.

Mode of access: Internet.

Catalogue of plaster cast reproductions from antique, medieval, and modern sculpture : subjects for art schools /

"The Barta Press, Boston, U.S.A."--T.p. verso.

Recherches sur l'architecture, la sculpture, la peinture, la menuiserie, la ferronnerie, etc. dans les maisons du moyen-âge et de la renaissance à Lyon,

Letter accepting dedication dated 1854, preface, 1851.

The Capital Sculpture of Wells Cathedral, c. 1184-1210

The understudied capital sculpture of Wells Cathedral in Somerset, England (c. 1184-1210) provides ample opportunity of expanding the current scholarship and understanding of interior ecclesiastical sculpture in a West Country cathedral. While the Gothic style of architecture is typically understood as, according to Paul Binski (2014), rational in execution and reception, the capital sculpture at Wells Cathedral has been considered illogical in terms of both its iconography and location within the nave, transepts, and north porch. Utilizing Michael Camille’s post/anti-iconographical approach, this project examines the Wells figural capitals in five case studies: labour, Old and New Testament Scenes, animals and beast fables, busts, and monsters and hybrids. Each group of capitals will be approached with an understanding that this type of art was viewed by people of different classes and professions, with each viewer bringing their own personal experiences and abilities into how they could have read and understood these types of images. Therefore, the capitals at Wells must be read through layers of meaning and interpretation while also considering their locations within the cathedral and how they react and respond to surrounding figural capitals.

The new Golden Legend: Patrick Nicholas's secular saints

The work of Italian-based photo-artist Patrick Nicholas is analysed to show how his re-workings of classic ‘old-master’ paintings can be seen as the art of ‘redaction,’ shedding new light on the relationship between originality and copying. I argue that redactional creativity is both highly productive of new meanings and a reinvention of the role of the medieval Golden Legend. (Lives of the Saints).