Les personnages comme maîtres d'œuvre du récit de l'actualité dans le journal Le Fantasque de Napoléon Aubin (1837-1845)

Le début du XIXe siècle est une période marquée par de nombreux bouleversements politiques, dont les rébellions des Patriotes et l'Acte d'Union qui s'ensuit, impliquant une forte présence de la censure dans la presse canadienne de l’époque. Afin de contourner ce couperet de la censure, plusieurs journaux politiques effectuent un glissement du factuel au fictionnel. L'exemple le plus remarquable de ce choix de la littérarité est le journal Le Fantasque, édité par Napoléon Aubin et publié de 1837 à 1845 dans la ville de Québec. L'actualité y est rapportée à travers le prisme de la fiction, qui se déploie principalement par le biais des personnages. Le flâneur fantasque constitue la figure centrale et créatrice du journal. Par le récit de ses promenades et rencontres et par l'insertion de lettres presque toujours fictives de protagonistes de l'actualité, le flâneur donne accès à une multitude de voix disparates qui se font les porte-paroles de l'actualité. Ce passage systématique par les personnages fait du journal une œuvre et de l'actualité un récit. Nous étudions le système de personnages qui anime Le Fantasque de 1837 à 1842 et l’effet de son utilisation sur le récit de l’actualité et la lecture. Notre analyse s'inscrit dans le champ prolifique des études sur la presse et s’appuie principalement sur l’analyse de textes. Elle vise à ajouter aux connaissances sur les débuts de la littérature canadienne, à montrer sa vitalité et son ouverture au monde. Nous désirons aussi apporter des outils pour l'analyse de la forme journalistique et la reconnaissance des qualités littéraires de plusieurs textes publiés dans Le Fantasque.

Chasing reporters : Infotainment, intertextuality and media satire

The Chaser’s War on Everything is a night time entertainment program which screened on Australia’s public broadcaster, the ABC in 2006 and 2007. This enormously successful comedy show managed to generate a lot of controversy in its short lifespan (see, for example, Dennehy, 2007; Dubecki, 2007; McLean, 2007; Wright, 2007), but also drew much praise for its satirising of, and commentary on, topical issues. Through interviews with the program’s producers, qualitative audience research and textual analysis, this paper will focus on this show’s media satire, and the segment ‘What Have We Learned From Current Affairs This Week?’ in particular. Viewed as a form of ‘Critical Intertextuality’ (Gray, 2006), this segment (which offered a humorous critique of the ways in which news and current affairs are presented elsewhere on television) may equip citizens with a better understanding of the new genre’s production methods, thus producing a higher level of public media literacy. This paper argues that through its media satire, The Chaser acts not as a traditional news program would in informing the public with new information, but as a text which can inform and shape our understanding of news that already exists within the public sphere. Humorous analyses and critiques of the media (like those analysed in this paper), are in fact very important forms of infotainment, because they can provide “other, ‘improper,’ and yet more media literate and savvy interpretations” (Gray, 2006, p. 4) of the news.

Public knowledge beyond journalism : infotainment, satire and Australian television

This thesis examines the changing relationships between television, politics, audiences and the public sphere. Premised on the notion that mediated politics is now understood “in new ways by new voices” (Jones, 2005: 4), and appropriating what McNair (2003) calls a “chaos theory” of journalism sociology, this thesis explores how two different contemporary Australian political television programs (Sunrise and The Chaser’s War on Everything) are viewed, understood, and used by audiences. In analysing these programs from textual, industry and audience perspectives, this thesis argues that journalism has been largely thought about in overly simplistic binary terms which have failed to reflect the reality of audiences’ news consumption patterns. The findings of this thesis suggest that both ‘soft’ infotainment (Sunrise) and ‘frivolous’ satire (The Chaser’s War on Everything) are used by audiences in intricate ways as sources of political information, and thus these TV programs (and those like them) should be seen as legitimate and valuable forms of public knowledge production. It therefore might be more worthwhile for scholars to think about, research and teach journalism in the plural: as a series of complementary or antagonistic journalisms, rather than as a single coherent entity.

The uses of satire : unorthodox news, cultural chaos and the interrogation of power

This article focuses on the satirical Australian show The Chaser’s War on Everything, and uses it to critically assess the potential political and social ramifications of what McNair (2006) has called ‘cultural chaos’. Drawing upon and analysing several examples from this particular program, alongside interviews with its production team and qualitative audience research, this article argues that this TV show’s engagement with politicians and political issues, in a way that departs from the conventions of traditional journalism, offers a significant opportunity for the interrogation of power. The program’s use of often bizarre and unexpected comedic confrontation allows it to present a perhaps more authentic image of political agents than is often cultivated in mainstream journalism. This suggests therefore that the shift from homogeneity to heterogeneity in the news media – which McNair (2006) sees as a key feature of cultural chaos – presents a significant challenge to those who wish to retain control over what the public sees and understands about the political world, and is a development which should be viewed in positive terms.

Histoire philosophique et politique : des établissemens et du commerce des européens dans les deux Indes

Guillaume Raynal, historiador e filósofo francês, nasceu em Saint-Geniez-en Rouergue em 11 de abril de 1713 e morreu em Choillot, em 6 de março de 1796. Estudou no Colégio dos Jesuítas de Pézenas, distinguindo-se como pregador e professor. Abandonou o hábito jesuita para se dedicar à filosofia e à história, publicando numerosos artigos no Mercure de France. Tendo sido alvo de um mandado de prisão, refugiou-se na Prússia e mais tarde na Rússia; retornou à França em 1787. ‘Histoire philosofique et politique’ foi publicada simultaneamente pelo mesmo editor em duas impressões, contendo cinco volumes a primeira e dez volumes a segunda. Foi uma das obras que mais ínfluenciou o movimento da Revolução Francesa, tendo o autor utilizado opiniões e, eventualmente, a colaboração de Diderot e Holbach, entre outros contemporâneos. Proibido na França e ai queimado em 1781, este importante trabalho de Raynal teve mais de trinta edições num periodo de vinte anos e foi traduzido para quase todos os idiomas europeus. Segundo Borba de Moraes, ‘esta edição de Genebra é a melhor e mais bela’. Na impressão de dez volumes existentes na Biblioteca da Câmara, a seção referente ao Brasil encontra-se no volume 5.

Léo Strauss: art d'écrire, politique, philosophie

L'ouvrage examine la pensée de Léo Strauss (1899-1973) et étudie à partir d'elle les stratégies d'exposition et de dissimulation de la philosophie. Les études qu'il réunit mesurent la portée de l'hypothèse d'un "art d'écrire oublié" et examinent la fécondité et les limites de la conception straussienne de l'écriture philosophique.

Europartis et politiques publiques: Les sociaux-démocrates et la quête d'une politique fiscale

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Les derniers écueils vers la parité politique en Belgique: Une analyse des élections régionales de 2004

In Belgium, gender-parity has been compulsory for all party lists (in local, regional, federal and European elections) for several years. As a result, the proportion of women has risen from a fourth up to a third of the deputies. Yet, strict parity is still far from realised. This article seeks to establish what causes this glass ceiling, namely the parties' reluctance to place female candidates in the top positions or even as the front-runner. In a proportional representation system with half-open lists, and especially when the constituencies are small, this automatically leads to a smaller proportion of women among the elected deputies. One important reason for the parties' reluctance to rank female candidates higher is their assumption that women are less effective as "election locomotives" than men. However, the analysis of the Belgian election results makes clear that this is not the case. Female candidates in top positions are as successful as their male counterparts. © (2008) Swiss Political Science Review.

"Peut-on être libéral et communautarien?": La pensée politique de Michaël Walzer

info:eu-repo/semantics/published