The tomb of Pius IX, in the church of S. Lawrence, beyond the walls of Rome ...

Mode of access: Internet.

La Basilica ostiense liberata dalle innondazioni del Tevere senza bisogno d'innalzarne il pavimento.

Mode of access: Internet.

Notizie intorno la colonna sbarcata il giorno 4 di gennaro del corrente anno 1828 : per servire alla riedificazione della basilica di S. Paolo sulla via Ostiense : redatte /

University of Illinois bookplate: "From the library of Conte Antonio Cavagna Sangiuliani di Gualdana Lazelada di Bereguardo, purchased 1921".

Rome, Italy, 1823 (Raster Image)

This layer is a georeferenced raster image of the historic paper map entitled: Nuova pianta di Roma Moderna, estratta dalla grande del Nolli corretta ed accresciuta de nomi delle contrade indicati al loro rispettivo sito in Roma; Pietro Ruga incise. It was published by Venanzio Monaldini Libraio e Cartolaro in 1823. Scale [ca. 1:9,120]. Covers Rome, Italy and Vatican City. The image inside the map neatline is georeferenced to the surface of the earth and fit to the "European Datum 1950 UTM Zone 33N" coordinate system. All map collar and inset information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, index maps, legends, or other information associated with the principal map. This map shows features such as roads, drainage, city districts, walls, gates, and fortifications, selected buildings, and more. Relief is shown by hachures. Includes index and inset plans: Pianta della Chiesa di S. Lorenzo fuori le mura -- Mausoleo di S. Costanza -- Pianta della Basilica di S. Paolo -- Pianta del Pantheon, degli avanzi delle Terme di Agrippa, e dé ruderi scoperti recentemente. This layer is part of a selection of digitally scanned and georeferenced historic maps from The Harvard Map Collection as part of the Imaging the Urban Environment project. Maps selected for this project represent major urban areas and cities of the world, at various time periods. These maps typically portray both natural and manmade features at a large scale. The selection represents a range of regions, originators, ground condition dates, scales, and purposes.

Pompe funebri celebrate nell'imp. e real basilica di San Lorenzo dal secolo XIII, a tutto il regno Mediceo

Includes index.

Rome, Italy, 1832 (Raster Image)

This layer is a georeferenced raster image of the historic paper map entitled: Pianta della citta di Roma : con la indicazione di tvtte le antichita e nvovi abbellimenti nell anno MDCCCXXXII, Pietro Ruga incise. It was published by Venanzio Monaldini libraio e cartolaro in 1832. Scale [ca. 1:5,066]. Covers Rome, Italy and Vatican City.The image inside the map neatline is georeferenced to the surface of the earth and fit to the "European Datum 1950 UTM Zone 33N" coordinate system. All map collar and inset information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, index maps, legends, or other information associated with the principal map. This map shows features such as roads, drainage, city districts, walls, gates, and fortifications, selected buildings, and more. Relief is shown by hachures. Includes indices and architectural engravings at left and right margins: Basilica di S. Giovanni -- Interno di S. Giovanni -- Basilica di S. Paolo -- Interno di S. Paolo -- Campidoglio Moderno -- Anfiteatro Favio -- Primaide di C. Cestio -- Foro Trajano -- Basilica di S. Pietro -- Interno di S. Pietro -- Basilica di S. M.a Maggiore -- Interno di S. M.a Maggiore -- Pantheon di Agrippa -- Interno del Pantheon -- Monte Cavallo -- Foro Romano. This layer is part of a selection of digitally scanned and georeferenced historic maps from The Harvard Map Collection as part of the Imaging the Urban Environment project. Maps selected for this project represent major urban areas and cities of the world, at various time periods. These maps typically portray both natural and manmade features at a large scale. The selection represents a range of regions, originators, ground condition dates, scales, and purposes.

Rome, Italy, 1862 (Raster Image)

This layer is a georeferenced raster image of the historic paper map entitled: Pianta di Roma, Giovanni Montiroli inv. e dis. le vedute; Augusto Fornari incise; Domenico Feltrini scrisse. It was published by Luigi Piale in nell' anno MDCCCLXII [i.e., 1862]. Scale [ca. 1:8,500,000]. Covers Rome, Italy and Vatican City. The image inside the map neatline is georeferenced to the surface of the earth and fit to the "European Datum 1950 UTM Zone 33N" coordinate system. All map collar and inset information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, index maps, legends, or other information associated with the principal map. This map shows features such as roads, drainage, city districts, walls, gates, and fortifications, selected buildings, and more. Relief is shown by hachures. Includes indices and inset: Controni di Roma.This layer is part of a selection of digitally scanned and georeferenced historic maps from The Harvard Map Collection as part of the Imaging the Urban Environment project. Maps selected for this project represent major urban areas and cities of the world, at various time periods. These maps typically portray both natural and manmade features at a large scale. The selection represents a range of regions, originators, ground condition dates, scales, and purposes.

Ancient Rome, Italy (Raster Image)

This layer is a georeferenced raster image of the historic paper map entitled: Pianta delle vestigia di Roma, secondo le osservazioni di Antonio de Romanis, ach. e socio dell' accad. di archeol. e di Antonio Nibby profess. di archeologia nell Vniv. di Roma e Socio della Stessa Accademia dallo stesso corretta ed amliata seconodo le vltime scoperte. data in lvce da Venanzio Monaldini Libraio L Anno MDCCCXXVI; Gio Acquaroni dis. e inc. It was published by presso Veanzio Monaldini ... con approvazione e privilegio Pontificio in 1826. Scale [ca. 1:8,769]. Covers area including portion of the modern city of Rome and Vatican City. The image inside the map neatline is georeferenced to the surface of the earth and fit to the "European Datum 1950 UTM Zone 33N" coordinate system. All map collar and inset information is also available as part of the raster image, including any inset maps, profiles, statistical tables, directories, text, illustrations, index maps, legends, or other information associated with the principal map. This map shows features of Ancient Rome such as roads, drainage, selected buildings, city walls, gates, and fortifications, arches, and sepulchres. Relief is shown by hachures. Includes index, notes, and insets showing floor plans of selected historical sites.This layer is part of a selection of digitally scanned and georeferenced historic maps from The Harvard Map Collection as part of the Imaging the Urban Environment project. Maps selected for this project represent major urban areas and cities of the world, at various time periods. These maps typically portray both natural and manmade features at a large scale. The selection represents a range of regions, originators, ground condition dates, scales, and purposes.

Professor Della Giovanna with unidentified group outside of the entrance to Madonna Del Cufo Church; Rome Portraits Groups

Digital Image

Evaluación y prueba avanzada de rendimiento de siete líneas promisorias y ocho variedades comerciales de arroz (Oryza sativa L.) bajo condiciones de secano en Altamira, San Lorenzo, Boaco. Primera 2003

Aunque en los últimos años, el área sembrada de arroz (Oryza sativa L.) se ha incrementado, los rendimientos son bajos. Para tratar de resolver esta problemática en el país se hace necesario la evaluación de nuevos materiales; esto con el objetivo de generar variedades de alto rendimiento que se puedan adaptar a las condiciones agroclimáticas y a los sistemas de siembra de la zona. El presente estudio se desarrolló entre julio-octubre, 2003 y fue establecido en Altamira, Municipio de San Lorenzo, departamento de Boaco. Se empleó el diseño de BCA con 15 cultivares como tratamientos y cuatro bloques. Se utilizó ANDEVA y separación de medias según Tukey (oo=0 .05) y se evaluaron características fenotípicas de 7 líneas promisorias y 8 variedades de arroz procedentes de Colombia, Cuba y República Dominicana. Las líneas promisorias de mayor rendimientos fueron: la línea L-61, y las variedades A-2756, AVEMARIA y A-2759, superando los 8 mil kg/ha.

Evaluación de cinco genotipos de arroz en el sistema clearfield, en época de riego en la finca Altamira, San Lorenzo, Boaco

El arroz (Oryza sativa L.) es uno de los cultivos más importantes del sector agropecuario nacional y uno de los principales alimentos en la dieta de los nicaragüenses, entre las limitantes en la producción está la infestación de los campos por malezas, el sistema de producción clearfield es una alternativa para garantizar una desinfección de arroz rojo que causa bajas en el rendimiento y calidad. El objetivo del estudio fue evaluar cinco genotipos de arroz en condiciones de manejo del sistema clearfield en época de riego en la finca Altamira, San Lorenzo, Boaco, Nicaragua. El ensayo se estableció en la Finca Arrocera "Altamira", a una altitud de 340 m.s.n.m, se utilizó un diseño de bloques completos al azar (BCA) con cinco tratamientos (Aitamira-120, CFX-18, IW-888, Puita Guanacaste, y IW-735) en cuatro repeticiones. Las variables evaluadas fueron comportamiento agronómico, presencia de enfermedades y productividad agrícola e industriaL Los resultados encontrados fueron los siguientes; los genotipos de mayor altura fueron IW-735 y Altamira-120; el genotipo Puíta presentó la escala mas alta de acame. No hubo diferencia entre genotipos para la variable macollamiento, el periodo de maduración más corto fue de el genotipo CFX-18 y el más largo Altamira 120. La incidencia de enfermedades Ryzoctonia y Pyricularia en los genotipos fue baja en el periodo del ensayo, el genotipo con mayor rendimiento agrícola e industrial fue IW-888 con 12 600.00 kg ha-1 en campo (Pr :S 0.05~ 0.0012)

A couple of embroiled sheets of Miguel Barnades Manaider and Esteban de Prado in the Herbaria of Real Colegio Alfonso XII of San Lorenzo de El Escorial (Madrid)

In this paper we present a couple of sheets of Umbelliferae that are preserved in the RCAXII herbaria. One of them, Selinum carvifolia, where collected in the Gredos Mountains by Miguel Barnades Mainader and was identified by his son Miguel Barnades Clarís. The other, Tragium flabellifolium, was collected in Mieres (Asturias) by Esteban de Prado and identified by Mariano La Gasca.

Cockney, pseudo-slang et argot de série noire : San-Antonio et le moment Peter Cheyney du roman noir français

This article examines how in post-war France slang became a byword for the noir genre. It considers the mechanisms, models, networks and translators' practices which set the tone for the "Série Noire”, whose influence, both written and on the screen, had, within a decade, become, a "mythology" studied by Roland Barthes. It argues that this use of slang is redolent of the inauthenticity which characterises this stage in the reception of the Noir genre in France. It is certain that this artificial French slang is far from devoid of charm, or even mystery. But it tends to depreciate and deform the translated works and seems to be the hallmark of an era that might have defined and acclimatised Noir fiction in France, yet remains one which has not fully understood the gravity of its purpose. While such translations seem outdated nowadays (if not quite incomprehensible ), original works written at the time in French by writers inspired by the model of " pseudo- slang" and the fashionability of American popular culture have benefited from them. In this very inauthenticity, derivative novels have found a licence for invention and freedom, with authors such as Cocteau hailing it as a revival of the French written language. We see here how the adventures of Commissaire San Antonio, by Frédéric Dard constitute the best examples of this new creativity in French and draw upon a template set for the reception of American literature