20 resultados para Samurai


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Samurai in the Surf explores the history of Japanese investment in the 1980s, following a money-trail that leads back to a ballooning Japanese economy and a colorful array of investment sources. The book also explores the local community's views of this unprecedented stream of foreign investment and provides a convincing illustration of the links between 1980s Queensland and Pauline Hanson's One Nation movement of the 1990s.

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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Oncidium varicosum is a species of orchid that is prevalent in South America. This species produces yellow flowers, which are commonly named golden shower, ballet dancer and Anita's flower. The study of the post-harvest physiology of flowers involves examination of factors related to quality loss of cut flowers, which is related not only to several physiological processes but also to interactions between the floral components and qualitative factors. In this context, our research involved the study of physiological aspects of the post-harvest physiology of cut inflorescences of Oncidium varicosum ('Samurai') after treatment with pulsing solutions containing silver salts, 8-HQC and sucrose. A reduction of relative water content of Oncidium flowers treated with pulsing STS (2 mM) was observed. The soluble carbohydrates and reducing sugars content decreased, and higher contents were measured in flowers treated with STS (2 mM). All parameters related to flower coloration were reduced in all treatments. Similar results were obtained for carotenoid content, except for the STS treatment (2 mM), which differed significantly from the other treatments on the 8th and 12th days of vase life. The inflorescences' longevity varied from 12 days (distilled water) to 15 days (STS 2 mM).

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Samurai Son is a story that captures the beauty, wonder and imagination of Japanese legends and mythology with some modern-day sensibilities and morals against the backdrop of medieval Japan. The story blends Shinto religion and stories about the tengu, bird-like wind spirits with a modern plotline in a Japanese fantasy universe. This world is filled with magic, demons, kami (magical spirits), gods and goddesses, samurai, ninja and martial arts.

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There is a widely held view that architecture is very strongly and even primarily determined by the society and culture rather than geographical, technical, economic or cli-matic factors. This is especially evident in societies where rituals, customs and tradition play a significant role in the design of built forms. One such society was that of Feudal Japan under the rule of samurai warriors. The strictly controlled hierarchical society of Feudal Japan, isolated from the rest of the world for over 250 years, was able to develop the art and architecture borrowed from neighboring older cultures of China and Korea into what is now considered uniquely Japanese. One such architecture is the Sukiya style tea houses where the ritual of tea ceremony took place. This ritual was developed by the tea masters who were Zen monks or the merchants who belonged to the lowest class in the hierarchical feudal society. The Sukiya style developed from 14th to 16th century and became an architectural space that negated all the rules imposed on commoners by the samurai rulers. The tea culture had a major influence on Japanese architecture, the concept of space and aesthetics. It extended into the design of Japanese gardens, clothes, presentation of food, and their manners in day to day life. The focus of this paper is the Japanese ritual of tea ceremony, the architecture of the tea house it inspired, the society responsible for its creation and the culture that promoted its popularity and its continuation into the 21st century.

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Este estudo trata da representação do herói nas histórias em quadrinhos do Japão, os mangás, e dos Estados Unidos, os comics. Esta análise se propõe a comparar a figura do samurai, focada nos títulos Samurai X e Vagabond, e do super-herói, através de Superman e Batman. Para tal, utilizam-se duas minisséries norte-americanas de cada um dos títulos escolhidos publicadas entre o final da década de 1980 e a década de 1990, mesmo período dos quadrinhos japoneses. Os títulos escolhidos ilustram questões-chaves para o entendimento da figura do herói: seu surgimento, morte e confronto com antagonistas. Considerando o vasto material relacionado aos personagens norte-americanos, criados no final da década de 1930, optou-se por trabalhar com sagas específicas ao invés da obra como um todo, o que só foi possível no caso dos mangás. Por isso, essa análise se baseará nas histórias em quadrinhos publicadas a partir do final da década de 1980, preservando assim a paridade cronológica entre comics e mangás, os quais possuem uma cronologia mais rígida se comparada aos primeiros. Quanto aos segmentos escolhidos, no lado do Superman, farão parte dessa análise os arcos Man of Steel, de 1986, com a origem do personagem e A Morte e o Retorno do Superman, de 1992. Já em Batman serão analisadas as HQs Batman: Ano Um, de 1987 e Knightfall, de 1993.

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In this paper, we postulate the direct relationship that exists between waste production and artistic objects; its manufacturing system, consumption, and subsequent waste. What arises in this relationship then, is another character of interest –and that will serve as a reference to compare its modus operandi with the place of artists and the arts–, in this sick world, the Diogenes. The obsessed that lives among the garbage. The absurdity of the conquest of the infinite of the illogical within the logical. The amount clouded and blinded, nothing is enjoyed, nothing is appreciated; the countless abandons its place in the memory –memorable– and there only exists a pathological accumulation, mountains of garbage, desires to hold on to vital faith of the belief of doing Something for themselves. Working just to work and building something that will not last, like a sand castle, accumulation of detritus and dust. A new logic is born, the enjoyment of diseases and emptiness, the destruction of a world without a history. «Artists of the world, abandon! You have nothing to lose but your own professions!» (Kaprow, 2007, p. 37).

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Em um esforço continuo de sobrevivência, corporações buscam meios para expandir seus negócios, seja dentro de seus mercados atuantes, ou na exploração de novos mercados. Para alcançar esse objetivo, inovações são realizadas pelos funcionários que, por meio de suas iniciativas, praticam o empreendedorismo coorporativo. São diversas formas em que o empreendedorismo corporativo se manifesta, dentre elas por meio de aquisições. Ao comprar uma outra empresa, a empresa compradora tem como motivação a busca de alguns atributos que complementem seus objetivos iniciais. Após a compra, o processo de integração entre as duas empresas é, por muitas vezes, complicado e penoso. O objetivo desse estudo é o de identificar quais são essas motivações de compra, os problemas enfrentados durante a integração entre as duas empresas, e quais são as lições aprendidas por grandes/médias corporações quando adquirem Start-ups. Muitos estudos atualmente tratam de temas relacionados à aquisição de empresas, porém, quando se trata de Start-ups, pouca literatura é encontrada. Os resultados dessa pesquisa são fruto de entrevistas com os gestores e empreendedores que participaram do processo de aquisição da SAMURAI pela Momentum e da Save-me pela Buscapé – empresas brasileiras. Os resultados são seis sugestões que devem ser consideradas por grandes/medias corporações antes e durante o processo de aquisição de uma strat-up: (i) A base de clientes da empresa comprada deve ser cuidadosamente considerada; (ii) um contato muito próximo entre os gestores das duas empresas é crucial antes da realização da aquisição; (iii) a contratação de uma empresa de consultoria em aquisições pode ser primordial durante o processo de integração; (iv) o empreendedor tem um papel de central importância para o future da nova empresa formada após a aquisição; (v) a forma como a integração entre as duas empresas ocorrerá após a compra deve ser cuidadosamente escolhida e (iv) a criação de uma corporate venture deve ser levada em consideração.

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Events in Argentina dominated most of the third quarter of 2001 until September 11, when the terrorist attacks against the United States prompted a sell-off of emerging markets assets, increasing uncertainty and risk aversion against a background of global economic slowdown. Emerging markets' short term prospects to tap international capital markets deteriorated significantly. In the third quarter of 2001, Latin American countries issued US$7.6 billion in bonds, following US$11.2 billion in the second quarter and US$13.2 billion in the first quarter, which had been a jump from only US$2.9 billion in the last quarter of 2000. At first, it seemed that the pace of debt issuance would slow down considerably given Argentina's troubles in July, as Argentina's bond auction at the beginning of the month was poorly received, forcing the government to shorten the maturity of the new debt and to pay rates as high as those during the Russian crisis in 1998. By August, however, emerging markets rebounded strongly on the back of a new US$8 billion IMF assistance package to Argentina, with both Mexico and Brazil successfully launching large issues. International markets displayed considerable flexibility as investors gave Mexico's US$1.5 billion 30- year bond and Brazil's JPY200 billion two-year samurai issue a warm reception. This return to capital markets was interrupted by the events of September 11, which caused debt issuance to fall sharply in September and October. Following the events of September 11, EMBI+ spreads widened above 1,000 basis points for the first time in nearly two years. According to J.P. Morgan there was a 3.7% market decline in September, which brought year-to-date returns for the EMBI+ to only 0.06%. Emerging markets debt, however, fared better than most other fixed income and equity markets in the immediate aftermath of the attacks. U.S. high-yield market suffered its worst month since August 1998, declining by 6.5%, while the S&P 500 and Nasdaq declined by 8.2% and 17%, respectively. Emerging equity markets suffered even greater declines, with losses as severe as 24% in local currency terms and 31% in U.S. dollar terms.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Jigoro Kano fundou o judô Kodokan em um momento de transição do Japão, onde a filosofia do Judô se adequava à sociedade moderna da Era Meiji. Kano se baseou no antigo ju-jutsu, reorganizando as técnicas mais didaticamente, reformulando os aspectos perigosos e tomando cuidado para não perder as tradições clássicas. Diante disso, o presente trabalho busca analisar, verificar e traçar novos caminhos, relacionando as antigas tradições japonesas, a criação do judô e o período histórico em que isso se deu. Para a construção deste trabalho será usado como metodologia a pesquisa bibliográfica

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Aikido is a Japanese martial art developed in the 20th century by Morihei Ueshiba. This self defense art, as it is known, is trained around the world as a noncompetitive practice. This work aimed to investigate and circumscribe the history of this martial art presenting features of its singularity. Akido´s Cultural History was used as a theoretical approach to build the historical background. The work was divided in five chapters as respectively named and described: Japan´s historical contextualization - it seeks to show the changing processes that happened in Japan which were arising from the insertion of other cultures, and how that insertion led the country to modernize itself and turn into a great world power. The ancient art: Aiki Jujutsu Daitoryu - talks about this samurai martial art which ensured the Aikido to obtain as the source technique the aiki, and the Xintoist practice. The history of a master: Morihei Ueshiba - presents some defining facts and moments from the master Ueshiba´s history, which points both to the changes occurred in the country, and to the ones that led the master to justify and broadcast the martial art. Aikido: The Budo art - portraits the Aikido´s meaning and the way that it was built to present the Aikido as a Budo art. And to finalize, Martial asceticism - seeks to make the dialogue between the cultures, from the meaning of this chapter title words (martial asceticism), as well as to point facts from the contemporaneity which provoke reflections upon the present practice