Monastic and social life in the twelfth century, as exemplified in the chronicles of Jocelin of Brakelond from A.D. MCLXXIII to MCII.

Bound with His chronicle in the original Latin entitled: Chronica Jocelini de Brakelonda.

Lordship and the peasant economy, c.1250-c.1400: Robert Kyng and the Abbot of Bury St Edmunds

Schofield, P. (2007). Lordship and the peasant economy, c.1250-c.1400: Robert Kyng and the Abbot of Bury St Edmunds. Past and Present. 195(Sup. 2), pp.53-68. RAE2008

Wills and inventories from the registers of the commissary of Bury St. Edmunds and the archdeacon of Sudbury.

Mode of access: Internet.

Chronica Jocelini de Brakelond, de rebus gestis Samsonis abbatis monasterii Sancti Edmundi.

"Genealogia de Cokefield": p. 144-145.

Life and works of Saint Bernard, abbot of Clairvaux

Based on the edition of Jacob Merler, 1641.

Biographical list of boys educated at King Edward VI. Free Grammar School, Bury St. Edmunds. From 1550 to 1900 ...

Preface signed: S.H.A.H.

Memorials of St. Edmund's abbey.

v. 1. Passio Sancti Eadmundi, by Abbo of Fleury. De miraculis Sancti Eadmundi, by Hermannus the archdeacon. De infantia Sancti Eadmundi, by Gaufridus de Fontibus. Opus de miraculis Sancti Ædmundi, by Abbot Samson. Cronica, by Jocelin de Brakelonde. Appendix A, B, D, E.--v. 2. Annales Sancti Edmundi. Electio Hugonis abbatis. Epist. Roberti abbatis de Thorneye. La vie Seint Edmund, by Denis Piramus. Electio Symonis abbatis. Processus contra fratres minores, qualiter expulsi erant de villa Sancti Edmundi. Gesta sacristarum. Electio Thomæ abbatis. Deprædatio abbatiæ Sancti Edmundi. Appendix A, B.--v. 3. Cronica Buriensis, 1020-1346. Collectanea Astoni. Excerpta Cantabrigiensia. Versified charters. Fifteenth century letters (reg. Curt.) Incendium eccelsiæ (the fire of 1465) Brevis cronica. Appendix A-D.

An illustration of the monastic history and antiquities of the town and abbey of St. Edmund's Bury /

Mode of access: Internet.

Adamnani Vita S. Columbae : prophecies, miracles and visions of St. Columba (Columcille) first abbot of Iona, A. D. 563-597 /

Mode of access: Internet.

Manifestations of heavenly light and fire and the construction of a saint: sanctity, mission and salvation in Adomnán's Vita Columbae

This thesis examines the late seventh-century Latin Life of Columba (Vita Columbae) in a context sympathetic to the spiritual aims and formative intellectual background of its author, Adomnán of Iona. It argues that the Vita Columbae is a sophisticated work, shaped by Adomnán’s spiritual and theological concerns. This sophistication is revealed by a forensic examination of Adomnán’s representation of Columba’s sanctity through a series of miracles, in particular, miracle stories depicting divine manifestations of fire and light. This thesis considers the form and function of these miracle stories in the context of biblical, patristic and medieval interpretations of their archetypes, towards revealing the underlying influence of scriptural, hagiographical and monastic models of sanctity. Chapter one evaluates the function of the Vita Columbae, and outlines the core themes of sanctity which pervade the work, by considering the technical terminology and literary devices found in the opening prefaces in the context of the wider monastic tradition. Chapter two examines Adomnán’s use of biblical models of sanctity to establish Columba’s sanctity, and their relationship between these models and certain miraculous episodes in the Vita Columbae. Chapter three investigates Adomnán’s description of the Holy Spirit as an illuminating fire, and its significance for his portrayal of the saint, by means of a forensic examination of biblical, exegetical and hagiographical treatments of the image. Chapter four examines the missiological, soteriological and providential elements contributing to Adomnán’s portrayal of Columba’s sanctity, as conveyed through the presence of biblical models, particularly the image of the column of fire. Chapter five establishes the influence of monastic examinations of the contemplative life on Adomnán’s portrayal of Columba’s sanctity, and shows how that sanctity is confirmed in terms of his ability to contemplate divine light.

THE LESSER-KNOWN PIANO CHAMBER MUSIC OF CAMILLE SAINT-SAENS: A RECORDING PROJECT

Throughout his long and industrious lifetime, Camille Saint-Saens (1835-1921) devoted himself unconditionally to music both as a composer and a performer. Saint-Saens was a self-described traditionalist and musical purist, yet his works are distinctly expressive and imaginative, and they reflect the composer's own unique musical language which incorporates recognizably modem traits such as chromaticism and frequent modulation. As a performer, Saint-Saens preferred to premiere his own works and often included his chamber music in his concert programs. Regarded primarily as a symphonic composer in the present day, however, his extensive and varied collection of chamber music works is sadly neglected. Six varied small-ensemble works with piano from his chamber music repertoire have been selected for study and recording for this project: Piano Trio No. 1 in F Major, Op. 18 (1864); Sonata for Cello and Piano No. 1 inC Minor, Op. 32 (1872); two pieces for two pianos, Le Rouet d'Omphale (The Spinning Wheel ofOmphale), Op. 31 (1871) and Phaeton, Op. 39 (1874); piano duet Konig Harald Haifagar (King Harald Haarfager), Op. 59 (1880); and a wind quartet, Caprice sur des airs Danois et Russes (Caprice on Danish and Russian Airs) for Flute, Oboe, Clarinet and Piano, Op. 79 (1887). Analyses of the forms and harmonic structures of these compositions will be included in this dissertation paper as well as studies from the viewpoint of Saint-Saens' compositional style, ensemble characteristics, and writing for the piano. The recordings for this project were made in four sessions in LeFrak Concert Hall at Queens College, the City University of New York. On September 24, 2003, Op. 31, Op. 39 and Op. 59 were recorded with Professor Morey Ritt, piano. On March 2, 2004, Op. 18 was recorded with Elena Rojas, violin, and Clare Liu, cello, and on March 15, 2004, Op. 32 was recorded, also with Ms. Liu. The Caprice, Op. 79 was recorded on June 27, 2008 with Laura Conwesser, flute; Randall Wolfgang, oboe; and Steve Hartman, clarinet. The recordings may be found on file in the library at the University of Maryland, College Park.

Pen and sunlight sketches of scenery reached by the Grand Trunk Railway and connections : including Niagara Falls, Thousand Islands, Rapids of the Saint Lawrence, Montreal, Quebec, and the mountains of New England.--

At head of title: "The tourist route of America".