Without a trace? The Sámi in the Swedish History Museum

Around 2005, the Swedish History Museum (SHM) in Stockholm reworked their Vikings exhibition, aiming to question simplistic and erroneous understandings of past group identities. In the process, all references to the Sámi were removed from the exhibition texts. This decision has been criticised by experts on Sámi pasts. In this article, it is argued that we can talk about a Sámi ethnic identity from the Early Iron Age onwards. The removal of references to the Sámi in the exhibition texts is discussed accordingly, as well as the implicit misrepresentations, stereotypes and majority attitudes that are conveyed through spatial distribution, choice of illustrations, lighting, colour schemes and the exhibition texts. Finally, some socio-political reasons for the avoidance of Sámi issues in Sweden are suggested, including an enduring colonialist relation to this minority.

Choix d'une unité d'effort de pêche pour les flottilles sardinières sémi-industrielles et artisanales au Sénégal

Different catches per unit of effort available for industrial and artisanal sardinella fisheries of Senegal have been analysed and compared in order to determine whether they are acceptable indices of abundance. Among the four units of fishing effort studied (total number of sets, number of trips, time spent on fishing ground, searching time), the first and the second seem inadequate in the studied fleets. The two other units, particularly the searching time, allow the calculation of catches per unit of effort which best reflect variations in abundance, although they are not completely free of usual deficiencies.

Truth Recovery and Justice after Conflict: Managing Violent Pasts

Breen Smyth, M. (2007). Truth Recovery and Justice after Conflict: Managing Violent Pasts. Abingdon: Routledge. RAE2008

African Pasts: Memory and History in African Literatures

Woods, T. (2007). African Pasts: Memory and History in African Literatures. Manchetser: Manchester University Press. RAE2008

Quin és el pastís més gran del món? : les matemàtiques al nostre projecte. '¿Cuál es el pastel más grande del mundo? : las matemáticas en nuestro proyecto'.

Proyecto realizado con alumnos de segundo de primaria sobre los aspectos matemáticos que están presentes en la vida cotidiana a partir de un centro de interés propuesto por los alumnos.

Representing traumatic pasts at the District Six Museum

Using this metaphoric framework as a starting point, I would like to focus on the characteristics of the District Six Museum which extend its work beyond being that of representation (of traumatic memory). Representation signifies in some ways distance and separation, a telling of a story depicted for others. The work of the Museum is more akin to what could broadly speaking be described as ‘engagement’. Although this is word is much over-used, it nonetheless indicates more closely an embodied practice which invites personal insertion, empathy and emplacement. It includes a whole range of sense-making practices by those closest to the Museum’s story – the dispossessed ex-residents – who participate in the memorialisation practices of the Museum in both harmonious and dissonant ways. The architectural metaphor of this seminar is key to this approach, indicating a practice which is constructed and layered, fixed yet changeable. It speaks to a spectrum of activities related to the imperatives to develop as well as conserve – elements which are central to the Museum’s work in relation to the process of return and restitution. To signify the unfinished business of representation, the permanent exhibition is called Digging Deeper, a framework which allows for an always further uncovering of facts, meanings and perspectives.

Decreta Smi. D.N.D. Clementis Papae VIII pro reformatione Fratrum Ordinis Eremitarum Sancti Augustini

Sign. : A4