Reflexive Modernisation and Social Work in Ireland: A Response to Powell

The aim of this article is respond to some of the issues addressed by Powell (1998). It focuses on his consideration of the role and task of social work within a changing society. I argue that, before postulations about the future role of social work in Ireland can be made, consideration of its current nature and the form of its discourses are necessary. I then go on to critique Powell's analysis of social work in the context of concepts such as empowerment, participation and prevention and argue that, by failing to consider the necessarily regulatory and centralized nature of much of Irish social work currently, such an analysis remains merely rhetorical. Powell's reference to the Irish Association of Social Workers' Code of Ethics (1995) as evidence of social work entering a period of reflexive modernity is also examined. The article concludes with a call for a move away from utopian speculation within Irish social work discourse towards a more realistic and constructive analysis of both the future potential and the limitations of Irish social work, given its spatial and discursive constraints.

Självet, rollerna och pågående koordinationer av mänskliga handlingar : Om att försöka se ’samhället’ som något annat än fängelse eller marionetteater

The self, roles and the ongoing coordination of human action. Trying to see ‘society’ as neither prison nor puppet theatre In the article it is argued that structural North-American role-sociology may be integrated with theories emphasizing ‘society’ as ongoing processes (f. ex. Giddens’ theory of structuration). This is possible if the concept of role is defined as a recurrence oriented to the action of others standing out as a regularity in a societal process. But this definition makes it necessary to in a fundamental way understand what kind of social being the role-actor is. This is done with the help of Hans Joas’ theory of creativity and Merleau-Pontys concept of ‘flesh’ arguing that Meads concept of the ‘I’ maybe understood as an embodied self-asserting I, which at least in reflexive modernity has the creative power to split Meads ‘me’ into a self-voiced subject-me and an other voiced object-me. The embodied I communicating with the subject-me may be viewed as that role-actor which is something else than the role played. But this kind of role-actor is making for new troubles because it is hard to understand how this kind of self is creating self-coherence by using Meads concept of ‘the generalized other’. This trouble is handled by using Alain Touraines concept of the ‘subject’ and arguing that the generalized other is dissolving in de-modernized modernity. In split modernity self-coherence may instead be created by what in the article is called the generalized subject. This concept means a kind of communicative future based evaluation, which has its base in the ‘subject’ opposing the split powers of both the instrumentality of markets and of life-worlds trying to create ‘fundamentalistic’ self-identities. This kind of self is communicative because it also must respect the other as ‘subject’. It exists only in the battle against the forces of the market or a community. It never constructs an ideal city or a higher type of individual. It creates and protects a clearing that is constantly being invaded, to use the words of the old Frenchman himself. Asa kind of test-case it is by the way in the article shown how Becks concept of individualization may be understood in a deeply social and role-sociological way.

Fundamentos para uma teoria de expectativa econômica

O Principal Objetivo deste Trabalho é Identificar Bases Plausíveis para uma Teoria de Formação de Expectativa Econômica. Argumentamos que a Incorporação de Expectativa em Qualquer Tratamento Analítico, Deve Envolver, Principalmente, Fundamentos Epistêmicos. Duas Perspectivas de Análise Foram Consideradas: a Abordagem Contextualista de Bhargava(1992) e a Tese da Modernidade Reflexiva, Desenvolvida por Anthony Giddens. Concluímos que a Expectativa Econômica Resulta do Processo de Apropriação de Conhecimento Especializado, que É, em Grande Extensão, Mediado Através da Mídia.

Expectativas socialmente construídas: fundamentos, formalização e resultados exploratórios

Esta tese é uma discussão crítica, sob a ótica da formação de expectativas, da relação que se interpõe entre ciência econômica, como corpo de conhecimento, e seus agentes. Primeiro, examinamos abordagens relevantes sobre expectativas na análise econômica, indicando suas insuficiências. Argumentamos que a incorporação de expectativa, em qualquer tratamento analítico, deve envolver, principalmente, fundamentos epistêmicos. Segundo, sob a perspectiva da teoria de modernidade reflexiva desenvolvida por Anthony Giddens, buscamos identificar bases plausíveis para uma teoria de expectativa econômica. Concluímos que o processo de formação de expectativa é construção social, a partir da interdependência entre expertos e leigos. Denominamos esta conclusão por hipótese de expectativas socialmente construídas (HESC). Terceiro, propusemos um arcabouço analítico para incorporar a HESC. Basicamente, informação de expectativa se difunde através da mídia e do contato face a face entre agentes. Nova informação não resulta necessariamente em revisão de expectativas, o que vai depender, principalmente, de conhecimento econômico e vizinhança do agente. Por último, um exemplo de aplicação: o modelo-HESC foi submetido a três experimentos macroeconômicos, e seus resultados comparados àqueles obtidos por Mankiw e Reis (2002). A primeira conclusão desta tese é metodológica: expectativas dos agentes em modelos macroeconômicos não são determinadas a partir de equações do próprio modelo. A segunda é normativa: conhecimento e vizinhança são capazes de perpetuar ineficiências decorrentes de erros de expectativas. A terceira está relacionado com economia positiva: as diferenças entre os resultados do modelo de informação-rígida obtidos pelos autores acima e aqueles do modelo-HESC apontam para novas possibilidades explanatórias.

Identidade, comunicação e cidadania no facebook: uma análise do diário de classe de Isadora Faber.

Pós-graduação em Comunicação - FAAC

Escola, televisão e internet na modernidade reflexiva: um estudo sobre a estruturação social a partir dos jovens

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

A racionalização das tradições no contexto da modernidade tardia: o caso das tradições gaúchas

Pós-graduação em Ciências Sociais - FFC

Modernidade reflexiva: Giddens, Beck e as limitações da segunda modernidade

Este trabalho objetiva expor a teoria da modernidade reflexiva elaborada de forma mais precisa por Ulrich Beck e Anthony Giddens, buscando compreender os contornos de tal proposta e seus possíveis limites. Para tanto buscamos contextualizar o debate dentro de um quadro mais amplo para conseguirmos nossos objetivos.

A racionalização das tradições na modernidade: o diálogo entre Anthony Giddens e Jürgen Habermas

Based on the reflections of Habermas and his conception of modernity, understood as an unfinished project, Giddens stresses that in all societies the maintenance of personal identity and its connection to broader social identities is a primordial requirement for ontological security. To achieve ontological security, modernity had to (re) invent traditions and get away from genuine traditions, that is, those values radically linked to the pre-modern past. This is a character of the discontinuity of modernity, the separation between what is presented as the new and that which persists as the legacy of the old. This article discusses the relationship between tradition and modernity and the dialogue between Giddens and Habermas. The goal is to identify the points of contact and the differences in the theses defended by both authors, in order to assess their contributions to discussions of the rationalization of contemporary societies. Late or reflexive modernity is an uninterrupted process of changes that affect the foundations of Western society. Faced with a reality of constant change, it is necessary to choose between the certainty of the past and a new reality of continuous change. In this sense, and according to the Habermasian perspective, the reflexive character of modernity is found in this process of choosing between the certainties inherited from the past and new social forms, a process that that leads to the reflection on - or even the recasting of - social practices, causing the rationalization and (re) invention of various aspects of life in society.

Verso una sociologia della sostenibilità: il caso delle Città in Transizione. Prospettive e limiti di un percorso bottom-up

Oggetto di indagine del lavoro è il movimento ambientalista e culturale delle Città in Transizione che rappresentano esperimenti di ri-localizzazione delle risorse volte a preparare le comunità (paesi, città, quartieri) ad affrontare la duplice sfida del cambiamento climatico e del picco del petrolio. A partire dal Regno Unito, la rete delle Transition Towns si è in pochi anni estesa significativamente e conta oggi più di mille iniziative. L’indagine di tale movimento ha richiesto in prima battuta di focalizzare l’attenzione sul campo disciplinare della sociologia dell’ambiente. L’attenzione si è concentrata sul percorso di riconoscimento che ha reso la sociologia dell’ambiente una branca autonoma e sul percorso teorico-concettuale che ha caratterizzato la profonda spaccatura paradigmatica proposta da Catton e Dunlap, che hanno introdotto nel dibattito sociologico il Nuovo Paradigma Ecologico, prendendo le distanze dalla tradizionale visione antropocentrica della sociologia classica. Vengono poi presentate due delle più influenti prospettive teoriche della disciplina, quella del Treadmill of Production e la più attuale teoria della modernizzazione ecologica. La visione che viene adottata nel lavoro di tesi è quella proposta da Spaargaren, fautore della teoria della modernizzazione ecologica, secondo il quale la sociologia dell’ambiente può essere collocata in uno spazio intermedio che sta tra le scienze ambientali e la sociologia generale, evidenziando una vocazione interdisciplinare richiamata anche dal dibattito odierno sulla sostenibilità. Ma le evidenze empiriche progressivamente scaturite dallo studio di questo movimento che si autodefinisce culturale ed ambientalista hanno richiesto una cornice teorica più ampia, quella della modernità riflessiva e della società del rischio, in grado di fornire categorie concettuali spendibili nella descrizione dei problemi ambientali e nell’indagine del mutamento socio-culturale e dei suoi attori. I riferimenti empirici dello studio sono tre specifiche realtà locali in Transizione: York in Transition per il Regno Unito, Monteveglio (Bo) e Scandiano (Re) in Transizione per l’Italia.

Caring for ageing migrants in nursing homes: 'doing diversity' while 'doing death'

The proposed paper will present first results of a research project investigating how nursing homes in Switzerland deal with migrant elders who are in intensive need of care. Focusing on the end-of-life in institutional care settings, the intention is to explore the dimensions of ‘doing death’ in Swiss nursing homes when the elderly involved are of migrant background. The focus is laid on the co-construction of end of life in interactions between residents of migrant background and professional carers involved (often of migrant background themselves), and will thereby focus on processes of ‘doing diversity’ while ‘doing death’. To do so, we chose an ethnographic approach focusing on the participant observation of everyday practices of ‘doing death’ and ‘death work’ and on interviewing staff, residents and their relatives. Caring for ageing migrants at the end of their lives is studied in different types of assisted living at the end of life: The field of research was entered by studying a group specific department for residents of so-called ‘Mediterranean’ background. It was contrasted by a department stressing the individuality of each resident but including a considerable number of residents with migrant background. We are interested in how (and if at all) specific forms of ‘doing community’ within different types of departments may also lead to specific ways of ‘doing death’, which aim at a stronger embeddedness of dying trajectories in social relations of reciprocity and exchange. Furthermore, migrant ‘doing death’ is expected to be particularly negotiable since the potential diversities of symbolic reference systems and daily practices are widened. If the respective resident is limited in his/her capacities to play an active part in negotiating about ‘good care’ and ‘good dying’ – either due to language competences, which would be migrant specific, or due to degenerative diseases, which is not migrant specific – the field of negotiations will be left up to the professionals within the organization (and to the relatives, which are, however, not constantly present). Strategies of stereotyping the ‘other’ as well as driving nurses, caring aides and other professionals of migrant background into roles of ‘cultural experts’ or ‘transcultural translators’ are expected to be common in such situations. However, the task of negotiating what would be a ‘good dying’ and what measures are appropriate is always at stake in contemporary heterogeneous societies. Therefore we would argue that studying dying processes involving migrant residents is looking at paradigmatic manifestations of doing death in recent contexts of reflexive modernity.

Reflexive stasis, scale reversal and the myth of modern cinema

This chapter looks at three films whose Portuguese urban settings offer a privileged ground for the re-evaluation of the classical-modern-postmodern categorisation with regard to cinema. They are The State of Things (Wim Wenders, 1982), Foreign Land (Walter Salles and Daniela Thomas, 1995) and Mysteries of Lisbon (Raúl Ruiz, 2010). In them, the city is the place where characters lose their bearings, names, identities, and where vicious circles, mirrors, replicas and mise-en-abyme bring the vertiginous movement that had characterised the modernist city of 1920s cinema to a halt. Curiously, too, it is the place where so-called postmodern aesthetics finally finds an ideal home in self-ironical tales that expose the film medium’s narrative shortcomings. Intermedial devices, whether Polaroid stills or a cardboard cut-out theatre, are then resorted to in order to turn a larger-than-life reality into framed, manageable narrative miniatures. The scaled-down real, however, turns out to be a disappointing simulacrum, a memory ersatz that unveils the illusory character of cosmopolitan teleology. In my approach, I start by examining the intertwined and transnational genesis of these films that resulted in three correlated visions of the end of history and of storytelling, typical of postmodern aesthetics. I move on to consider intermedia miniaturism as an attempt to stop time within movement, an equation that inevitably brings to mind the Deleuzian movement-time binary, which I revisit in an attempt to disentangle it from the classical-modern opposition. I conclude by proposing reflexive stasis and scale reversal as the common denominator across all modern projects, hence, perhaps, a more advantageous model than modernity to signify artistic and political values.

The politics of slowness and the traps of modernity

This chapter re-evaluates the diachronic, evolutionist model that establishes the Second World War as a watershed between classical and modern cinemas, and ‘modernity’ as the political project of ‘slow cinema’. I will start by historicising the connection between cinematic speed and modernity, going on to survey the veritable obsession with the modern that continues to beset film studies despite the vagueness and contradictions inherent in the term. I will then attempt to clarify what is really at stake within the modern-classical debate by analysing two canonical examples of Japanese cinema, drawn from the geidomono genre (films on the lives of theatre actors), Kenji Mizoguchi’s Story of the Late Chrysanthemums (Zangiku monogatari, 1939) and Yasujiro Ozu’s Floating Weeds (Ukigusa, 1954), with a view to investigating the role of the long take or, conversely, classical editing, in the production or otherwise of a supposed ‘slow modernity’. By resorting to Ozu and Mizoguchi, I hope to demonstrate that the best narrative films in the world have always combined a ‘classical’ quest for perfection with the ‘modern’ doubt of its existence, hence the futility of classifying cinema in general according to an evolutionary and Eurocentric model based on the classical-modern binary. Rather than on a confusing politics of the modern, I will draw on Bazin’s prophetic insight of ‘impure cinema’, a concept he forged in defence of literary and theatrical screen adaptations. Anticipating by more than half a century the media convergence on which the near totality of our audiovisual experience is currently based, ‘impure cinema’ will give me the opportunity to focus on the confluence of film and theatre in these Mizoguchi and Ozu films as the site of a productive crisis where established genres dissolve into self-reflexive stasis, ambiguity of expression and the revelation of the reality of the film medium, all of which, I argue, are more reliable indicators of a film’s political programme than historical teleology. At the end of the journey, some answers may emerge to whether the combination of the long take and the long shot are sufficient to account for a film’s ‘slowness’ and whether ‘slow’ is indeed the best concept to signify resistance to the destructive pace of capitalism.

The Coming of Post-reflexive Society: Commodification and Language in Digital Capitalism

Language is a unique aspect of human communication because it can be used to discuss itself in its own terms. For this reason, human societies potentially have superior capacities of co-ordination, reflexive self-correction, and innovation than other animal, physical or cybernetic systems. However, this analysis also reveals that language is interconnected with the economically and technologically mediated social sphere and hence is vulnerable to abstraction, objectification, reification, and therefore ideology – all of which are antithetical to its reflexive function, whilst paradoxically being a fundamental part of it. In particular, in capitalism, language is increasingly commodified within the social domains created and affected by ubiquitous communication technologies. The advent of the so-called ‘knowledge economy’ implicates exchangeable forms of thought (language) as the fundamental commodities of this emerging system. The historical point at which a ‘knowledge economy’ emerges, then, is the critical point at which thought itself becomes a commodified ‘thing’, and language becomes its “objective” means of exchange. However, the processes by which such commodification and objectification occurs obscures the unique social relations within which these language commodities are produced. The latest economic phase of capitalism – the knowledge economy – and the obfuscating trajectory which accompanies it, we argue, is destroying the reflexive capacity of language particularly through the process of commodification. This can be seen in that the language practices that have emerged in conjunction with digital technologies are increasingly non-reflexive and therefore less capable of self-critical, conscious change.